Ferrari was concerned initially to complete some works of his predecessor, helped, among others, by
Antonio Canova, who had been working in the shop since 1744. But by 1777, Ferrari closed the studio, and moved to
Mantua, then to
Modena, then to
Bologna. From 1779 he was in Rome where he worked at the studio of
Lorenzo Cardelli, and later under
Francesco Antonio Franzoni. He then returned to Venice, where he worked till 1796 on 22 of the statues of
Prato della Valle in Padua . For the
La Fenice theater (opened in 1792), Ferrari made two statues (
Melpomene and
Terpsichore) for the facade and helped
Giovanni Antonio Moschini complete the bas-reliefs of the interior (only two after the fire of 1837). Shortly afterwards built the monument to
Angelo Emo (now preserved in the church of
San Biagio), which many consider his masterpiece. In 1804 he was appointed deputy to the
Accademia di Belle Arti in Venice. Late in his career, he began working for the family Savorgnan (Count Giulio was called "my patron" by the sculptor). Afterwards, the relationship became strained due to missed payments that led Ferrari to go to court. ==Family==