Critical response Girlfight was well received by critics upon its release. It has a score of 87% on
Rotten Tomatoes, based on 133 reviews with an average rating of 7.4 out of 10. The website's critical consensus states: "Michelle Rodriguez gives a compelling performance, despite lack of a boxing background; Karyn Kusama packs a punch with this directorial debut." The film has a score of 70 out of 100 on
Metacritic, based on 34 critics' reviews, indicating "generally favorable" reviews. Numerous reviews praised Rodriguez's performance in her debut role, with several critics comparing her to
Marlon Brando.
David Denby of
The New Yorker called her "a powerhouse star who could go a long way", while
Variety critic
Emanuel Levy described her as "a natural performer who dominates every scene". In a review for
The New York Times,
A. O. Scott characterized Rodriguez as "a powerful, extraordinarily gifted young actress ... Remember the name."
The Washington Post Desson Howe felt that Rodriguez's performance was the most memorable aspect of the film, and that she "becomes more appealing, formidable and beautiful by the scene".
Karyn Kusama's script and direction were also highlighted by critics. The
Los Angeles Times Kenneth Turan commended her "craft, empathy and respect" and compared her to the character of Diana, writing that Kusama "is her protagonist's double in terms of drive, commitment and ability".
Lisa Schwarzbaum of
Entertainment Weekly felt that, although the plot was clichéd and unrealistic at times, Kusama's direction showed "a clear, personal filmmaking style ... and a respect for her characters' weaknesses as well as their moments of athletic beauty".
James Berardinelli gave the film three and a half stars out of four, calling it "a well crafted and emotionally satisfying debut" and applauding Kusama's "single-minded determination and a passion for the project".
Roger Ebert, who gave the film three and a half out of four stars in a
Chicago Sun-Times review, enjoyed that the story is "always about more than boxing" with its deeper themes "about a girl growing up in a macho society and ... discovering she has a nature probably more macho than the men around her". On the other hand, the
San Francisco Chronicle Edward Guthmann opined that Kusama "ultimately undercuts her theme of female self-reliance by having Diana fall for Adrian" and criticized the plot for "tak[ing] too much time justifying a woman's right to be in the ring – instead of celebrating her achievement". ==Accolades==