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Golden ratio

In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities ⁠⁠ and ⁠⁠ with ⁠⁠, ⁠⁠ is in a golden ratio to ⁠⁠ if where the Greek letter phi denotes the golden ratio. The constant ⁠⁠ satisfies the quadratic equation ⁠⁠ and is an irrational number with a value of 1.618033988749.... The golden ratio was called the extreme and mean ratio by Euclid, and the divine proportion by Luca Pacioli; it also goes by other names.

Calculation
Two non-zero quantities and are in the golden ratio if {{bi |left=1.6 |1= \frac{a+b}{a} = \frac{a}{b} = \varphi. }} To determine as a number, we can divide the numerator and denominator of the fraction on the left-hand side by , {{bi |left=1.6 |1=\frac{\frac{a}{b}+1}{\frac{a}{b}} = \frac{a}{b},}} and then substitute {{tmath|1= \tfrac{a}{b} = \varphi}}, to obtain {{bi |left=1.6 |1=\frac{\varphi + 1}{\varphi} = \varphi.}} Multiplying both sides by gives which can be rearranged to {{bi |left=1.6 |1={\varphi}^2 - \varphi - 1 = 0.}} The quadratic formula yields two solutions: {{bi |left=1.6 |1=\frac{1 + \sqrt5}{2} = 1.618033\dots\ and \ \frac{1 - \sqrt5}{2} = -0.618033\dots.}} The positive root, , is the golden ratio. The negative root is its negative inverse , with which it shares many properties. ==History==
History
According to Mario Livio, Ancient Greek mathematicians first studied the golden ratio because of its frequent appearance in geometry; the division of a line into "extreme and mean ratio" (the golden section) is important in the geometry of regular pentagrams and pentagons. According to one story, 5th-century BC mathematician Hippasus discovered that the golden ratio was neither a whole number nor a fraction (it is irrational), surprising Pythagoreans. Euclid's Elements () provides several propositions and their proofs employing the golden ratio, and contains its first known definition which proceeds as follows: James Sully used the equivalent English term in 1875. By 1910, inventor Mark Barr began using the Greek letter phi () as a symbol for the golden ratio. It has also been represented by tau (), the first letter of the ancient Greek τομή ('cut' or 'section'). demonstrates quasicrystals at the NIST in 1985 using a Zometoy model. The zome construction system, developed by Steve Baer in the late 1960s, is based on the symmetry system of the icosahedron/dodecahedron, and uses the golden ratio ubiquitously. Between 1973 and 1974, Roger Penrose developed Penrose tiling, a pattern related to the golden ratio both in the ratio of areas of its two rhombic tiles and in their relative frequency within the pattern. This gained in interest after Dan Shechtman's Nobel-winning 1982 discovery of quasicrystals with icosahedral symmetry, which were soon afterwards explained through analogies to the Penrose tiling. ==Mathematics==
Mathematics
Irrationality The golden ratio is an irrational number. Below are two short proofs of irrationality: Contradiction from an expression in lowest terms , then it would be the ratio of sides of a rectangle with integer sides (the rectangle comprising the entire diagram). But it would also be a ratio of integer sides of the smaller rectangle (the rightmost portion of the diagram) obtained by deleting a square. The sequence of decreasing integer side lengths formed by deleting squares cannot be continued indefinitely because the positive integers have a lower bound, so cannot be rational. This is a proof by infinite descent. Recall that: If we call the whole and the longer part , then the second statement above becomes To say that the golden ratio is rational means that is a fraction where and are integers. We may take to be in lowest terms and and to be positive. But if is in lowest terms, then the equally valued is in still lower terms. That is a contradiction that follows from the assumption that is rational. By irrationality of the square root of 5 Another short proof – perhaps more commonly known – of the irrationality of the golden ratio makes use of the closure of rational numbers under addition and multiplication. If is assumed to be rational, then , the square root of , must also be rational. This is a contradiction, as the square roots of all non-square natural numbers are irrational. Minimal polynomial . The golden ratio's negative and reciprocal are the two roots of the quadratic polynomial . Since the golden ratio is a root of a polynomial with rational coefficients, it is an algebraic number. Its minimal polynomial, the polynomial of lowest degree with integer coefficients that has the golden ratio as a root, is x^2 - x - 1. This quadratic polynomial has two roots, and {{tmath|1=\textstyle -\varphi^{-1} }}. Because the leading coefficient of this polynomial is 1, both roots are algebraic integers. The golden ratio is also closely related to the polynomial , which has roots and {{tmath|\textstyle \varphi^{-1} }}. The golden ratio is a fundamental unit of the quadratic field {{tmath|\mathbb{Q}\bigl(\sqrt5~\!\bigr)}}, sometimes called the golden field. In this field, any element can be written in the form , with rational coefficients and ; such a number has norm . Other units, with norm , are the positive and negative powers of . The quadratic integers in this field, which form a ring, are all numbers of the form where and are integers. As the root of a quadratic polynomial, the golden ratio is a constructible number.): \begin{align} \varphi^0 &= 1, \\[5mu] \varphi^1 &= 1.618033989\ldots \approx 2, \\[5mu] \varphi^2 &= 2.618033989\ldots \approx 3, \\[5mu] \varphi^3 &= 4.236067978\ldots \approx 4, \\[5mu] \varphi^4 &= 6.854101967\ldots \approx 7, \end{align} and so forth. Golden spiral (red) and its approximation by quarter-circles (green), with overlaps shown in yellow whose radius grows by the golden ratio per of turn, surrounding nested golden isosceles triangles. This is a different spiral from the golden spiral, which grows by the golden ratio per of turn. For a dodecahedron of side , the radius of a circumscribed and inscribed sphere, and midradius are (, , and , respectively): {{bi |left=1.6 |1=r_u = a\, \frac{\sqrt{3}\varphi}{2}, r_i = a\, \frac{\varphi^2}{2 \sqrt{3-\varphi}}, and r_m = a\, \frac{\varphi^2}{2}.}} While for an icosahedron of side , the radius of a circumscribed and inscribed sphere, and midradius are: {{bi |left=1.6 |1=r_u = a\frac{\sqrt{\varphi \sqrt{5}}}{2}, r_i = a\frac{\varphi^2}{2 \sqrt{3}}, and r_m = a\frac{\varphi}{2}.}} The volume and surface area of the dodecahedron can be expressed in terms of : {{bi |left=1.6 |1=A_d = \frac{15\varphi}{\sqrt{3-\varphi}} and V_d = \frac{5\varphi^3}{6-2\varphi}.}} As well as for the icosahedron: {{bi|left=1.6|1=A_i = 20\frac{\varphi^{2}}{2} and V_i = \frac{5}{6}(1 + \varphi).}} . These geometric values can be calculated from their Cartesian coordinates, which also can be given using formulas involving . The coordinates of the dodecahedron are displayed on the figure to the right, while those of the icosahedron are: (0,\pm1,\pm\varphi),\ (\pm1,\pm\varphi,0),\ (\pm\varphi,0,\pm1). Sets of three golden rectangles intersect perpendicularly inside dodecahedra and icosahedra, forming Borromean rings. In dodecahedra, pairs of opposing vertices in golden rectangles meet the centers of pentagonal faces, and in icosahedra, they meet at its vertices. The three golden rectangles together contain all vertices of the icosahedron, or equivalently, intersect the centers of all of the dodecahedron's faces. A cube can be inscribed in a regular dodecahedron, with some of the diagonals of the pentagonal faces of the dodecahedron serving as the cube's edges; therefore, the edge lengths are in the golden ratio. The cube's volume is times that of the dodecahedron's. In fact, golden rectangles inside a dodecahedron are in golden proportions to an inscribed cube, such that edges of a cube and the long edges of a golden rectangle are themselves in {{tmath|\textstyle \varphi \mathbin: \varphi^{2} }} ratio. On the other hand, the octahedron, which is the dual polyhedron of the cube, can inscribe an icosahedron, such that an icosahedron's vertices touch the edges of an octahedron at points that divide its edges in golden ratio. Other properties The golden ratio's decimal expansion can be calculated via root-finding methods, such as Newton's method or Halley's method, on the equation or on (to compute first). The time needed to compute digits of the golden ratio using Newton's method is essentially , where is the time complexity of multiplying two -digit numbers. This is considerably faster than known algorithms for pi| and e (mathematical constant)|. An easily programmed alternative using only integer arithmetic is to calculate two large consecutive Fibonacci numbers and divide them. The ratio of Fibonacci numbers {{tmath|F_{25001} }} and {{tmath|F_{25000} }}, each over digits, yields over {{tmath|10{,}000}} significant digits of the golden ratio. The decimal expansion of the golden ratio has been calculated to an accuracy of twenty trillion ({{tmath|1=\textstyle 2 \times 10^{13} = 20{,}000{,}000{,}000{,}000}}) digits. In the complex plane, the fifth roots of unity {{tmath|1=\textstyle z = e^{2\pi k i/5} }} (for an integer ) satisfying are the vertices of a pentagon. They do not form a ring of quadratic integers, however the sum of any fifth root of unity and its complex conjugate, , is a quadratic integer, an element of . Specifically, \begin{align} e^{0} + e^{-0} &= 2, \\[5mu] e^{2\pi i / 5} + e^{-2\pi i / 5} &= \varphi^{-1} = -1 + \varphi, \\[5mu] e^{4\pi i / 5} + e^{-4\pi i / 5} &= -\varphi. \end{align} This also holds for the remaining tenth roots of unity satisfying {{tmath|1=\textstyle z^{10} = 1}}, \begin{align} e^{\pi i} + e^{-\pi i} &= -2, \\[5mu] e^{\pi i / 5} + e^{-\pi i / 5} &= \varphi, \\[5mu] e^{3\pi i / 5} + e^{-3\pi i / 5} &= -\varphi^{-1} = 1 - \varphi. \end{align} For the gamma function , the only solutions to the equation are and {{tmath|1=\textstyle z = -\varphi^{-1} }}. When the golden ratio is used as the base of a numeral system (see golden ratio base, sometimes dubbed phinary or -nary), quadratic integers in the ring – that is, numbers of the form for and in – have terminating representations, but rational fractions have non-terminating representations. The golden ratio also appears in hyperbolic geometry, as the maximum distance from a point on one side of an ideal triangle to the closer of the other two sides: this distance, the side length of the equilateral triangle formed by the points of tangency of a circle inscribed within the ideal triangle, is . The golden ratio appears in the theory of modular functions as well. For |q| let R(q) = \cfrac{q^{1/5}}{1+\cfrac{q}{1+\cfrac{q^2}{1+\cfrac{q^3}{1+{ \vphantom{1} \atop \ddots}}}}}. Then R(e^{-2\pi}) = \sqrt{\varphi\sqrt5}-\varphi ,\quad R(-e^{-\pi}) = \varphi^{-1}-\sqrt{2-\varphi^{-1}} and R(e^{-2\pi i/\tau})=\frac{1-\varphi R(e^{2\pi i\tau})}{\varphi+R(e^{2\pi i\tau})} where {{tmath|\operatorname{Im}\tau>0}} and {{tmath|\textstyle (e^z)^{1/5} }} in the continued fraction should be evaluated as {{tmath|\textstyle e^{z/5} }}. The function {{tmath|\textstyle \tau\mapsto R(e^{2\pi i\tau})}} is invariant under , a congruence subgroup of the modular group. Also for positive real numbers and such that \begin{align} \Bigl(\varphi+R{\bigl(e^{-2a}\bigr)}\Bigr)\Bigl(\varphi+R{\bigl(e^{-2b}\bigr)}\Bigr)&=\varphi\sqrt5, \\[5mu] \Bigl(\varphi^{-1}-R{\bigl({-e^{-a}}\bigr)}\Bigr)\Bigl(\varphi^{-1}-R{\bigl({-e^{-b}}\bigr)}\Bigr)&=\varphi^{-1}\sqrt5. \end{align} is a Pisot–Vijayaraghavan number. ==Applications and observations==
Applications and observations
Architecture The Swiss architect Le Corbusier, famous for his contributions to the modern international style, centered his design philosophy on systems of harmony and proportion. Le Corbusier's faith in the mathematical order of the universe was closely bound to the golden ratio and the Fibonacci series, which he described as "rhythms apparent to the eye and clear in their relations with one another. And these rhythms are at the very root of human activities. They resound in man by an organic inevitability, the same fine inevitability which causes the tracing out of the Golden Section by children, old men, savages and the learned." A statistical study on 565 works of art of different great painters, performed in 1999, found that these artists had not used the golden ratio in the size of their canvases. The study concluded that the average ratio of the two sides of the paintings studied is , with averages for individual artists ranging from (Goya) to (Bellini). Music Ernő Lendvai analyzes Béla Bartók's works as being based on two opposing systems, that of the golden ratio and the acoustic scale, though other music scholars reject that analysis. French composer Erik Satie used the golden ratio in several of his pieces, including Sonneries de la Rose+Croix. The golden ratio is also apparent in the organization of the sections in the music of Debussy's ''Reflets dans l'eau (Reflections in water), from Images'' (1st series, 1905), in which "the sequence of keys is marked out by the intervals and and the main climax sits at the phi position". The musicologist Roy Howat has observed that the formal boundaries of Debussy's La Mer correspond exactly to the golden section. Trezise finds the intrinsic evidence "remarkable", but cautions that no written or reported evidence suggests that Debussy consciously sought such proportions. Music theorists including Hans Zender and Heinz Bohlen have experimented with the 833 cents scale, a musical scale based on using the golden ratio as its fundamental musical interval. When measured in cents, a logarithmic scale for musical intervals, the golden ratio is approximately 833.09 cents. Nature '', showing the multiple spiral arrangement (parastichy) Johannes Kepler wrote that "the image of man and woman stems from the divine proportion. In my opinion, the propagation of plants and the progenitive acts of animals are in the same ratio". The psychologist Adolf Zeising noted that the golden ratio appeared in phyllotaxis and argued from these patterns in nature that the golden ratio was a universal law. Zeising wrote in 1854 of a universal orthogenetic law of "striving for beauty and completeness in the realms of both nature and art". However, some have argued that many apparent manifestations of the golden ratio in nature, especially in regard to animal dimensions, are fictitious. Physics The quasi-one-dimensional Ising ferromagnet CoNb2O6 (cobalt niobate) has predicted excitation states (with symmetry), that when probed with neutron scattering, showed its lowest two were in golden ratio. Specifically, these quantum phase transitions during spin excitation, which occur at near absolute zero temperature, showed pairs of kinks in its ordered-phase to spin-flips in its paramagnetic phase; revealing, just below its critical field, a spin dynamics with sharp modes at low energies approaching the golden mean. Optimization There is no known general algorithm to arrange a given number of nodes evenly on a sphere, for any of several definitions of even distribution (see, for example, Thomson problem or Tammes problem). However, a useful approximation results from dividing the sphere into parallel bands of equal surface area and placing one node in each band at longitudes spaced by a golden section of the circle, i.e. . This method was used to arrange the mirrors of the student-participatory satellite Starshine-3. The golden ratio is a critical element to golden-section search as well. ==Disputed observations==
Disputed observations
Examples of disputed observations of the golden ratio include the following: shells are often erroneously claimed to be golden-proportioned. • Specific proportions in the bodies of vertebrates (including humans) are often claimed to be in the golden ratio; for example the ratio of successive phalangeal and metacarpal bones (finger bones) has been said to approximate the golden ratio. There is a large variation in the real measures of these elements in specific individuals, however, and the proportion in question is often significantly different from the golden ratio. • Historian John Man states that both the pages and text area of the Gutenberg Bible were "based on the golden section shape". However, according to his own measurements, the ratio of height to width of the pages is . • Studies by psychologists, starting with Gustav Fechner , have been devised to test the idea that the golden ratio plays a role in human perception of beauty. While Fechner found a preference for rectangle ratios centered on the golden ratio, later attempts to carefully test such a hypothesis have been, at best, inconclusive. • In investing, some practitioners of technical analysis use the golden ratio to indicate support of a price level, or resistance to price increases, of a stock or commodity; after significant price changes up or down, new support and resistance levels are supposedly found at or near prices related to the starting price via the golden ratio. The use of the golden ratio in investing is also related to more complicated patterns described by Fibonacci numbers (e.g. Elliott wave principle and Fibonacci retracement). However, other market analysts have published analyses suggesting that these percentages and patterns are not supported by the data. Egyptian pyramids The Great Pyramid of Giza (also known as the Pyramid of Cheops or Khufu) has been analyzed by pyramidologists as having a doubled Kepler triangle as its cross-section. If this theory were true, the golden ratio would describe the ratio of distances from the midpoint of one of the sides of the pyramid to its apex, and from the same midpoint to the center of the pyramid's base. However, imprecision in measurement caused in part by the removal of the outer surface of the pyramid makes it impossible to distinguish this theory from other numerical theories of the proportions of the pyramid, based on pi or on whole-number ratios. The consensus of modern scholars is that this pyramid's proportions are not based on the golden ratio, because such a basis would be inconsistent both with what is known about Egyptian mathematics from the time of construction of the pyramid, and with Egyptian theories of architecture and proportion used in their other works. The Parthenon are alleged to exhibit the golden ratio, but this has largely been discredited. The Parthenon's façade (c. 432 BC) as well as elements of its façade and elsewhere are said by some to be circumscribed by golden rectangles. Other scholars deny that the Greeks had any aesthetic association with golden ratio. For example, Keith Devlin says, "Certainly, the oft repeated assertion that the Parthenon in Athens is based on the golden ratio is not supported by actual measurements. In fact, the entire story about the Greeks and golden ratio seems to be without foundation." Midhat J. Gazalé affirms that "It was not until Euclid ... that the golden ratio's mathematical properties were studied." From measurements of 15 temples, 18 monumental tombs, 8 sarcophagi, and 58 grave stelae from the fifth century BC to the second century AD, one researcher concluded that the golden ratio was totally absent from Greek architecture of the classical fifth century BC, and almost absent during the following six centuries. Later sources like Vitruvius (first century BC) exclusively discuss proportions that can be expressed in whole numbers, i.e. commensurate as opposed to irrational proportions. Modern art , Les Baigneuses (1912) The Section d'Or ('Golden Section') was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Active from 1911 to around 1914, they adopted the name both to highlight that Cubism represented the continuation of a grand tradition, rather than being an isolated movement, and in homage to the mathematical harmony associated with Georges Seurat. (Several authors have claimed that Seurat employed the golden ratio in his paintings, but Seurat's writings and paintings suggest that he employed simple whole-number ratios and any approximation of the golden ratio was coincidental.) The Cubists observed in its harmonies, geometric structuring of motion and form, "the primacy of idea over nature", "an absolute scientific clarity of conception". However, despite this general interest in mathematical harmony, whether the paintings featured in the celebrated 1912 ''Salon de la Section d'Or'' exhibition used the golden ratio in any compositions is more difficult to determine. Livio, for example, claims that they did not, and Marcel Duchamp said as much in an interview. On the other hand, an analysis suggests that Juan Gris made use of the golden ratio in composing works that were likely, but not definitively, shown at the exhibition. Art historian Daniel Robbins has argued that in addition to referencing the mathematical term, the exhibition's name also refers to the earlier ''Bandeaux d'Or'' group, with which Albert Gleizes and other former members of the Abbaye de Créteil had been involved. Piet Mondrian has been said to have used the golden section extensively in his geometrical paintings, though other experts (including critic Yve-Alain Bois) have discredited these claims. ==See also==
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