In 1954, the festival decided to present an award annually, titled the Grand Prix of the International Film Festival, with a new design each year from a contemporary artist. In 1955, the first was awarded to
Delbert Mann for his film
Marty. A single piece of cut crystal forms a cushion for the palm, which is hand-cast into a wax mould and now presented in a case of blue
Morocco leather. In 1998,
Theo Angelopoulos was the first director to win the as it appears today, for his film
Eternity and a Day. This remains the only instance where multiple trophies were presented. The jury decided to include the actresses in the recognition due to a Cannes policy that forbids the -winning film from receiving any additional awards. This policy would have prevented the jury from acknowledging the actresses separately. Regarding the unorthodox decision, Spielberg commented, "Had the casting been 3% wrong, [the film] wouldn't have worked like it did for us". Subsequently, Kechiche auctioned off his trophy to fund his new feature film. In an interview with
The Hollywood Reporter, he expressed dissatisfaction with the festival's decision to award multiple trophies, stating that he felt they had "publicly insulted" him. He added, "Liberating myself from this Palme d'Or is a way of washing my hands of this sorry affair". In 2017, the award was redesigned to celebrate the festival's
70th anniversary. The diamonds were provided by an ethical supplier certified by the Responsible Jewellery Council. From 2026, the non-English language winners will also be automatically eligible for the
Academy Award for Best International Feature Film. As of 2026,
Jane Campion,
Julia Ducournau and
Justine Triet are the only female directors to have won the prize (for
The Piano,
Titane, and
Anatomy of a Fall, respectively). However,
Bodil Ipsen won the Grand Prix du Festival International du Film for
The Red Meadows (along with
Lau Lauritzen Jr.) as part of an 11-way tie at the inaugural 1946 festival. == Winners ==