MarketGolu (festival)
Company Profile

Golu (festival)

Golu is the festive display of dolls and figurines in South India during the autumn festive season, particularly around the multiday Navaratri festival of Hinduism. These displays are typically thematic, narrating a legend from a Hindu text to court life, weddings, everyday scenes, and miniature kitchen utensils. They are also known as Golu, Gombe Habba, Bommai golu, or Bommala Koluvu.

Etymology
Bommai golu in Tamil means doll decoration. Bommala Koluvu in Telugu means court of toys and Gombe Habba means doll festival in Kannada. It is a part of the annual Dasara-Vijayadasami Hindu festival where young girls and women display dolls, figurine, court life, everyday scenes along with the divine presence of the goddesses Saraswati, Parvati and Lakshmi in the Tamil, Kannada, and Telugu households during Navaratri, the nine nights. ==Description==
Description
On the first day of Navaratri, following Ganapati puja, a welcoming ritual is performed for goddesses Saraswati, Durga, and Lakshmi by a Hindu ritual called Kalasa Aavahanam which is performed by an elderly male or female of the family at an auspicious time (muhurtam). This is then followed by building a rack of odd-numbered shelves of golu (or Padi) (usually 3, 5, 7, 9, or 11), set up using wooden planks. After the steps have been covered with fabric it is then adorned with various dolls, figurines and toys according to their size, with the deities at the top. In the evenings, women within the neighborhood invite each other to visit their homes to view the golu displays; they also exchange gifts and sweets. A Kuthuvilakku lamp is lit, in the middle of a decorated rangoli, while devotional hymns and shlokas are chanted. After performing the puja, the food items that have been prepared are offered to the Goddess and then to the guests. The first 3 days of the festival are dedicated to Durga, then the next 3 days dedicated to Lakshmi and finally, the last 3 days are dedicated to Saraswati. On the 9th day, Saraswati Puja, special pujas are offered to goddess Saraswati. Books and musical instruments are placed in the puja and worshipped as a source of knowledge. The 10th day, Vijayadashami, is regarded by some to be the most auspicious day of all. It was the day Hindus believe the asura Mahishasura was finally destroyed by Durga. It is regarded to mark a new and prosperous beginning. Later, on the evening of Vijayadashami, one of the doll from the display is symbolically put to sleep, and the Kalasha is moved a bit towards North to mark the end of that year's Navaratri golu display. Prayers are offered to thank deities for the successful completion of that year's Navaratri festival and with hope of a successful one the next year. Then the steps are dismantled and the dolls are packed up for the next year. == History ==
History
The practice of golu appeared in current day Karnataka, where it is closely associated with the royal Navaratri celebrations under the Vijayanagara monarchy, during which the golu likely appeared, then the Nayakas and Polygars states, who spread it in Andhra Pradesh and Tamil Nadu. For Vasudha Narayanan, it is these very opulent celebrations that influenced the practice of golu in the households of the southern Deccan, where the ordering of society is reproduced, like the ordering of dignitaries and spectators at the Durbar (see the Mahanavami Dibba at Hampi). The Tanjore Palace golu is said to have featured figurines representing up to 18 different castes or social groups. A socio-cultural marker wrongly presented as exclusive to Tamil Brahmins (a certain number of whose households do not have this practice, which is told to be "absent from their habits" However, golu is still far from being a systematic feature in Tamil Nadu households, with the practice yet to become a part of the habits of many, and more common in some communities households. A socio-cultural characteristic of golu practice which is not found in Karnataka. With its modern reintroduction in a context far removed from the monarchy, the practice of Golu took on a purely religious dimension in Tamil Nadu, where Koluvu has no apparent links with royalty, and is rather a miniature reproduction of the world, of the totality, and its consecration to the Devi, from whom protection is sought. The votive practice of golu among the Hindus of Tamil Nadu is also noteworthy. Many people, who sometimes don't install a golu at home, offer particular figurines or entire sets of golu to temples as ex-voto offerings. These votive figurines are also installed in domestic golus, following prayers fulfillment. == Significance ==
Significance
and a stall for the sale of painted figures. A painting of the Patna School of Company style, made by Shiva Dayal Lal in 1870. Golu also has a significant connection with the agricultural and handicrafts professions in India. Besides the economic aspect of the festival, it is an important occasion for socializing. During this season relatives and friends in south India make it a point to visit each other's homes. This is also a very important occasion that promotes creative expression for women and for the family to work together on an aesthetic aspect. These days, the golu dolls are made from either clay or paper mache, with the latter being light in weight. Some dolls also depict various freedom fighters of the Indian Independence Movement and characters like Spider-Man and Superman considering the need to cater to the younger audience. Some people use collapsible steps, which are easy to install. In relation to the practice of Golu at the Court of Tanjore, there was a royal patronage of arts and crafts, including pottery and clay work, which notably enabled the creation of Tanjore dolls (the best known is the Tanjorean nautch or dancer lady with bobbling head), which appeared under the reign of Serfoji II and are today commonly exhibited in golus. Panruti, in Northern Tamil Nadu, is also an other area renowned for its golu dolls crafting. In Tamil Nadu, the growth of the practice of Golu also accompanied that of the Nativity scene. Like the Golu, the practice of the Christmas Crib was for a long time limited to the wealthy social strata of South Indian Christians (especially the Catholics) and to the churches. With urbanisation and the spread of cultural practices and consumption patterns hitherto restricted to the affluent social classes, demand for Christmas crib figures has risen sharply. This demand is also satisfied by the craftsmen who make Golu figurines. ==Gallery==
Gallery
File:Golu kalasam in Melbourne Australia 2023.jpg|Golu kalasam in Melbourne Australia 2023 File:Kailasam in Golu Melbourne Australia 2023.jpg|Kailasam in Golu Melbourne Australia 2023 File:Golu1.JPG|Navarathri Golu in Tamil Nadu File:Navratri Golu.jpg|Navarathri Golu display. File:Golu Full View.jpg|Display of the Navratri Golu in seven steps in Tamil Nadu File:Navratri kolu special.jpg|Navarathri Golu File:Golu australia 2018.jpg|Display of Navarathri Golu in Melbourne, Australia File:A Tanjore doll.jpg|A dancing Golu doll from Thanjavur File:Masked shop owner in Melbourne golu 2020.jpg|Trader with mask showing COVID-19 safety in Golu display, Melbourne, Australia File:Golu in melbourne Australia.jpg|Temple village Golu display in Melbourne, Australia File:Arupadai Veedu in Golu Australia 01.jpg|Arupadai Veedu (Six Temples of Murugan) portrayed in Golu, Melbourne, Australia. From Left:- Thiruparankundram, Tiruchendur, Pazhamudircholai, Palani, Tiruttani, Swamimalai. File:Kalsam in Golu Australia.jpg|Kalasam in Golu, Melbourne, Australia File:Temple and Village in Golu Australia.jpg|Temple and village in Golu, Melbourne, Australia File:Kailasa in Golu Australia.jpg|Kailasa in Golu, Melbourne, Australia File:South Indian wedding in Golu.jpg|South Indian wedding set up in Golu, Melbourne, Australia File:Shop in golu Australia.jpg|South Indian shop (potti kadai or kirana) set up in Golu, Melbourne, Australia ==See also==
tickerdossier.comtickerdossier.substack.com