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Great Seljuk architecture

Great Seljuk architecture, or simply Seljuk architecture, refers to building activity that took place under the Great Seljuk Empire. The developments of this period contributed significantly to the architecture of Iran, the architecture of Central Asia, and that of nearby regions. It introduced innovations such as the symmetrical four-iwan layout in mosques, advancements in dome construction, early use of muqarnas, and the first widespread creation of state-sponsored madrasas. Their buildings were generally constructed in brick, with decoration created using brickwork, tiles, and carved stucco.

Historical background
The Seljuk Turks created the Great Seljuk Empire in the 11th century, conquering all of Iran and other extensive territories from the Hindu Kush to eastern Anatolia and from Central Asia to the Persian Gulf. In 1050 Isfahan was established as capital of the Great Seljuk Empire under Alp Arslan. In 1071, following the Seljuk victory over the Byzantine Empire at the Battle of Manzikert, Anatolia was opened up to Turkic settlers. The center of Seljuk architectural patronage was Iran, where the first permanent Seljuk edifices were constructed. The cultural apogee of the Great Seljuk state is associated with the reign of Malik-Shah I (r. 1072–1092) and the tenure of Nizam al-Mulk as his vizier. Among other policies, Nizam al-Mulk championed Sunnism over Shiism and founded a network of madrasas as an instrument for this policy. This marked the beginning of the madrasa as an institution that spread across the Sunni Islamic world. Although no Seljuk madrasas have been preserved intact today, the architectural design of Seljuk madrasas in Iran likely influenced the design of madrasas elsewhere. While the apogee of the Great Seljuks was short-lived, it represents a major benchmark in the history of Islamic art and architecture in the region of Greater Iran, inaugurating an expansion of patronage and of artistic forms. Much of the Seljuk architectural heritage was destroyed as a result of the Mongol invasions in the 13th century. Nonetheless, compared to pre-Seljuk Iran, a much greater volume of surviving monuments and artifacts from the Seljuk period has allowed scholars to study the arts of this era in much greater depth than preceding periods. This dynasty also contributed to the flourishing of architecture in Central Asia at this time, building in a style very similar to the Seljuks. == Forms and building types ==
Forms and building types
Mosques in Isfahan, with its four-iwan layout dating from the early 12th century The most important religious monument from the Great Seljuk period is the Jameh Mosque of Isfahan, which was expanded and modified by various Seljuk patrons in the late 11th century and early 12th century. Two major and innovative domed chambers were added to it in the late 11th century: the south dome (in front of the mihrab) was commissioned by Nizam al-Mulk in 1086–87 and the north dome was commissioned by Taj al-Mulk in 1088–89. Four large iwans were later erected around the courtyard around the early 12th century, giving rise to the four-iwan plan. These additions constitute some of the most important architectural innovations of the Seljuk period. The four-iwan plan already had roots in ancient Iranian architecture and has been found in some Parthian and Sasanian palaces. Soon after or around the same time as the Seljuk work in Isfahan, it appeared in other mosques such as the Jameh Mosque of Zavareh (built circa 1135–1136) and the Jameh Mosque of Ardestan (renovated by a Seljuk vizier in 1158–1160). The north dome of the Isfahan mosque, in particular, is considered a masterpiece of medieval Iranian architecture, with the interlacing ribs of the dome and the vertically aligned elements of the supporting walls achieving a great elegance. Practically none of these madrasas founded under Nizam al-Mulk have survived, though partial remains of one madrasa in Khargerd, Iran, include an iwan and an inscription attributing it to Nizam al-Mulk. Nonetheless, it is clear that the Seljuks constructed many madrasas across their empire within a relatively short period of time, thus spreading both the idea of this institution and the architectural models on which later examples were based. Godard's origin theory has not been accepted by all scholars, but it is widely-attested that the four-iwan layout did spread to other regions alongside the spread of madrasas across the Islamic world. Caravanserais Large caravanserais were built as a way to foster trade and assert Seljuk authority in the countryside. They typically consisted of a building with a fortified exterior appearance, monumental entrance portal, and interior courtyard surrounded by various halls, including iwans. Some notable examples, only partly preserved, are the caravanserais of Ribat-i Malik (c. 1068–1080) and Ribat-i Sharaf (12th century) in Transoxiana and Khorasan, respectively. File:Rabat-i Malik caravanserai 2 (cropped and retouched).jpg|Entrance portal of the Ribat-i Malik caravanserai on the road between Bukhara and Samarkand (c. 1068–1080) File:نمای مقابل، از بالای رباط شرف.jpg|Ribat-i Sharaf caravanserai in Khorasan (northeastern Iran), built in 1114–1115 Mausoleums The Seljuks also continued to build "tower tombs", an Iranian building type from earlier periods, such as the so-called Tughril Tower built in Rayy (south of present-day Tehran) in 1139–1140. More innovative, however, was the introduction of mausoleums with a square or polygonal floor plan, which later became a common form of monumental tombs. Early examples of this are the two Kharraqan Mausoleums (1068 and 1093) near Qazvin (northern Iran), which have octagonal forms, and the large Mausoleum of Sanjar (c. 1152) in Merv (present-day Turkmenistan), which has a square base. File:Kharaghan.jpg|Kharraqan Towers, a set of mausoleums built in 1068 and 1093 in Iran File:تاریخ ری.jpg|Tughril Tower in Rayy, south of present-day Tehran (Iran), built in 1139–1140 File:SultanSanjarMausoleum1.jpg|Mausoleum of Sultan Ahmad Sanjar (c. 1152) in Merv (present-day Turkmenistan) Palaces and pavilions at Merv (12th century), possibly an archive or treasury While historical sources mention the Seljuk construction of various palaces in different cities, including Baghdad, the only palace of which anything remains today is the palace of Sultan Sanjar at the now-ruined city of Merv. The large palace, located in the city's citadel (the Shahriyar Arg), contained a central courtyard surrounded by four iwans. Fragments of stucco decoration found around the site suggest that it was probably richly decorated. Nearby, within the same citadel, is a rectangular building with massive walls marked by rounded buttresses and no windows. It has been tentatively identified as an archive or treasury. The citadel would have included – in addition to his mausoleum – other buildings and amenities such as a mosque, bathhouse, barracks, and mint. The palace itself was probably also surrounded by gardens, fountains, and pools, as most likely were other Seljuk palaces. Seljuks sultans and their courts were often on the move and, even when visiting a city, might have resided in tents within a military camp in the countryside. The sultans also built and visited pavilions (kūshks) in the countryside or suburban parks outside cities. They are known to have existed around the Seljuk capitals of Isfahan and Hamadan. Some remains of them are still found around Merv. The latter were lightly fortified and consisted of two-story structures, with the ground level used as a cellar or other practical purpose while visitors enjoyed the upper level. They were probably surrounded by gardens and possibly other buildings. == Materials and decoration ==
Materials and decoration
(1196–1197) Muqarnas was used for vaulting and to accomplish transitions between different structural elements, such as the transition between a square chamber and a round dome (squinches). Another typical Seljuk symbol is the ten-fold rosette or the large number of different types of rosettes on Seljuk mihrabs and portals that represent the planets which are, according to old central Asian tradition and shamanistic religious beliefs, symbols of the other world. Examples of this symbol can be found in their architecture. == See also ==
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