Background of Der Ruf In the spring of 1945,
Der Ruf, Zeitung der deutschen Kriegsgefangenen in USA (
The Call: Newspaper of German War Prisoners) was begun in a Rhode Island POW camp, Fort Philip Kearny, as part of American re-education for German POWs. It was edited by
Curt Vinz, working with
Alfred Andersch and Hans Werner Richter. Upon their return to Germany they planned to publish a successor magazine under the title
Der Ruf – unabhängige Blätter der jungen Generation (
The Call – Independent paper of the Younger Generation), which first appeared on 15 August 1946. Although the magazine also published literary texts, the publishers (Andersch and Richter) understood it primarily as a political publication, in which they argued for a free Germany as a bridge between East and West. They were also critical of the American occupation forces, which led to the prohibition of the April 1947
Ruf by the
Information Control Division of the American Occupation Zone. After the dismissal of the editor, the magazine reappeared with a new political orientation, headed by
Erich Kuby. However, it had lost its importance and was finally discontinued. After
Ruf ceased publication, Hans Werner Richter began to plan a successor magazine, which he wanted to dub
Der Skorpion (
The Scorpion). On the 6 and 7 September in 1947, Richter held an editorial meeting with authors from the area of the planned newspaper in
Ilse Schneider-Lengyel's house, on
Bannwaldsee, near
Füssen. Their manuscripts were read and discussed together, as well as the private purpose of the future magazine. While
Der Skorpion was never actually published, the first meeting of Gruppe 47 was developed from this meeting near Bannwaldsee. With regard to the group's history, Richter later explained: "The origin of Group 47 was of a political-publicistic nature. It was not created by literati, but by politically committed publicists with literary ambitions."
Historical periodization Friedhelm Kröll divided the history of Group 47 into four periods: • Constitutional period 1947–49, • Ascent period 1950–57, • High period 1958–63, • Late and Decay Period 1964–67.
Formation and organization At the meeting at Bannwaldsee, 16 participants took part. To begin,
Wolfdietrich Schnurre read his short story
Das Begräbnis ("The Funeral"). After this, the other participants expressed open, partly sharp, spontaneous criticism, which was to become the later ritual of group criticism. This form of literary criticism, in which the speaker author always sat on the empty seat next to Richter, jokingly dubbed the "electric chair", remained the form of discussion for Group 47's entire existence. The important maxim was that the lecturer was not allowed to defend himself and that the review of a specific text was the focus of the meeting. Political discussions of literary or political nature, on which the group could have split, were consistently deferred to Richter. Despite the group's preference for realistic
Trümmerliteratur (the post-war "rubble literature"), there was no official literary program, no common poetics and only a few principles about not allowing fascist or militarist texts. The name Gruppe 47 emerged only after the first meeting, as Hans Werner Richter was planning to repeat the event regularly. The author and critic
Hans Georg Brenner suggested the name, associating the group with the Spanish
Generación del 98 (
Generation of '98) before. Richter, who rejected any organizational form of the meetings, whether "club, association, or academy", agreed with the proposal, saying "‘Group 47’ – that is without obligation and actually says nothing."
The first year Two months after the first meeting, the second meeting of Gruppe 47 was held, in
Herrlingen near
Ulm, in which the number of participants had doubled. Among the first-time participants was Richter's colleague Alfred Andersch, whose essay
Deutsche Literatur in der Entscheidung (
German Literature in the Decision) received a programmatic significance for the group. Starting from the thesis that "genuine artistry" was always "the same as the opposition to Nazism," Andersch stated that "the younger generation stood before a
tabula rasa, faced with the necessity to accomplish a renewal of German intellectual life, through original creations." In the following years, Richter organized awards of varying amounts for publishers and broadcasters, but only granted them irregularly. Richter allowed the participants to conclude whether or not a prize was to be awarded at each meeting. ==Founding==