The Whills was originally a vague reference to an omnipresent yet distant order which was meant to be the narrative framing in an early draft of the Star Wars saga by George Lucas. Lucas also came up with the Journal of the Whills as a concept of "
Bible-like texts that inspire the stories chronicled in the
Star Wars movies", essentially serving as a plot device that connects the fictional universe he created to the real world. Before he sold the
Star Wars media franchise to Disney, Lucas had considered developing a potential film trilogy of sequels to the
original Trilogy where it would have explored a
microbiotic world populated by creatures called Whills, which feed off the Force and are capable of using that connection to manipulate the universe. Lucas thought of the franchise's Force-sensitive characters as "vehicles for the Whills to travel around in", with the conduit being the controversial midi-chlorian concept introduced in the prequel trilogy. Since the Whills are the entities that communicate with the midi-chlorians, Lucas was of the opinion that "in a general sense, they are the Force". In the
AMC series ''James Cameron's Story of Science Fiction'', Lucas revealed that he had considered this story treatment to be the proper conclusion to the narrative arc which commenced with the original trilogy and followed by the
prequel trilogy, but cited the divisive reception of the prequel trilogy and acknowledged that it would have proven controversial with fans. While the Whills were briefly mentioned in the script and novelization of
Episode 3, they did not make an appearance until the 2016 film
Rogue One: A Star Wars Story. Screenwriter Chris Weitz drew from Lucas' original ideas about the Whills while also departing from them to create the Guardians of the Whills faction, a religious order which is responsible for protecting an ancient Jedi temple on the planet Jedha prior to its sacking by
Imperial forces. According to lore presented in the
Rogue One Visual Guide, as well as a quote from the Journal of the Whills which serves as an opening to the official novelization of
The Force Awakens, the Guardians' teachings do not appear to emphasize a discord between the light and dark sides of the Force, and instead take a position of neutrality with a focus on encompassing the totality of its aspects as well as reverence for the "balance of the Force". In a
Rogue One "Watch From Home Theater" program hosted by IGN, Weitz noted that Lucas originally called the Force, "The Force of Others". The term was frequently used by Chirrut Îmwe, a Guardian of the Whills who appears in the film as a representative character of the monastic organization, in early treatments of the film's script by Weitz. Although the character is blind and unable to use the Force like the Jedi, he is devoted to the Force and could sense its presence. Chirrut's skill in martial arts can rival that of a lightsaber-wielding Jedi; he is capable of defeating an entire squad of
stormtroopers single-handedly, and even shoot down a
TIE fighter using a specialized crossbow-shaped
energy weapon called a "lightbow". Weitz noted that the
Star Wars franchise has had a long history of presenting compelling dual pairings between characters whose outlooks and personalities are the opposites of each other. Chirrut and his companion, Baze Malbus, a former Guardian who left the organization prior to the events of
Rogue One, were conceived during the initial design stage as a "
dyad" who "don't belong together, but they do": the former, "a believer in the Force", and the latter, a "militaristic soldier". To Weitz, Chirrut is Baze's confessor, which enables the latter to lay his own guilt onto Chirrut even though he is a faithless warrior who does not believe in the Force, and Chirrut could believe in his friend's eventual redemption. The character designs for Chirrut and Baze went through numerous iterations during the development of the film, with up to 30 different variations. The entirety of Chirrut's face, except for his eyes, was initially covered, and Baze was originally a four-armed alien before he is made human. The attires for both Chirrut and Baze had a militaristic style, with a more armored and weaponized look. Once
Hong Kong actor
Donnie Yen's casting as Chirrut was confirmed, the film's concept artists began looking to Yen's particular style, and his body of martial arts films, for inspiration, which led to the removal of armor and armaments from Chirrut's design in favor of a sleeker look. Yen was originally reluctant to accept the part as he did not want to be away from his family for an extended period of time, as he was required to relocate to the United Kingdom for five months of filming. Yen accepted the role on his son's urging, but insisted on having creative input in the character's development process as a condition of his acceptance. Yen did not want his character to be stereotyped as "another Chinese kung fu master", and wanted Chirrut to have a sense of humour, as per his view that children need to think of the character as being "cool". Yen proposed that the character be made blind, and did research on the exact blue shade of color he wanted for Chirrut's atrophied eyes. Baze Malbus was named after Weitz's
half-elven Dungeons & Dragons player character from his childhood years. Designer David Crossman described Baze as a combination of several well-loved elements from fan favorite
Star Wars characters, and that his visual design is driven by what they thought audiences would like to see in a mercenary character, highlighting in particular "the partial armor, the boiler suit, the cool gun, the backpack". Baze's signature weapon, a heavy repeating
blaster cannon, was designed by artists Jamie Wilkinson and Adam Brockbank early in the film development. The red color theme on Baze's character design was eventually incorporated into Chirrut's vestments as a canonical religious aspect, which links both characters thematically. Chinese actor
Jiang Wen was originally uncertain about accepting the role, as he felt that his proficiency in English was lacking and he had difficulty reading the script; he was assisted by his eldest son who could fluently read English and interpret the script, and decided to travel to London after being encouraged by his children. ==Appearances==