'' (1658) Guido Cagnacci was born on 13 January 1601 in the small city of Santarcangelo di Romagna to Matteo Cagnacci, a tanner and furrier, and Livia Serra. His mother (Serra) came from the province of Cesena; the origins of his paternal family, however, are altogether uncertain. Some documents suggest that the Cagnacci came from Castel Durante, but it is also possible that they hailed from
Rimini, where Matteo moved in 1618. Not much is known about Guido's early life or training as a painter, though he is widely characterized as an autodidact. According to Giovan Battista Costa (the artist's eighteenth-century biographer), Cagnacci "had been given such marvelous talent from nature to become a painter that he began to practice this noble art all by himself and one could say almost without master." It was probably due to this precocious talent that Matteo Cagnacci decided to send his son away from his birthplace for more formal training. From 1617 to 1621, Matteo supported his son's education in
Bologna, where he stayed with the nobleman Girolamo Leoni; the father paid also ostensibly for two trips to Rome, where his son lodged with
Guercino. Although the identity of his master during this early period remains uncertain,
Ludovico Carracci and
Guido Reni are cited popularly as the young artist's Bolognese teachers. Cagnacci worked in Rimini from 1627 to 1642. After that, he moved to work in
Forlì, where he would have been able to observe the paintings of
Melozzo. Before living in Forlì he had been in Rome, where he had come in contact with Guercino, Guido Reni and
Simon Vouet. He may have had an apprenticeship with the elderly
Ludovico Carracci in Bologna. His initial output includes many devotional subjects. But moving to Venice under the name of
Guido or Guidobaldo Canlassi da Bologna, he renewed a friendship with
Nicolas Regnier, and dedicated himself to private salon paintings. These often depicted sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene. This allies him to a strand of courtly painting, epitomized in Florence by
Francesco Furini,
Simone Pignoni and others. In 1649, he moved to
Venice, where he took pupils, established a workshop, and had considerable success. In 1658, he traveled to Vienna, where he remained under patronage of the
Emperor Leopold I. taken to heaven His life was often tempestuous, as can be characterized by the 1628 episode of a failed elopement with an aristocratic widow. Some contemporaries describe him as eccentric, "unreliable and of doubtful morality". He is said to have enjoyed the company of female models dressed as men. His work remained popular in the 18th century, but subsequently fell into obscurity until reassessed by modern critics. ==Selected works==