Palm House The Palm, or Tropical, House is a
Victorian-era glasshouse located to the west of the main lake. It was designed by the German architect (1822-1900) and imported from
Bremen, Germany in 1875. It was opened in 1877 and was restored in 1995 and 2018. It is the second-oldest glasshouse in Australia, and the only known one of German manufacture from that period left in the world, all others having been destroyed during World War II. Originally housing tropical flora, due to corrosion problems, since the early 1990s it has held a collection of
Malagasy arid flora.
Santos Museum of Economic Botany The Museum of Economic Botany is dedicated to the collection and interpretation of "useful" plants. It was established by
Schomburgk in 1879. Described as "the last purpose-built colonial museum in the world", it is located within the gardens a short distance to the west of the Goodman Building. Built in
Greek Revival style and opened in May 1881, the building and its interior was extensively restored during 2008–09. The restoration works were assisted by a grant from the
Government of Australia for $1.125 million and sponsorship by South Australian oil and gas company,
Santos. The sponsorship arrangement also included naming rights and a commitment to ongoing support of the museum's exhibition program. Much of the collection originally on display in 1881 was reinstated, including a collection of
papier mache and
stucco replicas of various fruits and fungi. A space for temporary exhibitions within the museum was created by Khai Liew Design. Displays of Aboriginal artefacts, a subject neglected by the original museum, were prepared in collaboration with the
South Australian Museum. and later used by the
Parkside Lunatic Asylum, still stands. The Adelaide Lunatic Asylum opened in 1852 in the grounds of the Royal Adelaide Hospital, just east of the buildings, was closed in 1873 and demolished in 1938 after the land was handed over to the Botanic Garden. The old morgue building, labelled on a nearby plaque as "Mortuary", has recently been in use as a
toolshed, but was brought into service for the 2020
Adelaide Biennial of Australian Art to house an
art installation by
Yhonnie Scarce called
In the Dead House. The work references the practices of "body-shoppers", who traded in whole or parts of dead bodies. ==Displays==