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Hang the DJ

"Hang the DJ" is the fourth episode of the fourth series of the British anthology series Black Mirror. It was written by series creator Charlie Brooker and directed by Tim Van Patten. The episode first aired on Netflix, along with the rest of series four, on 29 December 2017. It follows Amy and Frank, who are matched into relationships for fixed lengths of time by an algorithm that eventually determines their life-long partner.

Plot
Frank (Joe Cole) and Amy (Georgina Campbell) use a circular device called "Coach" that matches them with romantic partners for fixed periods of time. They are matched together for 12 hours. Despite initial nerves, they quickly get on and regret not having sex as they part. Coach (voice of Gina Bramhill) tells them the system monitors each relationship to assign them a lifelong partner on "pairing day", with a success rate of 99.8%. Frank's next match Nicola (Gwyneth Keyworth) immediately disdains him, but they are paired for a year. Meanwhile, Amy finds her nine-month match Lenny (George Blagden) attractive. Amy and Frank meet again, at an event where a couple talk about their successful pairing. Amy begins to find Lenny's mannerisms tiresome, particularly his heavy exhalations. After the relationship ends, she is repeatedly matched with people for 36 hours; having sex with each match, she begins to dissociate over the matches' pointlessness. After Frank's match ends, he and Amy are matched again and they agree not to check the time length, to avoid preconceptions. They enjoy having sex for the first time and talk about how the system might work. One night, Frank checks the expiry date. It initially says five years but recalibrates, as Frank's betrayal of their agreement has destabilised it, until it reads 20 hours. Frank is distracted the next day as Amy notices every pebble she skips hits the water four times; he admits what has happened with an hour remaining. She is furious and he is heartbroken. They continue matches to no avail. The evening before Amy's pairing day, she chooses Frank for her one permitted farewell session before skipping Coach across a swimming pool. At dinner with Frank, whose pairing day is also tomorrow, she encourages him to leave with her. Recognising that neither of them have memories prior to the system, she thinks the world is a test and they must rebel. A man with a taser approaches; Amy touches the taser and it stops working, and the people in the restaurant freeze. Frank and Amy run and scale a wall that separates the outside world. They are revealed to be in one of 1,000 simulated realities—in 998 of these worlds, the simulated Frank and Amy rebelled to be together. In the real world, a dating app assigns Frank to Amy as a 99.8% match. They make eye contact for the first time across a bar as "Panic" by the Smiths plays. ==Production==
Production
Whilst series one and two of Black Mirror were shown on Channel 4 in the UK, in September 2015 Netflix commissioned the series for 12 episodes, and in March 2016 it outbid Channel 4 for the rights to distribute the series in the UK, with a bid of $40 million. The 12-episode order was divided into two series of six episodes each, with "Hang the DJ" in the latter group. The six episodes in series four were released on Netflix simultaneously on 29 December 2017. "Hang the DJ" is listed as the fourth episode, but as Black Mirror is an anthology series, each instalment can be watched in any order. Conception and writing According to the executive producer Annabel Jones, "Hang the DJ" reflects on the state of dating in the present day and a "general sense of loneliness". The episode originated from series creator and episode writer Charlie Brooker, who conceived of the Coach dating application by analogy with the audio streaming platform Spotify: it determines a "playlist" of relationships that one should have before settling down with a partner. It was not obvious what storyline could be developed when the dating application users' experience was predetermined. Variations were considered and one idea floated was that the app could learn from each relationship. Amy and Frank being driven apart before reuniting was a desired narrative arc, and became possible when the twist was introduced. The script was rushed because of its deadline at a busy point in the production cycle. Frank observing the relationship time caused a structural issue in the script, but the scene was seen as important and so the script was reworked around this idea. was used as a filming location. Some exterior filming took place at Painshill, an eighteenth-century landscape park in Surrey. In one scene, Amy kicks Frank jokingly. However, Campbell's fake kicks looked unrealistic. Van Patten told Campbell to kick Cole for real and she accidentally kicked him hard enough for him to bleed—this was the shot that was used in the episode. The plot twist is revealed in a scene where the simulated world disassembles pixel by pixel to be replaced by 1,000 copies of Frank and Amy in a black void. This was only described vaguely in the script, so the production took inspiration from 2013 science fiction film Under the Skin, according to producer Nick Pitt. The cast were confused about the intention during filming for this ending, particularly the footage taken against green screens of characters looking "meaningfully into the middle distance". Jones and Brooker found that their partners did not understand the initial cuts of the ending. To establish that the episode's setting had been a simulation, disembodied voice and text reveal that Amy and Frank had "rebelled" 998 out of 1,000 times, leading to a 99.8% match for the pair, and dialogue in the previous restaurant scene was simplified. Additionally, visual effects developments led to characters "dematerialising" by a "graceful leaving of their body" rather than "being broken, squashed or incinerated", according to Pitt. The instrumental soundtrack for "Hang the DJ" was created by Alex Somers, with two pieces contributed by the Icelandic band Sigur Rós, "End" and "Match". The two songs are both ambient music: "End" is a five-minute structured piece featuring vocals by Jónsi, which Rolling Stones Ryan Reed described as post-rock; "Match" is a 90-second segue with a dark tone and use of drones. Somers had previously produced music with the band, including on their most recent album Kveikur (2013). In 2018, the soundtrack was released on vinyl by Invada Records. ==Marketing==
Marketing
In May 2017, a Reddit post unofficially announced the names and directors of the six episodes in series 4 of Black Mirror. The first trailer for the series was released by Netflix on 25 August 2017, and contained the six episode titles. Beginning on 24 November 2017, Netflix published a series of daily posters and trailers for the fourth series, referred to as the "13 Days of Black Mirror". The poster for "Hang the DJ" was released on 30 November and the trailer premiered the following day. On 6 December, Netflix published a trailer featuring an amalgamation of scenes from the fourth series, which announced that the series would be released on 29 December. ==Analysis==
Analysis
The episode is a romantic comedy; its subject matter of finding a person their ideal match drew comparisons to other works. Mellor and Vultures Jen Chaney made comparisons to The Good Place (2016–2020), a television programme which begins with characters in the afterlife being matched with their soulmates. Shirley Li of Entertainment Weekly saw similarities like "the star-crossed couple" and "the impossible parameters set around them" but also found "Hang the DJ" to be "more absurd, more sinister, and less optimistic and warm in its conclusion". Sophie Gilbert of The Atlantic saw the twist as also relating to other episodes featuring simulated people, including "USS Callister" and "White Christmas". Additionally, The Atlantics Hannah Giorgis later compared it to the television anthology series Soulmates (2020), which also stars Campbell and was co-created by Black Mirror writer William Bridges. It follows a near-future in which there is a scientific basis for determining one's "soulmate" with complete accuracy. Giorgis wrote that in both works, "romantic tension is just a proxy for larger questions about safety, security, and belonging". During "Hang the DJ", Frank suggests to Amy that they are in a simulation, which turns out to be correct. Mellor saw this "simplicity" and "stylish emptiness" as logical for a "virtual world". Plaugic saw Coach as "not unlike" the world of dating applications, which "collect enough data to effectively push products at users, or predict human behavior", including apps "that collect data about your dates to determine whether you actually like them". Gilbert found Amy's "sped-up montage of different relationships and sexual encounters as if outside her own body, detached and dehumanized" to be a possible "critique of Tinder". Li opined that the episode shows dating applications both positively and negatively, as the romance of Frank and Amy "has already started off artificially". Writing in Den of Geek, Alec Bojalad found Amy and Frank to be "perfect for each other", as they share a sense of humour and "a clear physical connection". Catherine Gee of The Telegraph saw them as similarly "sweet" and "goofy" with a fondness for "bad jokes". Abad-Santos interpreted their reaction to each other in the real world as "a wink and a smile, and the flicker of true love". VanArendonk analysed the lyrics "hang the DJ" as "a celebration of fighting the power and doing it for yourself". ==Reception==
Reception
Though rated highly according to some metrics, the episode received mixed reception for its storyline and final twist, along with acclaim for the acting and characterisation of Frank and Amy. On the review aggregator Rotten Tomatoes, the episode has a 92% score based on 24 critics, reflecting universal acclaim. The site's summary describes it as "surprisingly sweet and satisfyingly slight" and with "a welcome dose of optimism". It received a five-star rating in Den of Geek, a four-star rating from The Telegraph and ratings of A− in Entertainment Weekly and The A.V. Club, but a more ambivalent rating of 6.2 out of 10 in Paste. The storyline received ambivalent reception. Abad-Santos found it "a testament to the episode's storytelling" that the viewer is "attuned" to "the rhythms and structure of the dating app" by the time Frank and Amy choose not to view their expiry date. While Gilbert thought it "sagged a little in the middle", Mellor found it "develops into a strong story" over its runtime and Gee thought it was too short, at 51 minutes in length. • 6th – James Hibberd, Entertainment Weekly • 6th – Morgan Jeffery, Digital Spy • 8th – Ed Power, The Telegraph • 9th – Matt Donnelly and Tim Molloy, TheWrap • 10th – Aubrey Page, Collider • 12th – Travis Clark, Business Insider • 14th – Charles Bramesco, Vulture IndieWire authors ranked the 22 Black Mirror instalments excluding Bandersnatch by quality, giving "Hang the DJ" a position of 7th. Eric Anthony Glover of Entertainment Tonight found the episode to be 14th-best of the 19 episodes from series one to four. Instead of by quality, Proma Khosla of Mashable ranked the episodes by tone, concluding that "Hang the DJ" is the least pessimistic episode of the show. Other reviewers ranked "Hang the DJ" against other series four episodes: • 1st – Christopher Hooton, Jacob Stolworthy, The Independent • 1st (grade: A) – TVLine Accolades "Hang the DJ" was nominated for four awards: three British Academy Television Awards (BAFTAs) and a Black Reel Award. ==See also==
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