His first book was
Never Love a Stranger (1948).
The Dream Merchants (1949) was a novel about the
American film industry, from its beginning to the
sound era in which Robbins blended his own life experiences with history, melodrama, sex, and glossy high society into a fast-moving story. His 1952 novel,
A Stone for Danny Fisher, was adapted into a 1958 motion picture
King Creole, which starred
Elvis Presley. Among his best-known books is
The Carpetbaggers (1961)—featuring a protagonist who was a loose composite of
Howard Hughes,
Bill Lear,
Harry Cohn, and
Louis B. Mayer.
The Carpetbaggers takes the reader from New York to
California, from the prosperity of the
aeronautical industry to the glamor of Hollywood. Its sequel,
The Raiders, was released in 1995. Film producer
Joseph E. Levine acquired the rights to
The Carpetbaggers in September 1962 and produced the
1964 film. He also acquired the rights to Robbins's next book
Where Love Has Gone (1962) with the
film version also released in 1964. In 1963, Levine paid Robbins $1 million for pre-publication and film rights for Robbins's upcoming book
The Adventurers. Robbins's editors included Cynthia White and
Michael Korda and his literary agent was Paul Gitlin. In July 1989, Robbins was involved in a literary controversy when the trade periodical
Publishers Weekly revealed that around four pages from Robbins's novel
The Pirate (1974) had been lifted without permission and integrated into
Kathy Acker's novel
The Adult Life of Toulouse Lautrec (1975), which had recently been re-published in the UK in a selection of early works by Acker titled
Young Lust (1989). After Paul Gitlin saw the exposé in
Publishers Weekly, he informed Robbins's UK publisher,
Hodder & Stoughton, who requested that Acker's publisher
Unwin Hyman withdraw and pulp
Young Lust. Representatives for the novelist explained that Acker was well known for her deliberate use of literary
appropriation—or
bricolage, a
postmodern technique akin to
plagiarism in which fragments of pre-existing works are combined along with original writings to create new literary works. After an intervention by
William S. Burroughs—a novelist who used appropriation in his own works of the 1960s—Robbins issued a statement to give Acker retroactive permission to appropriate from his work, avoiding legal action on his publisher's part. Since his death, several new books have been published, written by
ghostwriters and based on Robbins's own notes and unfinished stories. In several of these books,
Junius Podrug has been credited as co-writer. From the Hodder & Stoughton 2008 edition of
The Carpetbaggers "about the author" section: ==Personal life==