Helena Kaut-Howson

Helena Kaut-Howson was born (as Helena Kaut) in Lviv, a Polish city which was recently forcibly incorporated into Soviet Union. ==Career==

Kaut-Howson originally worked as an actor in the 1950s, at the Jewish Theatre, Warsaw. She had to leave Poland after marrying a British man who was the son of an admiral working for NATO, and came to the United Kingdom then. Kaut-Howson was artistic director of Theatr Clwyd in Wales between 1992 and 1995. The Board decided not to renew her contract, despite the financial and critical success Clwyd had under her leadership. There was disagreement between Kaut-Howson and the theatre management about her production of The Miser at the Royal Exchange, Manchester in 2009. Kaut-Howson has taught at the Royal Academy of Dramatic Art (RADA) and at the London Academy of Music and Dramatic Art. ==Themes==

Although Kaut-Howson does not call herself a feminist, her productions are often identified as feminist. In her production of King Lear at the Leicester Haymarket Theatre, later transferring to the Young Vic, the part of King Lear was played by a woman, Kathryn Hunter, a decision which was called "controversial". Kaut-Howson values working with actors from the theatre company Complicité. ==Awards==

• Peter Brook Open Space Award 1994 for Outstanding Body of Work at Theatr Clwyd • Liverpool Post and Echo Arts Award 1992 for Best Director (The Devils) • UK Theatre Awards Regional Theatre Awards 1995 for Best Director (The Rose Tattoo) • Contact International Festival, Torun 1994 Critics Award (Full Moon) • Manchester Evening News Award 1996 for Best Production (The Hindle Wakes) • Manchester Evening News Awards 1997 for Best Production (Much Ado About Nothing) • Polish Festival of Premieres, Bydgoszcz 2004: Grand Prix for Best Director (Victory) ==Bibliography==