Box office Hellboy grossed $21.9 million in the United States and Canada, and $33.2 million in other territories, for a worldwide total of $55.1 million, against a production budget of $50 million.
Forbes called the film's box office results a "bomb," stating, "the character just wasn't a draw in 2019". In the United States and Canada, the film was released alongside
Little,
Missing Link and
After, and was initially projected to gross $17–21 million from 3,303 theaters in its opening weekend. However, after making $4.9 million on its first day (including $1.38 million from Thursday night previews), estimates were lowered to $12 million. It ended up debuting to $12.1 million, finishing third, behind holdover
Shazam!, and
Little. The sub-par opening was blamed on the poor critical reception, as well as a lack of interest in the franchise from audiences. In its second weekend the film dropped 68%, earning $3.9 million and finishing tenth.
Critical response was praised for his performance as Hellboy. On
Rotten Tomatoes, the film has an approval rating of 17% based on 225 reviews and an average rating of . The site's critical consensus reads, "Bereft of the imaginative flair that made earlier
Hellboys so enjoyable, this soulless reboot suggests
Dante may have left a tenth circle out of his
Inferno." On
Metacritic, the film has a weighted average score of 31 out of 100, based on 44 critics, indicating "generally unfavorable" reviews. Audiences polled by
CinemaScore gave the film an average grade of "C" on an A+ to F scale, while those at
PostTrak gave it 2.5 out of 5 stars and a "definite recommend" of 44%. John Defore of
The Hollywood Reporter said that "Neil Marshall's
Hellboy isn't lousy because nobody wants it, nor only because it fails to live up to both its big-screen and printed predecessors. It's just lousy. Bloated, vastly less funny than it aims to be and misguided in key design choices even when it scores with less important decisions, the film does make bold choices that might have paid off under other circumstances. But these aren't those circumstances." Eric Kohn of
IndieWire described the film "as an overzealous attempt to revisit the content of del Toro films without matching their sophistication." Katie Rife of
The A.V. Club gave it a C−, praising the creature and set design but saying "unfortunately that's where the creativity in this film ends". Rife praised Jovovich for giving "the most committed, and therefore the best, performance in the film." Johnny Oleksinski of the
New York Post called the film a "grotesque misfire", writing, "The race for worst movie of the year is heating up. You could even say it's hotter than hell, now that
Hellboy has taken the lead". Phil de Semlyen for
Time Out wrote, "We get a conventional, if blood-soaked, splurge of folklore, origin story, comic-book fan service and monster movie, all set to a bustling
blues-rock soundtrack. Knitting it all very loosely together is a barrage of exposition involving Milla Jovovich's evil Arthurian blood queen Nimue, a.k.a. the Lady in the Lake, and the threat of another cinematic apocalypse. It feels like you've seen it all before, and if you caught
Joe Cornish's
The Kid Who Would Be King, you have." Robbie Collin of
The Daily Telegraph described the film as "Ugly, obnoxious and yowlingly witless, with nothing to say for itself that doesn't start with the letter F." John Nugent of
Empire gave the film two out of five, but praised Harbour, saying "David Harbour is brilliant, everyone around him less so". He was also critical of the film's "alarmingly bad
English accents".
Kim Newman wrote: "Though it covers a lot of ground – with punch-ups staged on significant sites of British magic, from Pendle Hill to St Paul's – this is fairly anonymous, with little of the distinctive grit of Marshall’s strongest works." William Bibbiani of
TheWrap gave the film a positive review, calling it "a horrifyingly good time", and adding, "Neil Marshall's
Hellboy is a wellspring of creativity, a major superhero movie made for hardcore R-rated horror fans, overflowing with humor and action and scares".
Response from crew On the film's negative reception, Harbour felt the film was unfairly compared to
Marvel films and reflected, "We did our best, but there's so many voices that go into these things and they're not always going to work out. I did what I could do and I feel proud of what I did, but ultimately I'm not in control of a lot of those things." Harbour also expressed his doubts whether a sequel would be produced, stating, "I don't think the perception was that it was a hit, and so in that way, I don't know that the risk is worth it." Harbour later stated he thought the film failed due to fans of the del Toro films prematurely dismissing a reboot that did not involve del Toro or Perlman. Director Neil Marshall has disowned the film, stating, "It was just God awful. It's not a film that I would consider to be part of my canon." Marshall blamed the producers for interfering and contradicting his directions during principal photography and post-production. He elaborated further on his experience during the production:
Accolades ==Reboot==