Encouraged by his family to study the violin, Youngman began in show business as a musician. He led a small
jazz band called the Swanee Syncopaters, and during performances, he often told jokes. One night, the club's regular comedian did not show up and the owner asked Youngman to fill in. He enjoyed it and began his long career as a comic. His inoffensive, friendly style of comedy kept his audiences laughing for decades. He first played in clubs and
speakeasies, but his break came on
Kate Smith's radio show in 1937. Smith's manager
Ted Collins booked him on the show, became his manager, and secured an increasing number of appearances on such highly rated network radio shows as "The Fleischmann's Yeast Hour" hosted by
Rudy Vallee. During the 1940s, Youngman tried to work into films as an actor, but he found little work in Hollywood. He returned to nightclubs and worked steadily, performing as many as 200 shows per year. Working with writer/producer Danny Shapiro, in 1959 Youngman recorded
The Primitive Sounds of Henny Youngman, a live album for
National Recording Corporation performed at the Celebrity Club in St. Louis. Later, the album was re-released as a CD. Like many comedians, Henny Youngman treated his profession as a working job, one where making a living is difficult, and getting paid for the work is all-important. In numerous interviews, Youngman's advice to other entertainers was to (Yiddish for "take the money"). He was quoted in an interview with the online magazine
Eye: "I get on the plane. I go and do the job, grab the money and I come home and I keep it clean. Those are my rules. Sinatra does the same thing, only he has a helicopter waiting. That's the difference." When the New York Telephone Company started its
Dial-a-Joke in 1974, over three million people called in one month to hear 30 seconds of Youngman's material—the most ever for a comedian. Youngman never retired, and he performed his stage act in venues worldwide until his final days. As his fame passed into legendary status, he never considered himself aloof or above others, and he never refused to perform a show in a small venue or unknown club. In a tribute to Youngman, TV and animation producer
Mark Evanier described him in a way that emphasized both his money consciousness and his love of performing: He would take his fiddle and go to some hotel that had banquet rooms. He'd consult the daily directory in the lobby and find a party—usually a bar mitzvah reception—and he would go up to the room and ask to speak to whoever was paying for the affair. "I'm Henny Youngman," he would tell that person. "I was playing a date in another banquet room here and one of the waiters suggested you might want to have me do my act for your gathering here." He would negotiate whatever price he could get—$200, $500, preferably in cash—and he would do his act for them.
Roger Ebert described a similar episode in a 2011 film review: I once observed Henny Youngman taping a TV show in the old NBC studios at the
Merchandise Mart. We got into an elevator together. It stopped at the second floor, a private club. A wedding was under way. Youngman got off the elevator, asked to meet the father of the bride and said, "I'm Henny Youngman. I'll do 10 minutes for $100." Youngman made numerous appearances on television, including a long-running stint on ''
Rowan and Martin's Laugh-In. In 1955, he hosted a TV series entitled The Henny and Rocky Show,
appearing with champion boxer Rocky Graziano. He had cameo appearances in several movies, including Won Ton Ton, the Dog Who Saved Hollywood; History of the World, Part I; and Goodfellas.'' He had a larger role as the strip-club owner in
Herschell Gordon Lewis's The Gore Gore Girls. His autobiography is entitled
Take My Life, Please! Youngman's last movie appearance was in Daniel Robert Cohn's film
Eyes Beyond Seeing, in which he has a cameo as a mental patient claiming to be Henny Youngman. ==Comedy routine==