Henri Szeps

Henri Szeps was born on 2 October 1943 in a refugee camp in Lausanne, Switzerland, to Polish parents who were Holocaust survivors. Prior to the German invasion of Poland during World War II, his parents fled to France in 1938. His father left the family to join the French Resistance. In 1943, his mother Rose and three-year-old sister Maria made their way to a refugee camp in Lausanne, where Henri was born. In September 1944, having watched babies in the camp become ill, Henri's mother had him fostered out to a German-speaking Swiss couple in Blumenstein at 1 months old. In 1946, his mother who had relocated to Paris, reclaimed him when he was three years old, but he returned to the Swiss couple in 1948 when he was 4, as he could not speak Polish or French and found it hard to communicate with his mother. He was reclaimed by his mother again in 1949, but due to her illness, at the age of six was placed at the Rothschild Orphanage, St Denis, outside Paris. Szeps came to Sydney, Australia, at the age of eight in 1951 or 1952 with his mother and sister. From 1952, his stepfather Maurice joined then from Paris. His mother worked as a tailor and his stepfather as a presser. They later bought a grocery shop in Surry Hills. He later said that although some of the children laughed at his "foreign ways", he received recognition from his performances, which made him realise that he wanted to act. In 1962 Szeps studied acting at the Ensemble Theatre during weekends, while gaining science and electrical engineering degrees at Sydney University. His training at Ensemble included training in the Stanislavski technique ("the Method") – under founding artistic director Hayes Gordon. He began working as a research assistant after graduating, and was offered a postgraduate scholarship at the age of 23 to continue his studies, but he declined it in favour of continuing his acting career. ==Career==

In 1963, while still undergoing his studies, Szeps appeared every night at the Ensemble Theatre, in a play called The Physicists, which ran for six months. He also performed in George Bernard Shaw's The Apple Cart, and Woody Allen's ''Don't Drink The Water''. His early screen credits include police procedural drama series Homicide, children's series Skippy the Bush Kangaroo and adventure series Riptide as well as the film ''You Can't See 'Round Corners''. In 1968, he starred in a successful stage production of Mart Crowley's The Boys in the Band, where, during the Sydney season, he met his wife-to-be, NIDA graduate and actress Mary Ann Severne, who had come to watch fellow NIDA friends performing in the play. He also had guest roles in several British television series, including The Rivals of Sherlock Holmes, ''Spyder's Web, Spy Trap, The Strauss Family, Colditz, Crown Court, and Dixon of Dock Green''. Szeps returned to Australia in 1974. He played the recurring role of Phillip Chambers in Number 96 in 1976. He then appeared in the TV movies Say You Want Me (1977), Ride on Stranger (1979), The Plumber (1979), A Toast to Melba (1980) and A Step in the Right Direction (1981). Guest roles followed in series such as Chopper Squad, Cop Shop, Kingswood Country, and A Country Practice, City West and ''Carson's Law''. He also performed voiceover work in a number of animated children's classics, including Sherlock Holmes and the Valley of Fear, Sherlock Holmes and a Study in Scarlet, and A Tale of Two Cities. From 1984 to 1994, Szeps played his best known role of selfish dentist Robert Beare, the older son, in the classic Australian television comedy series Mother and Son, with Garry McDonald, Ruth Cracknell, and Judy Morris. Another prominent role was in ABC Television's 10-part series Palace of Dreams in 1985. He then played ill-fated prime minister Harold Holt in the 1987 miniseries Vietnam, alongside Nicole Kidman. He was also selected by Barry Humphries' to play down-on-his-luck scientist, Charles Herpes, in Humphries' 1987 film Les Patterson Saves the World. He had a guest role in the 1988 American series Mission: Impossible, and further guest roles in the drama series ''Rafferty's Rules, medical series G.P., All Saints, period adventure drama Snowy River: The McGregor Saga, and police procedural series Stingers''. Szeps also continued to work extensively in theatre, and collaborated for years with playwright David Williamson. He had roles in many of Williamson's plays, including Celluloid Heroes, Dead White Males and Heretic. He played the doctor in the world première of Williamson's Travelling North, and was asked to reprise the role in the 1987 film version with Leo McKern and Graham Kennedy. He performed in five one-man shows, produced by the Ensemble Theatre: two written for him by John Misto (The Double Bass (1990) and Sky (1992)), and three that he wrote himself: ''I'm Not a Dentist (1997), Why Kids (2003), and Wish I'd Said That'' (2010). In 2002 he played Herr Schultz in a production of Cabaret, which earned him a Helpmann Award. His final acting role was in the 2015 biographical television miniseries Peter Allen: Not the Boy Next Door, playing Dee Anthony. ==Book==

Szeps also wrote a book on acting, All in Good Timing: A Personal Account of What an Actor Does (1996), which is used as a reference by drama schools. ==Personal life and death==

Szeps met fellow actress Mary Ann Severne while touring in the Sydney run of the play The Boys in the Band. They married on 28 June 1969, and had two sons together, Amos Szeps and podcaster Josh Szeps. He moved into a care facility in 2023. Szeps died from complications of Alzheimer's disease on 23 July 2025, at the age of 81. == Honours and awards ==

Szeps was awarded a Medal of the Order of Australia (OAM) in the 2001 Australia Day Honours, "For service to the arts, and to the community through the Australia Day Council and the National Centre for Childhood Grief" Acting awards and honours include: ==Filmography==

Szeps' numerous appearances on stage and behind the scenes include: As actor As playwright / director / crew == References ==