Box office Jason Bourne became a commercial success, with a modest budget compared to its final gross. Worldwide, the film opened at number one in 50 markets, scoring the biggest debut in the franchise in 53 markets. In 51 territories,
Jason Bourne is the highest-grossing film in the franchise.
United States and Canada In the United States and Canada,
Jason Bourne was projected to gross $50–60 million in its opening weekend. It made $4.2 million from Thursday night previews at 2,928 theaters which began at 7:00pm, becoming the first film in the series to earn above $1 million from previews, although the other four films' screenings began at midnight. On its opening day, it grossed $22.8 million, which is the second biggest opening day of the series behind
The Bourne Ultimatum ($24.6 million). It topped the box office in its opening weekend as expected with a $59.2 million opening, making it one of the few franchise titles from 2016 to open on par with its predecessor. It is the second biggest opening for the franchise as well as for Damon, just behind the $69 million debut of
The Bourne Ultimatum in 2007. The film dropped by 71% on its second Friday ($6.5 million) as a result of the release of the superhero film
Suicide Squad, falling to No. 2 behind that film. By comparison, the last four
Bourne movies all dropped (respectively) 46%, 59%, 57% and 61% on their second Fridays. It spent its first five weeks in the Top 10 at the domestic box office.
Other territories Internationally,
Jason Bourne is the highest-grossing film of the series and has secured a release in a total of 78 countries. It grossed $22.8 million on its opening day, marking the biggest international opening day for the franchise. It had No. 1 opening days in 28 markets and recorded the biggest opening day for the franchise in the United Kingdom and Ireland ($5.2 million). Through Sunday, July 31, it had an opening weekend total of $50.7 million easily topping the box office as well as debuting at first place in 27 of the 48 markets and scored the best international opening for the franchise. After three weeks of fluctuating up and down the charts, it rose back to the top spot in its fourth weekend after a strong debut in China. It recorded the biggest opening for the franchise in South Korea ($11.3 million), the United Kingdom ($10.2 million), Australia ($5.8 million) Japan ($4.4 million) and Russia ($2.1 million) and had number one openings in France ($3.4 million), Australia, Taiwan ($2 million), Spain ($1.9 million), Indonesia ($1.7 million), the Philippines ($1.5 million) the Netherlands ($1.5 million), Mexico ($1.5 million), the UAE ($1.2 million), Sweden ($1.1 million) and Singapore ($1.1 million). Brazil was one of the markets that did not open in first place, instead opening in fourth place with $1.4 million. South Korea posted the biggest opening among all other countries and although it faced stiff competition from local titles –
Operation Chromite and
Train to Busan – debuted in third place. Its opening figure is nevertheless a franchise milestone and comes ahead of competitions like
Spectre and
Furious 7. In just 10 days, it became the second highest-grossing film in the series there. In India, it debuted in second place for a non-local film behind
Suicide Squad with $1.1 million. In China, the film was released on Tuesday, August 23, alongside the animated
Ice Age: Collision Course and received an exclusive
3D version. It grossed an estimated $12.3 million on its opening day to record the franchise's best opening day there (other Chinese sources had it at $11.8 million In three days, it earned $25.1 million. While it had a robust opening, compared to other Hollywood films that also opened on a Tuesday, such as
Mission: Impossible – Rogue Nation (Friday +18%, Saturday +68%) and
Avengers: Age of Ultron (Friday +37%, Saturday +88%),
Jason Bournes box office jumps on its first Friday and Saturday were just 13% and 43% respectively. Following a first-place finish, it fell precipitously by 92% in its second weekend, earning $3.8 million.
Metacritic gave the film a normalized score of 58 out of 100, based on 50 critics, indicating "mixed or average" reviews. Audiences polled by
CinemaScore gave the film an average grade of "A−" on an A+ to F scale. Mike Ryan of
Uproxx gave the film a mixed review, writing: "
Jason Bourne is a completely unnecessary sequel that barely moves along the plot from the third movie. And after what a Big Deal it was in
The Bourne Legacy that no one could find Jason Bourne, it does feel a bit weird that the return of Jason Bourne seems so anticlimactic." Chris Tilly of
IGN gave the film 7/10, saying: "
Jason Bourne has a passable plot and a couple of pulsating sequences, which already makes it better than the majority of action movies. But in the context of its predecessors, that isn't good enough, the new movie never fully escaping the shadow of that previous trilogy, and making you question the wisdom of drawing Bourne back out of the shadows at all."
A. O. Scott of
The New York Times described Damon's performance as being "as subdued as ever" and said: "[t]his is perhaps the most striking feature of
Jason Bourne: Virtually all the major characters—good, bad and in-between—work for the same organization, at least on a consulting basis. There are dark whispers about external threats, and invocations of the tension between security and privacy in the digital age, but geopolitics and technology are scaffolding for what is essentially a movie about human resources challenges in a large bureaucracy." Peter Debruge of
Variety said, "[i]n many ways,
Jason Bourne is the most unsettling movie in the series, seeing as it points to a vast conspiracy directed at the American people, and Greengrass's style—rendered visceral via the marriage of Barry Ackroyd's on-the-fly lensing, a tense techno score, and Rouse's cutting-room trickery—lends itself nicely to an era in which shadow forces rely on such tools as satellite surveillance and
facial recognition software." He went on by saying, "just as the initial Damon-driven trilogy wrapped up Bourne's business but left us wanting more, this sequel offers closure even as it entices us with the possibility of his return."
Richard Roeper of the
Chicago Sun-Times gave the film three and a half out of four stars, describing Damon's performance as being, "outstanding as the tightly wound, perpetually restless and conflicted Jason Bourne, who is practically a superhero when it comes to fighting but is utterly lost the rest of the time", and said: "
Jason Bourne is the best action thriller of the year so far, with a half-dozen terrific chase sequences and fight scenes. At one point the action swings to Vegas, and while some of what transpires is almost cartoonishly over-the-top, it's great fun."
Todd McCarthy of
The Hollywood Reporter found the film's conclusion and the characters distasteful, writing: "unfortunately, then, the film ends on a flat, unimpressive note, as well as with the realization that, no matter how much time we've spent with them, the characters remain utterly one-dimensional", but went on by saying, "technically and logistically, Greengrass delivers everything you expect from him; there's no one better when it comes to staging complex, chaotic action amid the real life of big cities. As before, cinematographer Barry Ackroyd is a great asset in this regard, and all production and effects hands join seamlessly in the achieved goal of physical verisimilitude."
Accolades ==Future==