In 1966–1967, Woolnough established an
etching and
lithography program at the
Jamaica School of Art in
Kingston, Jamaica. In 1969, Woolnough and Gool bought a home in
Charlottetown, Prince Edward Island, and taught at the
University of Prince Edward Island, while forming an art society and starting their own newspaper that failed only after a pro-radical Quebec separationist appearance in the paper created controversy. During the 1970s, Woolnough worked with native quilting, during the
Native American craft revival. In 1972, she created her "Power Totem" series, then came her "Beach" series, and then later the "Wave/Rock" series, and her "Chrysalis" series. In 1975, came her "Ring Around the Rosy", a series of collographs, and later in the 1970s, she created the "Winter Squares" series. In 1989, her partner Reshard Gool died, and she and her family created a provincial scholarship for Prince Edward Island students in his honour. In 2001, her exhibition
Timepiece, which showed at the
Confederation Centre Art Gallery, featured sculpture, sound environments, and complex multilayered prints, accompanied by a book by Linda Rae Dornan. ==Community activism==