From 1966 to 1969 he formed a band with
Z'EV and James Stewart, performing
jazz rock. After auditioning for
Frank Zappa's
Bizarre Records, the band ceased activities and both he and Z'EV went on to attend
CalArts. Stone studied composition at the
California Institute of the Arts with
Morton Subotnick and
James Tenney and has composed electro-acoustic music almost exclusively since 1972. Stone utilizes a laptop computer as his primary instrument and his works often feature very slowly developing manipulations of samples of acoustic music, speech, or other sounds. Because of this, as well as his preference for tonal melodic and harmonic materials similar to those used in popular musics, Stone's work has been associated with the movement known as
minimalism. Prior to his settling on the laptop, in the 1980s, he created a number of electronic and collage works utilizing various electronic equipment as well as
turntables. Prominent works from this period include
Dong Il Jang (1982) and
Shibucho (1984), both of which subjected a wide variety of appropriated musical materials (e.g.
Okinawan folk song, European
Renaissance music, 1960s Motown, etc.) to fragmentation and
looping. In this way his work paralleled innovations being made in the early days of
rap and
hip hop (e.g.
Grandmaster Flash, of whose work he was unaware at the time). It was during this period that he began naming many of his works after his favorite restaurants (often Asian ones). His first residency in Japan, sponsored by the
Asian Cultural Council, was from November 1988 to April 1989. While living in
Tokyo he collected more than 50 hours of recordings of the city's urban soundscape, which he later used as the basis for his radio composition
Kamiya Bar, sponsored by
Tokyo FM radio, and released on a CD of the same name by the Italian label NewTone / Robi Droli. Stone has collaborated frequently with Asian performers, including traditional instrumentalists such as
Min Xiao-Fen (
pipa), Yumiko Tanaka (
shamisen),
Kazue Sawai (
koto), Michiko Akao (
ryuteki), and those working with modern instruments, such as
Otomo Yoshihide (turntables, guitar),
Kazuhisa Uchihashi (guitar,
daxophone),
Yuji Takahashi (computer, piano), and vocalists such as Reisu Saki and Haco. He has also collaborated on an album with
Hirohito Ihara's
Radicalfashion with
Alfred Harth who partly lives in
Korea, and with Miki Yui who lives in
Düsseldorf. Beginning in the early years of the 21st century, Stone began to compose more frequently for acoustic instruments and ensembles, completing a new work for the
San Francisco Bay Area-based American Baroque. Stone served as president of the
American Music Center from 1992 to 1995, and was director of
Meet the Composer/California from 1981 to 1997. He also served as music director of
KPFK-FM in
Los Angeles from 1978 to 1981. For many years, Stone has divided his time between
California and
Japan. Stone received a 1999
Foundation for Contemporary Arts Grants to Artists Award. ==Works==
Solo recordings •
Wat Dong Moon Lek (May 2022) •
Namidabashi (2021) - digital only release, part of the
Displacing series, on
Touch •
Stolen Car (2020) •
Himalaya (2017) •
Al Noor (2007) – Explorations into the dismantling and re-composition of global song and melody •
Nak Won (2002) – Real-time music for laptop computer •
Resonator (2002) – Soundtrack for the works of sculptor Seiji Kunishima •
Exusiai (1998, released 1999) – Music for contemporary dancer Akira Kasai •
em:t 1196 (1996) – The musical part of a three-way collaboration between the composer, dancer Kuniko Kisanuki and sculptor Satoru Shoji •
Kamiya Bar (1995) – Excerpts from a sound collage assembled in 1992 from TV commercials and field recordings made in Tokyo in the late 1980s • ''Mom's'' (1992) •
Four Pieces (1989) – Playful explorations and transformations for Macintosh computer •
Wave-Heat (1983) – Piece for digital delay/harmonizer and an LP record; released on audio cassette •
Woo Lae Oak (1981, released 1983; re-issued 2008 as a single continuous track) – A concrete symphony for the tremolo of a rubbed string and the tone of a blown bottle
Some unreleased recordings •
Torung (1983) – Piece for Synclavier •
Maneeya (1973) – Piece for tape •
Plastics (1972) – Film soundtrack
Other released collaborations Realistic Monk, (2015–present) collaboration with sound artist Miki Yui
Pict.soul (2000–2001) – Long-distance collaboration with
Tetsu Inoue Monogatari: Amino Argot (1994) – Long-distance collaboration with Otomo Yoshihide
Over-Ring-Under (1992) – Soundtrack to a videogame CD-ROM, with visual artist Teckon
Other commissioned works •
Luong Hai Ky Mi Gia (2001) – DVD-Audio/Video piece for 5.1 surround sound system; commissioned by Starkland •
Sa Rit Gol (1997) – Piece for disklavier and pianist; commissioned by Bay Area Pianists and Cal Performances, as part of the Henry Cowell Centennial Celebration at UC Berkeley •
The Noh Project (1996) – A collaboration with choreographer June Watanabe and Noh master Anshin Uchida •
Yam Vun Sen (1995) – Network duel piece for the internet; commissioned by NTT as part of IC95 Festival, Tokyo •
Sudi Mampir (1995) – Contribution to compilation album "em:t 5595" •
Banh Mi So (1994) – Piece for ondes martenot and piano; commissioned by Takashi Harada and Aki Takahashi •
Mae Ploy (1994) – Piece for String Quartet and computer accompanist; commissioned by the Strings Plus Festival, Kobe, for the Smith Quartet •
Lumpinee (1993) – Installation for computer-operated MIDI system; commissioned by the Museum of Contemporary Art, Los Angeles for the exhibition "John Cage: Rolywholyover: A Circus" •
Du Pars (1993) – Soundtrack for interactive laserdisk "L.A. Journal", produced by Voyager •
Ruen Pair (1993) – Piece for electronic chamber ensemble; commissioned by the Paul Dresher Ensemble •
Rezukuja (1991) – Piece for bass marimba and electronics; commissioned by Sumire Yoshihara •
She Gol Jib (1991) – Piece for ryuteki (flute) and electronics; commissioned by Michiko Akao •
Recurring Cosmos (1991) – Piece for High Definition video and electronics, including
Banteay Srey; commissioned by Sony PCL •
Made in Hollywood (1990) – Soundtrack music; commissioned by ZDF Television, Germany •
Thonburi (1989) – Part of the radio series "Territory of Art" • ''Spalding Gray's Map of L.A.'' (1987) – Soundtrack for videotape produced and directed by Bruce and Norman Yonemoto •
Vault (1984) – Soundtrack for videotape produced and directed by Bruce and Norman Yonemoto •
Mae Yao (1984) – Piece for live electronics, multiple bagpipes and pipe organ; commissioned by The Art of Spectacle Festival •
Se Jong (1983) – Piece for tape; commissioned by the 1984 Olympic Arts Festival as part of the radio series "Sounds In Motion" ==References==