Road to Hollywood In the fall of 1933, Horne joined the chorus line of the
Cotton Club in
Harlem (New York City), which at this time featured some black performers but a whites-only audience. In the spring of 1934, she had a featured role in the Cotton Club Parade starring
Adelaide Hall, who took Lena under her wing. Horne made her first screen appearance as a dancer in the musical short ''
Cab Calloway's Jitterbug Party'' (1935). A few years later, Horne joined
Noble Sissle's Orchestra, with which she toured and with whom she made her first records, issued by
Decca. After she separated from her first husband, Horne toured with bandleader
Charlie Barnet in 1940–41, but disliked the travel and left the band to work at the
Café Society in New York. She replaced
Dinah Shore as the featured vocalist on NBC's popular jazz series
The Chamber Music Society of Lower Basin Street. The show's resident maestros, Henry Levine and Paul Laval, recorded with Horne in June 1941 for
RCA Victor. Horne left the show after only six months when she was hired by former Cafe
Trocadero (Los Angeles) manager Felix Young to perform in a Cotton Club-style revue on the Sunset Strip in Hollywood.
in Till the Clouds Roll By'' (1946), singing "
Can't Help Lovin' Dat Man" , 1941 Horne already had two low-budget movies to her credit: a musical feature called
The Duke is Tops (1938, later reissued with Horne's name above the title as
The Bronze Venus); and a two-reel short subject,
Boogie Woogie Dream (1941), featuring pianists
Pete Johnson and
Albert Ammons. Horne's songs from
Boogie Woogie Dream were later released individually as
soundies. Horne made her Hollywood nightclub debut at Felix Young's Little Troc on the
Sunset Strip in January 1942. She was
blacklisted during the 1950s for her affiliations in the 1940s with
communist-backed groups. She would subsequently disavow communism. She returned to the screen, playing Claire Quintana, a madam in a brothel who marries
Richard Widmark, in the film
Death of a Gunfighter (1969), her first straight dramatic role with no reference to her color. Despite the show's considerable success (Horne still holds the record for the longest-running solo performance in Broadway history), she did not capitalize on the renewed interest in her career by undertaking many new musical projects. A proposed 1983 joint recording project between Horne and
Frank Sinatra (to be produced by
Quincy Jones) was ultimately abandoned, and her sole studio recording of the decade was 1988's
The Men in My Life, featuring duets with
Sammy Davis Jr. and
Joe Williams. In 1989, she received the
Grammy Lifetime Achievement Award. In the 1990s, Horne released three solo albums: 1994's Grammy nominated "We'll Be Together Again" studio album, 1995's "An Evening with Lena Horne" live album, which won Horne a Grammy Award for Best Jazz Vocal Album, and 1998's
Being Myself, Horne's final studio album. Thereafter, Horne retired from performing and largely retreated from public view, though in 2000, Horne's vocals were featured on
Simon Rattle's
Classic Ellington album, and in 2006, a compilation album, entitled "Seasons of a Life" featuring various outtakes from Horne's 1990's recording sessions with Blue Note records was released. == Civil rights activism ==