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Hotel Seville NoMad

The Hotel Seville NoMad is a hotel at 22 East 29th Street, at the southwest corner with Madison Avenue in the NoMad neighborhood of Manhattan in New York City. The original 12-story hotel on Madison Avenue was completed in 1904 to designs by Harry Allan Jacobs. The 11-story annex to the west was designed by Charles T. Mott and completed in 1907, while a three-story annex at 88 Madison Avenue to the south was finished in 2004 and designed by the Rockwell Group. The hotel is a New York City designated landmark and is listed on the National Register of Historic Places.

Site
The Hotel Seville NoMad is at 22 East 29th Street, at the southwest corner with Madison Avenue, in the NoMad neighborhood of Manhattan in New York City. The land lot is L-shaped, wrapping around another structure at the northwest corner of 28th Street and Madison Avenue, and measures . The original hotel and annex have a frontage of long on Madison Avenue to the east, on 29th Street to the north, and on 28th Street to the west. and the Emmet Building and Martha Washington Hotel to the east. The Scottish Rite Hall acquired the Rutgers Presbyterian Church building in 1887. The structure was used as a Masonic Hall until 1901, when it was sold. == Architecture ==
Architecture
Hotel Seville NoMad (originally the Seville Hotel) is designed in the Beaux-Arts style. It consists of the 12-story original hotel at the corner of Madison Avenue and 29th Street, as well as an 11-story annex in the middle of the block on 28th and 29th Streets. There is also a three-story annex in the middle of the block on Madison Avenue, which includes the hotel's lobby. Form and facade The facade is vertically divided into four bays on Madison Avenue, three on 28th Street, and nine on 29th Street (six in the original building and three in the annex). A chamfered corner with one bay connects the Madison Avenue and 29th Street elevations of the facade. Each elevation is divided horizontally into three parts; a base, midsection, and capital. The base consists of the basement and first three stories; the midsection comprises the fourth through tenth stories; and the capital consists of the eleventh and twelfth stories. Most of the windows have been replaced over the years. The original part of the building is U-shaped with a light court facing south, while the annex is I-shaped with light courts facing west and east. Original building The basement is clad in granite ashlar with rectangular windows. Much of the first story contains a facade of rusticated limestone blocks, while the corners are decorated with limestone quoins. The Seville Hotel's original main entrance is through a slightly protruding portico on 29th Street, The portico consists of Ionic columns in antis, with Tuscan or Doric pilasters on the outside, all of which support an entablature. The chamfered corner has an entrance, topped by a round arch with a keystone, balustrade, and rough stone blocks. The northernmost bay on Madison Avenue and the easternmost bay on 29th Street include a rectangular metal-framed window at the first story, which is divided into six panes by mullions and a transom bar. The second and third stories of the original building have limestone-framed rectangular window openings. Some of these openings retain their original windows, which consisted of double-hung sash windows flanked by sidelights, Almost all of the second-story windows on 29th Street and Madison Avenue have protruding limestone balconettes with decorative iron railings. These metal bays are flanked by quoins and are decorated with curved cornices and guilloché panels above the fifth and eighth stories. Above the tenth story runs a cornice with a Greek key pattern, as well as curved hoods that protrude from each of the wide bays. The original hotel's top two stories constitute the crown and are clad in red brick. Each bay contains a masonry frame that surrounds flat-arched windows the eleventh and twelfth stories; there are also keystones above the eleventh stories. Double-height vertical panels are placed between each bay. Above the twelfth story are large console brackets and dentils, as well as a protruding metal cornice with modillions. Annex The annex faces both 28th and 29th Street; on both streets. the facade is three stories tall. The facade of the annex is similar in design to that of the original building, although it is only 11 stories tall and lacks some of the original building's details. On 29th Street, the basement is recessed from the areaway and has rectangular windows. At ground level, there was an entrance flanked by storefront windows. This elevation has a plain brick facade, within which are three bays of angled metal windows. There are also several bays of rectangular windows in varying sizes, which are flush with the facade; they are mostly double-hung windows. The three-story annex that was completed in 2004 covers . Lower stories The first floor originally included the lobby, main hotel office, dining room, and women's parlor. The entirety of the first floor had a Siena marble wainscoting on the walls. There was another dining area south of the lobby, with ceiling moldings and mosaic floor. The dining area has a art glass dome that was covered in the 20th century and restored in 2005. A "Tudor room", with Gothic Revival plaster decorations on the ceiling, was located in the middle of the annex's first floor, though the ceiling has been covered up. Part of the basement and first floor were combined in 2004 to form a double-level restaurant space next to the modern lobby, covering . the space was illuminated by crystal chandeliers on the upper level and translucent fabric cubes on the lower level. , Hotel Seville NoMad housed an Italian restaurant named Scarpetta, as well as a cocktail lounge named the Seville; both spaces were designed by Thomas Juul-Hansen. There is also a mural by Domingo Zapata near the bar's entrance. The restaurant space retains elements of the hotel's original design, such as wooden beams, as well as modern elements including a curving ceiling around the restaurant's edges. Upper stories Four staircases lead from the first story to the top story, of which two staircases extend to the basement. Each staircase has white marble steps, iron balustrades, and wooden handrails. There is an additional staircase in the eastern portion of the original lobby, which has marble-and-tile walls and an arched plaster ceiling. There was a roof garden as well. Four suites, themed to various eras of New York City's history, were added to the hotel in 2012; one of the suites had a bar and poker table hidden behind a bookcase. The rooms were decorated in blue and gray by 2025. == History ==
History
In the early 19th century, the surrounding area was largely rural, with cottages and farms. New Yorkers began establishing mansions and row houses north of Madison Square Park during the mid-nineteenth century. Several churches were built nearby, including the "Little Church Around the Corner" and the Marble Collegiate Church. A commercial boom followed with the growth of hotels such as the Fifth Avenue Hotel, Gilsey House, and Grand Hotel, as well as restaurants, Broadway theaters, the second Madison Square Garden, and office buildings. The opening of the New York City Subway's first line (now the IRT Lexington Avenue Line) one block east, in 1904, spurred further development in the area. The 28th Street subway station was two blocks southeast of the intersection of Madison Avenue and 29th Street, and there were many stores and entertainment venues nearby, so the area was highly attractive to hotel developers. for $175,000. who hired Harry Allan Jacobs to draw up plans for the hotel. Graves wanted an elaborate structure facing onto Madison Avenue, though the main entrance was relocated to the longer 29th Street frontage in the final plans. The structure was supposed to have 410 guest units, including 300 bathrooms. In early 1902, the Metropolitan Life Insurance Company loaned Graves $475,000 for the hotel's construction. The hotel was nearly completed in early 1903, when several contractors placed mechanic's liens on the property. and he lost the hotel to foreclosure. The hotel was sold at an auction in July 1903 to a syndicate headed by P. Henry Dugro, who paid $489,000, Raegener completed the hotel, which opened as the Seville March 1904. The Seville was extremely popular among visitors soon after it opened, Raegener leased a 200-foot-deep site next to the hotel in November 1905, and he hired Charles P. Mott, his brother-in-law, to draw up plans for a 12-story annex there. The annex was to have 19 bedrooms per floor, but Raegener could not start construction until the next year because they had to wait for an existing lease to expire. Mott filed plans for the annex with the Manhattan Bureau of Buildings in January 1906. The annex was finished in September 1907, doubling the amount of usable space in the hotel, which had 400 guestrooms and 300 bathrooms. In addition, the annex provided more capacity for business visitors, since business in the area was also increasing. 1910s to 1950s The Seville's operators acquired the neighboring four-story row houses at 86 and 88 Madison Avenue, collectively occupying a lot, in July 1913. The Sun reported that the houses were a "big factor to the financial success of the hotel" merely because they existed, since their presence allowed natural light and air to enter the hotel from the south. That December, Raegener's firm Roy Realty Company bought the 10-story apartment building at the northwest corner of Madison Avenue and 28th Street, south and east of the hotel. This gave Raegener full ownership of the western side of Madison Avenue between 28th and 29th Streets. which would preserve the hotel's natural light exposure. After Raegener died in 1928, the executor of his estate indicated that the hotel had not made a net profit in several years. His company, the Roy Realty Company, retained ownership of the hotel. Permanent residents and short-term guests continued to patronize the Seville after Raegener died. The Roy Realty Company continued to operate the Seville until 1946, when Roy Realty sold the hotel to the Seville Realty Corporation. The buyers also acquired the commercial building on 28th Street and Madison Avenue, around which the Seville wrapped. and another undergarment company opened a showroom on the first floor in 1950. An investment group known as the Seville Syndicate bought the Hotel Seville in May 1955 at an assessed valuation of $800,000. The buyers also took over a $723,000 mortgage that had been placed on the hotel. 1960s to 1990s The Hotel Seville's popularity began to decline in the mid-20th century, along with that of other hotels in the neighborhood, as businesses and entertainment venues relocated uptown. The Seville remained popular with theatrical personalities who hosted their weddings there. The hotel was advertised to visitors attending the 1964 New York World's Fair. One of the hotel's owners, minority shareholder Merit Koslowsky, attempted to sell the hotel in 1965, but his partners filed a lawsuit to prevent him from doing so. The Seville Syndicate ultimately sold the hotel in September 1967 to Robert Roth and Richard S. Forman of Seville Properties Inc. for $2.3 million, after the New York Court of Appeals ruled that the sale could proceed. and the hotel underwent further upgrades in the early 1980s. During 1985, New York University rented the top six stories of the Seville Hotel and used them as dormitories for transfer students and freshmen. The hotel had closed to visitors entirely by then, and a new owner bought the Seville and renovated the rooms. The hotel was renamed the Carlton in 1987. The Carlton functioned as a single room occupancy hotel with 371 rent-regulated apartments until the 1990s, Some of the Carlton's 29 remaining rent-regulated residents sued the hotel's operators in 1997, claiming that the operators were harassing them while renovating the hotel to accommodate short-term guests. The Wolfson family acquired the hotel in the late 1990s and began renovating it. 2000s to present Carol Bullock-Walter took over as the hotel's manager in the early 2000s and began converting it into a four-star hotel. As part of the project, a three-story annex with a new main entrance was built at 86–88 Madison Avenue, and the guest rooms were refurbished. The Rockwell Group designed both the lobby and the hotel's restaurant, which was renovated concurrently. During the renovation, the hotel's managers rediscovered and restored the first-story bar's original glass dome, which was extremely dirty and had dozens of broken glass panes; before the renovation, no one had realized that the dome still existed, as it was hidden above a dropped ceiling. The Country restaurant opened in October 2005 and was ranked by Travel + Leisure magazine as one of the world's five best new restaurants that year. The hotel had 316 rooms by the late 2000s, The Carlton was renovated again in 2010. The Country restaurant was replaced by seafood restaurant Millesime, which opened in late 2010. The Carlton became part of Marriott International's Autograph Collection brand in early 2012, and several specialty suites opened at the hotel later the same year. In October 2015, GFI Capital Resources Group bought the Carlton from the Wolfson Group for $162.1 million. GFI borrowed $153 million to pay for the hotel. After the purchase, GFI announced in November 2016 that it would renovate the Carlton's lobby, create a retail space, and rebrand the hotel as the James New York – NoMad. Thomas Juul-Hansen was hired to redecorate the lower-story spaces and all the guest units. The hotel reopened in February 2018, with the Seville cocktail lounge and the Scarpetta restaurant at its base. The New York City Landmarks Preservation Commission (LPC) hosted hearings in February 2018 to determine whether the James New York – NoMad and the nearby Emmet Building should be designated as a city landmarks. About a dozen people spoke in favor of both landmark statuses, During the late 2010s and early 2020s, the James New York – NoMad employed a "witch in residence", as well as services such as reiki, astrological readings, and tarot readings. The James New York – NoMad became part of Sonesta International Hotels' The James hotel brand in early 2023. LuxUrban Hotels announced in January 2025 that it would lease the hotel for 15 years, rebranding it the J Hotel by LuxUrban. A bar called Il Bar opened at the hotel early that same year, along with a furniture store. Hyatt acquired the hotel in April 2025 and rebranded it as Hotel Seville NoMad, redesigning the interiors. == Critical reception ==
Critical reception
A writer for The Austin Statesman wrote in the early 1940s that the Seville was "one of the older, conservative hotels of [the neighborhood], with high ceilings and spacious lobby". In 1983, the Boston Globe wrote: "It has spacious rooms, shabby furnishings in some of them, but luxurious marble baths in the manner of a European hotel." The New York Times wrote in 2007 that the Country restaurant and "the cheer of the well-trained staff" were positive qualities but that the hotel lacked a gym or exercise room, "a glaring omission". When the hotel was renovated in 2007, a writer for the New Haven Register said the Wolfson family's "vision has produced stunning results throughout, but the showstopper is an original stained glass dome that illuminates the elegant dining room". Alfred and Joyce Pommer, who wrote a book about Murray Hill, Manhattan, in 2013, described the former Hotel Seville as having "altogether a robust design". The hotel building has also been shown in several TV shows, including Blue Bloods, Curb Your Enthusiasm, and Smash. ==See also==
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