to focus on producing films, including
Howard the Duck.
George Lucas attended film school with
Willard Huyck and
Gloria Katz, who later co-wrote
American Graffiti with Lucas. After the film's production concluded, Lucas told Huyck and Katz about the comic book
Howard the Duck, primarily written by
Steve Gerber, describing the series as being "very funny" and praising its elements of
film noir and
absurdism. In 1984, Lucas relinquished his presidency of
Lucasfilm to focus on producing films. Lucas wanted
John Landis to direct the film, but Landis declined. According to the documentary
A Look Back at Howard the Duck, Huyck, Katz and Lucas began to seriously consider adapting
Howard the Duck as a film, and met with Gerber to discuss the project. The film was optioned by
Universal Studios after a partnership with
Marvel Comics. According to Marvin Antonowsky, "
Sidney [Sheinberg] lobbied very hard for
Howard the Duck", because the studio had passed on previous projects in which Lucas was involved, which had been very successful. Sheinberg denied any involvement in
Howard the Duck, claiming that he never read the screenplay. Huyck and Katz strongly felt that the film should be animated. Because Universal needed a film for a summer release and thinking that animating the film would take too long or cost too much, Lucas suggested that the film could be produced in live-action, with special effects created by
Industrial Light & Magic. Because Lucas often worked with
dwarf actors, he was able to hire several extras to work on these sequences. Gerber read over the script and offered his comments and suggestions. In addition, Huyck and Katz met with Gerber to discuss a horror sequence with which they were having difficulty. Gerber declared that the comic-book series
was an existential joke, stating, "'This is no joke!' There it is. The cosmic giggle. The funniest gag in the universe. Life's most serious moments and most incredibly dumb moments are often distinguishable only by a momentary point of view. Anyone who doesn't believe this probably cannot enjoy reading
Howard the Duck." However, after shooting was finished, Gerber stated that he felt the film was faithful to both the spirit of the comic book and the characters of Howard and Beverly. Huyck and Katz wanted to incorporate both lighter, humorous elements and darker, suspenseful elements. Katz states that some readers were confused by the sexual elements of the screenplay, as they were unsure as to whether the film was intended for adults or children. Huyck and Katz wrote the ending, leaving the story open for a sequel, which was never produced. The script significantly altered the personality of the title character, played the story straight instead of as a satire, removed the surrealist elements, and added supernatural elements that could highlight special effects work done by Lucas' Industrial Light & Magic. The filmmakers consulted with
Disney's lawyers to make sure Howard did not resemble the Disney character
Donald Duck too closely. Howard's appearance was redesigned several times during the process, including his clothes and the shape of his bill. and in a three-issue
limited series.
Casting After auditioning several actresses, singers, and models for the role of
Beverly Switzler, including
Tori Amos,
Lea Thompson was cast due to her appearance in
Back to the Future. Thompson purchased clothing from thrift stores because she wanted to appear at the audition as "a cross between
Madonna and
Cyndi Lauper." During the shoot, Thompson complained that the filmmakers chose to shoot Howard's close-up before hers. Thompson also states that she regrets not wearing a wig, as her hairstyle took two hours a day to prepare. To play the physical role of Howard, Huyck and Katz held casting calls with dwarf actors, eventually casting child actor
Jordan Prentice and hiring
Ed Gale, who had been rejected because he was too tall for the role, to perform stunts and play the role during evening shoots. Huyck and Katz auditioned several actors including
John Cusack,
Robin Williams and
Martin Short for Howard's voice. Williams worked for a week before quitting, stating, "I can't do this. It is insane. I can't get the rhythm of this. I am being confined. I am being handcuffed to match the flapping duck's bill." As a result,
Chip Zien was cast because the filmmakers felt his nasal voice suited the part. Because Howard's voice was not cast until the film had begun editing, synchronization was extremely difficult. Jeffrey Jones altered his voice for Dr. Walter Jenning after the character's possession by the Dark Overlord, which he demonstrated when interviewed by
Dallas-Fort Worth reporter
Bobbie Wygant. The ultralight sequence was difficult, requiring intense coordination and actors Robbins and Gale to actually fly the plane.
Special effects Howard was initially intended to be a fully computerized character, but these attempts proved unsuccessful. The idea of fully puppeteering Howard was explored, but the filmmakers determined they would need an actor in a suit to portray him for much of the film. The effect of the feathers on Howard's head becoming erect during the love sequence took months to prepare. A total of six actors gave physical performances as Howard. Gerber was impressed by Howard's appearance, and commented, "It was very bizarre to meet it and [...] realize not just that I created itthat would have been bizarre enough [...] you know, it was sort of like meeting a child I didn't know I had". by sound designer
Ben Burtt. Stop motion effects during the climax were designed by
Phil Tippett, who began with a clay model before upgrading to more sophisticated pieces. ==Soundtrack==