Development Neo-Tifinagh is the modern fully
alphabetic script developed by the
Berber Academy, based in Paris. Initially, the academy had to choose a script to transliterate the Berber language. The choice between Tifinagh and Latin scripts then sparked intense debate both within and outside the Academy.
Mohand Arav Bessaoud, a founding member of the academy and strong Tifinagh advocate, recounted the resistance he faced from prominent figures like
Mouloud Mammeri and Ramdane Achab, who argued that Tifinagh was archaic, obsolete, non-cursive, and impractical. Despite the criticism, Bessaoud persisted in promoting Tifinagh."Achab Ramdane opposed my actions, calling it rekindling extinguished embers" - Said Bessaouad
Efforts to promote Tifinagh In 1970, a meeting took place to decide on a system of writing. Influenced by Mahdjoubi Ahardane, Bessaoud opted for Tifinagh. Ahardane argued that Tifinagh was not merely a script but a testament to Berber history and identity. Further steps were taken afterwards regarding the standardization of the script. By 1973,
Ammar Negadi, a prominent
Chaoui writer and fervent advocate of the Tifinagh script was elected secretary general of the Berber Academy in the Paris region. He propagated the academy's publications and cultural activities. Negadi reflected on his efforts: "I distributed all of Agraw Imazighen's writings throughout the
Aurès region starting in 1973. The goal wasn't regular correspondence but widespread dissemination of Tifinagh." Neo-Tifinagh was spread by the Berber Academy's active promotion of the script, including its usage in their bulletin,
Imazighen, which was widely read by Berber communities in Algeria and Morocco. The official activities of the Berber Academy ceased when Mohand Bessaoud Arav was imprisoned. By 1980, Negadi founded his spin-off organization UPA (Amazigh People's Union), which published a bulletin in both Latin and Tifinagh, called
Azaghen/Link. He remained convinced that Tifinagh was the best graphical tool to express Berber language and culture, seeing it as part of the cultural heritage and identity to be defended. The UPA bulletins continued to promote the Tifinagh alphabet, while activist
Messaoud Nedjahi streamlined its characters from 50 to 26. This process inspired the Afus Deg Fus association to create the first set of standardized Neo-Tifinagh fonts in 1993.
Political history The promotion of Neo-Tifinagh by the Berber Academy and Ammar Negadi's UPA was part of the efforts to spread
Berberism throughout the 1960s and 1970s. The use of Neo-Tifinagh in their publications was influential in raising Berber consciousness; one reader has described its effect as being "the proof that we actually existed." The
Algerian Black Spring was also partly caused by this repression of
Berber language. In the 1980s, the
Berber flag, which was designed in 1970 and uses the Tifinagh letter
z (Tifinagh: ⵣ) from the root of
Amazigh, began being used in demonstrations. The flag was adopted by the
World Amazigh Congress in 1997. In Morocco, following the creation of Standard Moroccan Amazigh in 2001, the 2003 adoption of Neo-Tifinagh served as a way to compromise between the deeply split proponents of the
Latin script versus the
Arabic script as Amazigh's official orthography. In Libya, the government of
Muammar Gaddafi consistently banned Tifinagh from being used in public contexts such as store displays and banners. After the
Libyan Civil War, the
National Transitional Council has shown an openness towards the Berber language. The rebel
Libya TV, based in
Qatar, has included the Berber language and the Neo-Tifinagh alphabet in some of its programming. Tifinagh continues to be used as "an emblem of distinctive Berber identity and nationhood." Starting in 2003, Neo-Tifinagh was used for a small duration of
Moroccan elementary school to teach Standard Moroccan Amazigh. However, practical use of Tifinagh in Morocco remains rare; one Amazigh activist has summarized the situation with the anecdote that he "[knows] that some books that were written in Tifinagh were read by only two people ... the one who wrote the book and the one who did the editing!" Despite Neo-Tifinagh's Algerian origins through the Berber Academy and UPA, the Latin alphabet became the predominant used script. Debate in what script to use for Berber languages tends to view the Latin and Arabic scripts as the primary options. As of 2012, Tifinagh is "not widely used in education or the media in any country." == Other modifications ==