"Performative Acts and Gender Constitution" (1988) In the essay "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory", Judith Butler proposes that
gender is performative – that is, gender is not so much a static identity or role, but rather comprises a set of acts which can evolve over time. Butler states that because gender identity is established through behavior, there is a possibility to construct different genders via different behaviors. ...if gender is instituted through acts which are internally discontinuous, then the appearance of substance is precisely that, a constructed identity, a performative accomplishment which the mundane social audience, including the actors themselves, come to believe and to perform in the mode of belief. If the ground of gender identity is the stylized repetition of acts through time, and not a seemingly seamless identity, then the possibilities of gender transformation are to be found in the arbitrary relation between such acts, in the possibility of a different sort of repeating, in the breaking or subversive repetition of that style.Butler concludes their essay with a personal reflection on the strengths and limitations of widespread feminist theories which function on a solely binary perception of gender. Butler critiques what they call the "reification" of sexual difference within a heterosexual framework, and articulates their concern with how this framework affects the accurate presentation (or lack thereof) of "femaleness" across a diverse array of experiences, including those of women.As a corporeal field of cultural play, gender is a basically innovative affair, although it is quite clear that there are strict punishments for contesting the script by performing out of turn or through unwarranted improvisations. Gender is not passively scripted on the body, and neither is it determined by nature, language, the symbolic, or the overwhelming history of patriarchy. Gender is what is put on, invariably, under constraint, daily and incessantly, with anxiety and pleasure, but if this continuous act is mistaken for a natural or linguistic given, power is relinquished to expand the cultural field bodily through subversive performances of various kinds.Throughout this text, Butler derives influence from French philosophers such as
Simone de Beauvoir and
Maurice Merleau-Ponty, particularly de Beauvoir's
The Second Sex and Merleau-Ponty's "The Body in its Sexual Being". Butler also cites works by
Gayle Rubin,
Mary Anne Warren, and their own piece "Sex and Gender in Simone de Beauvoir's
Second Sex" (1986), among others. Similar to "Performative Acts and Gender Constitution",
Gender Trouble discusses the works of
Sigmund Freud,
Simone de Beauvoir,
Julia Kristeva,
Jacques Lacan,
Luce Irigaray,
Monique Wittig,
Jacques Derrida, and
Michel Foucault. Butler offers a critique of the terms
gender and
sex as they have been used by feminists. Butler argues that feminism made a mistake in trying to make "women" a discrete, ahistorical group with common characteristics. Butler writes that this approach reinforces the binary view of gender relations. Butler believes that feminists should not try to define "women" and they also believe that feminists should "focus on providing an account of how power functions and shapes our understandings of womanhood not only in the society at large but also within the feminist movement". Finally, Butler aims to break the supposed links between sex and gender so that gender and desire can be "flexible, free floating and not caused by other stable factors" (David Gauntlett). The idea of identity as free and flexible and gender as performative, not an essence, has become one of the foundations of
queer theory.
Imitation and Gender Insubordination (1991) Inside/Out: Lesbian Theories, Gay Theories is a collection of writings of gay and lesbian social theorists. Butler's contribution argues that no transparent revelation is afforded by using the terms "gay" or "lesbian" yet there is a political imperative to do so.
Bodies That Matter (1993) Bodies That Matter: On the Discursive Limits of Sex seeks to clear up readings and supposed misinterpretations of performativity that view the enactment of sex/gender as a daily choice. As such, Butler aims to answer questions of this vein that may have been raised from their previous work
Gender Trouble. Butler emphasizes the role of repetition in performativity, making use of
Derrida's theory of iterability, which is a form of
citationality:Performativity cannot be understood outside of a process of iterability, a regularized and constrained repetition of norms. And this repetition is not performed
by a subject; this repetition is what enables a subject and constitutes the temporal condition for the subject. This iterability implies that 'performance' is not a singular 'act' or event, but a ritualized production, a ritual reiterated under and through constraint, under and through the force of prohibition and taboo, with the threat of ostracism and even death controlling and compelling the shape of the production, but not, I will insist, determining it fully in advance.Butler also explores how gender can be understood not only as a performance, but also as a "constitutive constraint", or constructed character. They ask how this conceptualization of an individual's gender contributes to notions of bodily intelligibility, or comprehension, by other individuals. Butler continues to discuss bodily intelligibility by means of sex as a "materialized" entity, upon which cultural, collective ideals of gender can be built. From this angle, Butler interrogates value conscription upon various bodies as determined theories and practices of heterosexual predominance. If gender consists of the social meanings that sex assumes, then sex does not accrue social meanings as additive properties but, rather, is replaced by the social meanings it takes on; sex is relinquished in the course of that assumption, and gender emerges, not as a term in a continued relationship of opposition to sex, but as the term which absorbs and displaces "sex," the mark of its full substantiation into gender or what, from a materialist point of view, might constitute a full de-substantiation.While continuing to draw upon sources such as those of
Plato,
Irigaray,
Lacan, and
Freud (as they did for
Gender Trouble), Butler also draws upon pieces of documentary film and literature for
Bodies That Matter. Such pieces include the film
Paris is Burning, short stories by
Willa Cather, and the novel
Passing by Nella Larsen.
Excitable Speech (1997) In
Excitable Speech: A Politics of the Performative, Butler surveys the problems of
hate speech and censorship. They argue that censorship is difficult to evaluate, and that in some cases it may be useful or even necessary, while in others it may be worse than tolerance. Butler argues that hate speech exists retrospectively, only after being declared such by state authorities. In this way, the state reserves for itself the power to define hate speech and, conversely, the limits of acceptable discourse. In this connection, Butler criticizes feminist legal scholar
Catharine MacKinnon's argument against pornography for its unquestioning acceptance of the state's power to censor. Deploying
Foucault's argument from the first volume of
The History of Sexuality, Butler states that any attempt at censorship, legal or otherwise, necessarily propagates the very language it seeks to forbid. As Foucault argues, for example, the strict sexual mores of 19th-century Western Europe did nothing but amplify the discourse of sexuality they sought to control. Extending this argument using
Derrida and
Lacan, Butler says that censorship is primitive to language, and that the linguistic "I" is a mere effect of a primitive censorship. In this way, Butler questions the possibility of any genuinely oppositional discourse; "If speech depends upon censorship, then the principle that one might seek to oppose is at once the formative principle of oppositional speech".
Precarious Life (2004) Precarious Life: The Powers of Mourning and Violence opens a new line in Judith Butler's work that has had a great impact on their subsequent thought, especially on books like
Frames of War: When Is Life Grievable? (2009) or
Notes Toward a Performative Theory of Assembly (2015), as well as on other contemporary thinkers. In this book, Butler deals with issues of precarity, vulnerability, grief and contemporary political violence in the face of the
war on terror and the realities of
prisoners at Guantanamo Bay and similar detention centers. Drawing on Foucault, they characterize the form of power at work in these places of "indefinite detention" as a convergence of
sovereignty and
governmentality. The "
state of exception" deployed here is in fact more complex than the one pointed out by
Agamben in his
Homo Sacer, since the government is in a more ambiguous relation to law —it may comply with it or suspend it, depending on its interests, and this is itself a tool of the state to produce its own sovereignty. Butler also points towards problems in
international law treatises like the
Geneva Conventions. In practice, these only protect people who belong to (or act in the name of) a recognized state, and therefore are helpless in situations of abuse toward
stateless people, people who do not enjoy a recognized citizenship or people who are labelled "terrorists", and therefore understood as acting on their own behalf as irrational "killing machines" that need to be held captive due to their "dangerousness". Butler also writes here on vulnerability and precariousness as intrinsic to the human condition. This is due to our inevitable interdependency from other precarious subjects, who are never really "complete" or autonomous but instead always "dispossessed" on the Other. This is manifested in shared experiences like
grief and loss, that can form the basis for a recognition of our shared human (vulnerable) condition. However, not every loss can be mourned in the same way, and in fact not every life can be conceived of as such (as situated in a condition common to ours). Through a critical engagement with
Levinas, they will explore how certain representations prevent lives from being considered worthy of being lived or taken into account, precluding the mourning of certain Others, and with that the recognition of them and their losses as equally human. This preoccupation with the dignifying or dehumanizing role of practices of framing and representations will constitute one of the central elements of
Frames of War (2009).
Undoing Gender (2004) Undoing Gender collects Butler's reflections on gender, sex, sexuality, psychoanalysis and the medical treatment of intersex people for a more general readership than many of their other books. Butler revisits and refines their notion of performativity and focuses on the question of undoing "restrictively normative conceptions of sexual and gendered life". In Butler's discussion of intersex issues and people, Butler addresses the case of
David Reimer, a person whose sex was medically
reassigned from male to female after a botched
circumcision at eight months of age. Reimer was "made" female by doctors, but later in life identified as "really" male, married and became a stepfather to his wife's three children, and went on to tell his story in
As Nature Made Him: The Boy Who Was Raised as a Girl, which he wrote with
John Colapinto. Reimer died by suicide in 2004.
Giving an Account of Oneself (2005) In
Giving an Account of Oneself, Butler develops an ethics based on the opacity of the subject to itself; in other words, the limits of self-knowledge. Primarily borrowing from
Theodor Adorno,
Michel Foucault,
Friedrich Nietzsche,
Jean Laplanche,
Adriana Cavarero and
Emmanuel Levinas, Butler develops a theory of the formation of the subject. Butler theorizes the subject in relation to the social – a community of others and their norms – which is beyond the control of the subject it forms, as precisely the very condition of that subject's formation, the resources by which the subject becomes recognizably human, a grammatical "I", in the first place. Butler accepts the claim that if the subject is opaque to itself the limitations of its free ethical responsibility and obligations are due to the limits of narrative, presuppositions of language and projection. Instead Butler argues for an ethics based precisely on the limits of self-knowledge as the limits of responsibility itself. Any concept of responsibility which demands the full transparency of the self to itself, an entirely accountable self, necessarily does violence to the opacity which marks the constitution of the self it addresses. The scene of address by which responsibility is enabled is always already a relation between subjects who are variably opaque to themselves and to each other. The ethics that Butler envisions is therefore one in which the responsible self knows the limits of its knowing, recognizes the limits of its capacity to give an account of itself to others, and respects those limits as symptomatically human. To take seriously one's opacity to oneself in ethical deliberation means then to critically interrogate the social world in which one comes to be human in the first place and which remains precisely that which one cannot know about oneself. In this way, Butler locates social and political critique at the core of ethical practice.
Notes Toward a Performative Theory of Assembly (2015) In
Notes Toward a Performative Theory of Assembly, Butler discusses the power of public gatherings, considering what they signify and how they work. They use this framework to analyze the power and possibilities of protests, such as the
Black Lives Matter protests regarding the deaths of
Michael Brown and
Eric Garner in 2014.
The Force of Nonviolence (2020) In
The Force of Nonviolence: An Ethico-Political Bind, Butler connects the ideologies of nonviolence and the political struggle for social equality. They review the traditional understanding of "nonviolence", stating that it "is often misunderstood as a passive practice that emanates from a calm region of the soul, or as an individualist ethical relation to existing forms of power". Instead of this understanding, Butler argues that "nonviolence is an ethical position found in the midst of the political field". Butler is interested in the literal demonization of
gender by analyzing the historical context of the
anti-gender movement. ==Reception==