Kilburn and the High Roads (1971–1975) Dury formed
Kilburn and the High Roads (a reference to
the road in North West London) in 1971, and they played their first gig at
Croydon School of Art on 5 December 1971.
Going solo (August – September 1977) The single "
Sex & Drugs & Rock & Roll", released 26 August 1977, marked Dury's
Stiff Records debut. Although it was banned by the
BBC, it was named Single of the Week by
NME on its release. The single issue was soon followed, at the end of September, by the album
New Boots and Panties!! which achieved platinum status. "Sex & Drugs & Rock & Roll" was not listed on the album's track list, yet it was nonetheless present as track 1 on side 2 of some later 1977 pressings).
The Blockheads ,
Chalk Farm, London, 1978 Under the management of
Andrew King and
Peter Jenner, the original managers of
Pink Floyd, Ian Dury and the Blockheads quickly gained a reputation as one of the top live acts of
new wave music. The Blockheads' sound drew from its members' diverse musical influences, which included
jazz, rock and roll,
funk, and
reggae, and Dury's love of
music hall. The band was formed after Dury began writing songs with pianist and guitarist
Chaz Jankel (the brother of music video, TV, commercial and film director
Annabel Jankel). Jankel took Dury's lyrics, fashioned a number of songs, and they began recording with members of
Radio Caroline's Loving Awareness Band drummer
Charley Charles (born Hugh Glenn Mortimer Charles,
Guyana 1945), bassist
Norman Watt-Roy, keyboard player
Mick Gallagher, guitarist
John Turnbull and former Kilburns saxophonist
Davey Payne. In October 1977 Dury and his band started performing as Ian Dury and the Blockheads, when the band signed on for the Stiff "Live Stiffs Tour" alongside
Elvis Costello &
the Attractions,
Nick Lowe,
Wreckless Eric, and
Larry Wallis. The tour was a success, and Stiff launched a concerted Ian Dury marketing campaign, resulting in the Top Ten hit "
What a Waste" and the hit single "
Hit Me with Your Rhythm Stick", which reached No. 1 in the UK at the beginning of 1979, selling just short of a million copies. Again, "Hit Me" was not included on the original release of the subsequent album
Do It Yourself. With their hit singles, the band built up a dedicated following in the UK and other countries and their next single "
Reasons to be Cheerful, Part 3" made number three in the UK. The band's second album
Do It Yourself was released in June 1979 in a
Barney Bubbles-designed sleeve of which there were over a dozen variations, all based on samples from the
Crown wallpaper catalogue. Bubbles also designed the Blockhead logo. Jankel left the band temporarily and relocated to the US after the release of "What a Waste" (his organ part on that single was overdubbed later) but he subsequently returned to the UK and began touring sporadically with the Blockheads, eventually returning to the group full-time for the recording of "Hit Me with Your Rhythm Stick"; according to Mickey Gallagher, the band recorded 28 takes of the song but eventually settled on the second take for the single release. Partly due to personality clashes with Dury, The group worked solidly over the 18 months between the release of "Rhythm Stick" and their next single, "Reasons to Be Cheerful, Part 3", which returned them to the charts, making the UK Top 10. Jankel was replaced by former
Dr. Feelgood guitarist
Wilko Johnson, who also contributed to the next album
Laughter (1980) and its two hit singles, although Gallagher recalls that the recording of the
Laughter album was difficult and that Dury was drinking heavily in this period. The Blockheads disbanded in early 1982, after Dury secured a new recording deal with
Polydor Records through A&R man Frank Neilson. Choosing to work with a group of young musicians which he named the Music Students, he recorded the album ''Four Thousand Weeks' Holiday''. This album marked a departure from his usual style and was not as well received by fans for its American jazz influence. The Blockheads briefly reformed in June 1987 to play a short tour of Japan, and then disbanded again. In September 1990, following the death from cancer of drummer Charley Charles, they reunited for two benefit concerts in aid of Charles' family, held at
The Forum,
Camden Town, with
Steven Monti on drums. In December 1990, augmented by Merlin Rhys-Jones on guitar and Will Parnell on percussion, they recorded the live album
Warts & Audience at the
Brixton Academy. this was followed by sporadic gigs in Europe, Ireland, the UK and Japan in late 1994 and 1995.
Other solo work Dury continued to record other work without the Blockheads, including
Lord Upminster (1981);
Apples (1989) and ''
The Bus Driver's Prayer & Other Stories (1992). He also released a single album with the Music Students, 4,000 Weeks' Holiday'' (1984). His 1981 song "
Spasticus Autisticus" written to show his disdain for that year's
International Year of Disabled Persons, which he saw as patronising and counter-productive was banned by the
BBC from being broadcast by the BBC before 6 pm. The lyrics were uncompromising: So place your hard-earned peanuts in my tin And thank the Creator you're not in the state I'm in So long have I been languished on the shelf I must give all proceedings to myself The song's refrain, "I'm spasticus, autisticus", was inspired by the response of the rebellious Roman
gladiators in the film
Spartacus, who, when instructed to identify their leader, all answered, "I am
Spartacus", to protect him. According to George McKay, in his 2009 article "Crippled with nerves" (an early Dury song title), for
Popular Music: Dury described the song as "a war cry" on
Desert Island Discs. The song was used at the opening of the
London 2012 Paralympics. In 1984, Dury was featured in the music video for the minor hit single "
Walking in My Sleep" by
Roger Daltrey of
The Who. ==Musical influences and style==