Soviet period In 1972 he joined the animation department at
Kievnauchfilm to work in
clean-up,
inbetweening and animation. Simultaneously Kovalyov and Tatarsky started an "underground" home studio and created the
Speaking of Birds comedy shorts using a handmade
animation stand. They brought it to the
High Courses for Scriptwriters and Film Directors and were invited to join the animation faculty. Kievnauchfilm refused to let them go, and only in 1979 Kovalyov was allowed to leave, while Tatarsky fled to Moscow on his own. Igor studied under
Fyodor Khitruk,
Yuri Norstein, Vladimir Pekar and
Violetta Kolesnikova. He also got into
art films by
Robert Bresson,
Ingmar Bergman,
Carl Theodor Dreyer and experimental animation by
Borivoj Dovniković,
Walerian Borowczyk and
Priit Pärn in particular. Upon graduation in 1981 he joined Tatarsky at the Multtelefilm division of
Studio Ekran as an
art director. Their debut work
Plasticine Crow consisted of two shorts based on "kids drawings" (in fact all of them were drawn by Kovalyov using his left hand) and one made of
plasticine, becoming the first Soviet
claymation film. Due to his father's sudden death Igor left for Kiev in the middle of production and stayed there for the next several years working at Kievnauchfilm again. He then returned to Moscow and started directing films alongside Tatarsky. Their most famous work was
Investigation Held by Kolobki. The friends also launched animation courses under Multtelefilm and prepared a number of prominent animators. In 1988 they founded
Pilot, the first private animation studio in the USSR where they relocated along with their students. In 1989 Igor directed his first auteur film
Hen His Wife which became an international success and gained him his first Grand Prize at the 1990
Ottawa International Animation Festival. During that time he was invited to the
United States to meet with students at the
Disney studio. He was noticed by
Gábor Csupó who immediately offered him a place at
Klasky Csupo. Kovalyov turned down the offer and returned to Moscow to finish
Andrei Svislotskiy. Csupó continued to contact him and guaranteed that he would be able to produce auteur films, and under a pressure from his first wife and the overall
crisis in animation Igor finally agreed. Kovalyov also contacted some of the leading Pilot animators and suggested them to join him. This greatly upset
Alexander Tatarsky who was convinced that Gábor Csupó was enticing his best staff. Nevertheless, Igor visited Tatarsky every year till his death in 2007 and discussed future plans. In 1998 he co-directed
The Rugrats Movie which grossed $141 million,
breaking the box office record for a non-Disney animated film, although Kovalyov was left unhappy with it, claiming there was a heavy pressure from producers this time around and many of his ideas didn't make into the movie. Csupó also kept his promise and allowed him to work on his auteur films.
Bird in a Window (1996),
Flying Nansen (2000) and
Milch (2005) gained a number of awards at international film festivals, although the latter was finished when the studio was already in sharp decline, and Kovalyov had to seek sponsorship from his former father-in-law, a famous Russian lawyer
Genrikh Padva who is listed in the credits as a producer. Same year Igor left Klasky Csupo to teach animation at
California Institute of the Arts. In December 2017 Kovalyov joined
Soyuzmultfilm as a creative producer and worked on
Prostokvashino, a successful re-launch of the Soviet mini-series
Three from Prostokvashino. He is currently working on another revival of the popular Soviet series about parrot Kesha and his next auteur animation
A Peacock Is Flying to the South-East. ==Personal life==