Inside No. 9

Inside No. 9 is an anthology series, with each episode featuring a new story, new setting, and new characters. Episodes run roughly thirty minutes each, with the self-contained story reaching a conclusion. The stories are linked primarily by the fact that each has an element of the story linked to the number 9, be that a mansion, a dressing room or even a shoe, size 9. Almost every episode stars Reece Shearsmith or Steve Pemberton, and regularly both. Each episode is effectively a short play. Some episodes take place in real-time, following half an hour in the lives of the characters. According to Pemberton, "Because each episode is so wildly different there was nothing really linking them other than the fact they were all inside a Number Nine, I just thought it would be nice to have an object that you could hide and just have there on every set." though in some cases the surprise is the lack of twist. the humour, however, is typically dark and British. The episodes generally begin with scenes of "utter banality", before the darker elements are revealed. Despite the various episodes featuring unrelated plots and characters, one reviewer said that they are all linked "by a mercurial synthesis of morbid comedy, wicked social commentary and a genuine creepiness". Pemberton said that he and Shearsmith decided not to mix the worlds of Inside No. 9 and their previous projects, but nonetheless include the occasional reference; for example, a character called "Ollie" is mentioned in one Inside No. 9 episode, and the writers imagined that this was Ollie Plimsoles of Legz Akimbo, a character from The League of Gentlemen. Similarly, Inside No. 9 was referenced in the 2017 reunion specials of The League of Gentlemen. Tubbs and Edward are seen living in flat number 9, and the Inside No. 9 hare is visible on their shop counter. ==Production and development==

In 2012, after finishing their previous show, Psychoville, writers Pemberton and Shearsmith were commissioned to produce two series for the BBC by controllers Janice Hadlow and Cheryl Taylor, partially in response to Sky beginning to produce comedy. At the time, it was unclear whether this would be two series of Inside No. 9, then known by the working title Happy Endings, or a series of Inside No. 9 and a series of some other programme. Inside No. 9 was to be produced by a BBC team, At the same time, the concept of Inside No. 9 was a "reaction" to Psychoville, with Shearsmith saying that the two of them had "been so involved with labyrinthine over-arcing, we thought it would be nice to do six different stories with a complete new house of people each week. That's appealing, because as a viewer you might not like this story, but you've got a different one next week." Elsewhere, Shearsmith explained that the pair returned to writing macabre stories as they "always feel slightly unfulfilled if [they] write something that's purely comedic, [as] it just feels too frivolous and light". The first story that the pair wrote specifically for Inside No. 9 was about a birthday party. BBC producers felt that this story would work as the opening episode of a sitcom, but, given the script's events, Pemberton and Shearsmith were not happy to develop the idea into its own programme. The script was consequently shelved and revisited during the planning process for the second series, becoming "Nana's Party", the fifth episode of the series and eleventh overall. During the filming of Inside No. 9, Shearsmith professed excitement to be working on the programme, saying that "[b]eing in the middle of filming a third series of Psychoville would be utterly depressing". For Pemberton, the 1970s and 1980s were "full of" anthology shows; other examples included Play for Today, Beasts and Armchair Thriller. More recently, anthologies have become less popular with television executives, Inspiration and production varied from instalment to instalment, and each was filmed separately, taking less than a week per episode. aiming to induce feelings of claustrophobia in viewers. The Pinteresque "Tom & Gerri" was based upon a play written by Pemberton and Shearsmith while the pair were living together and job seeking. The setting was based upon their own flat, while the character Tom's development evoked the experience of job-hunting. "The Understudy", the plot of which is partially based upon and concerns Macbeth, took longer to write than any other episode; the writers rewrote the script several times, as they were unsure of whether the characters should be amateur or professional actors. "The Harrowing" was the writers' attempt to produce a gothic horror episode. They made use of more horror tropes than previous episodes, but the setting allowed them to include modern elements. The writers were permitted two sets for the second series, and so a fake train compartment and a fake flat (for "La Couchette" and "The 12 Days of Christine" respectively) were built at Twickenham Studios. The other episodes were filmed on location; for example, "The Trial of Elizabeth Gadge" was filmed in a barn at the Chiltern Open Air Museum. David Kerr was unable to stay on as director for the second series. Guillem Morales and Dan Zeff each took on directorial duties for two episodes, and Pemberton and Shearsmith, in addition to continuing to write and star in the episodes, jointly directed the other two. The writers had hoped to direct for some time, and this represented a good opportunity to make their directorial debut. While writing for the series, the pair did not know which episodes they would be directing; "The 12 Days of Christine" follows a woman over the course of 12 years, with scenes displaying key moments in her life. "The Trial of Elizabeth Gadge" was inspired by genuine witch trials, some transcripts of which Pemberton and Shearsmith had read as part of the writing process. "Cold Comfort" began with the idea of a call centre, With "Nana's Party", the writers aimed for a feeling of suburban darkness, reminiscent of the work of Alan Ayckbourn. "Séance Time" began with the idea of a séance, an idea the writers had wanted to explore for some time. Series three began with a Christmas special in December 2016, followed by five more episodes starting February 2017. Settings for the third series include an art gallery, a restaurant and an alpine cabin, while guest stars include Keeley Hawes, Jessica Raine, Felicity Kendal, Tamzin Outhwaite, Fiona Shaw, Jason Watkins, Mathew Baynton, Rula Lenska, Philip Glenister, Sarah Hadland, Javone Prince, Montserrat Lombard, Morgana Robinson, and Alexandra Roach. A fourth series was confirmed after the airing of "The Devil of Christmas", and began broadcast in 2018. Pemberton has said that he would be interested in an online spin-off, perhaps called No. 9A, with less experienced comedy writers. In an interview, he said "The format has so many opportunities and can incorporate so many styles, as long as you stick to the small cast, single location constraint. I think it's really important to bring through fresh voices." A live special in October 2018 received particular praise for its unusual and creative format. The episode, described as "astonishingly bold and ambitious" by reviewer Sean O'Grady, appeared to suffer technical difficulties within its first 9 minutes of broadcast. The difficulties, including the continuity announcer's voiceover, were in-fact part of the programme's plot, which centred on the premise that the studios in which the episode were being filmed were haunted. The sixth series aired in 2021, followed by a seventh series in 2022. After the finale, the BBC announced that they had commissioned two further series of the show, bringing it to nine series. Series 8 premiered on 22 December 2022 with a Christmas special, with the remaining five episodes airing from April 2023. In December 2022, it was revealed that Inside No. 9 would stop after its ninth series. Pemberton said: "We feel it is a good time to pause Inside No. 9 after we finish filming season 9 next year [...] We're not saying it's over for good [...] but we won't be looking to make any more episodes for the time being." The ninth and final series began airing in May 2024. A one-hour documentary, ''Inside No. 9: The Party's Over'', aired on BBC One on 22 December 2024. The documentary gave a behind-the-scenes look at filming the last ever series, plus interviews with cast and crew from the nine series. In January 2025 Pemberton and Shearsmith wrote and starred in a West End stage play based on the series, titled Inside No. 9 Stage/Fright. The play was directed by Simon Evans and ran at the Wyndham's Theatre, London until April, before embarking on a UK tour in the autumn. In November 2025, it was announced that it would return to London for a final time, with 6 more shows at the Hammersmith Apollo in January 2026. ==Episodes==

Series overview Series 1 (2014) Webisode (2014) Series 2 (2015) Series 3 (2016–17) Series 4 (2018) Halloween special (2018) This episode was a live broadcast, rather than a pre-recorded episode. The music, by Christian Henson, was also performed live. Series 5 (2020) Series 6 (2021) Series 7 (2022) Series 8 (2022–23) Series 9 (2024) ==Cast==

As each episode of Inside No. 9 features new characters, the writers were able to attract actors who may have been unwilling or unable to commit to an entire series. The fact that Pemberton and Shearsmith only played a single character in each story was a change for them; in The League of Gentlemen, the pair have played some 30 characters each, while, in Psychoville, they had played around five each. actors who previously appeared in former episodes returned for the Season 9 finale "Plodding On", portraying fictionalised versions of themselves. Following the airing of the final episode, Steve Pemberton auctioned his personal copy of the "Plodding On" script which had been signed by a majority of the key cast members across the 9 series. The only other actor to make multiple appearances across episodes as separate characters is Derek Jacobi who had a voice role in "The Devil of Christmas" before later returning in "How Do You Plead?" ==Distribution==

The first series of Inside No. 9 was shown in the UK on BBC Two (and BBC Two HD) between 5 February and 12 March 2014. It was aired in Australia on BBC First, premiering on 5 January 2015. The second series aired in the UK from 26 March to 29 April 2015, and aired in Australia from 27 July 2015. The first series was released on DVD on 17 March 2014. In addition to the six episodes, the DVD featured the making of feature "Inside Inside No. 9", including unseen interviews with Pemberton, Shearsmith and Kerr, and a photo gallery with previously unreleased photos. Published by 2 Entertain, the DVD was rated 18 by the British Board of Film Classification. The DVD was reviewed by David Upton for webzine PopMatters, who gave the main feature an 8/10 rating, and the extras a 5/10 rating, South African newspapers The Sunday Times and The Star both published positive reviews of the DVD, with The Stars anonymous review saying the DVD "makes a great prezzie for cynics, so if you know any lawyers or journalists...". The second series was released on DVD on 4 May 2015. A collection of all nine series of the show was released on June 24th 2024 as a DVD boxset. The scripts of the first three series were released by Hodder & Stoughton in 2020, with scripts of the following three series released in 2022. A book detailing the production history of Series 1 to 5, ''The Insider's Guide To Inside No. 9'' by Mark Salisbury, was released in 2021. ==Reception and performance==

Critical reception Many critics responded very positively to Inside No. 9. The overall series has a 100% score at Rotten Tomatoes. Commentators have described it as "never less-than-captivating" Inside No. 9 won the Sketch and Comedy prize at the 35th annual Banff World Media Festival Rockie Awards, and won the comedy prize at the 2016 Rose d'Or ceremony. It was nominated for the Best TV Sitcom prize at the 2014 Freesat Awards, the Broadcast Award for Best Original Programme, and at the 2014 British Comedy Awards for both the Best New Comedy Programme and the Best Comedy Drama. In the Comedy.co.uk Awards it was voted "Best TV Comedy Drama" in 2014, 2015, 2016, and 2017, and was named "Comedy of the Year" in 2017 and 2018. The series has received three nominations at the British Academy Television Awards. In 2019, Pemberton won Best Male Comedy Performance. In 2021, Shearsmith was nominated for the same award and the show won Best Scripted Comedy. After the final episode of the first series, the comedic critic Bruce Dessau said on his website that it had "really set an early benchmark to beat for comedy of the year. It has been consistently compelling as each week we entered an entirely different world." Chater had previously described "A Quiet Night In", the second episode of Inside No. 9, as "the funniest, cleverest, most imaginative and original television I have seen for as long as I can remember – one of those fabulous programmes where time stands still and the world around you disappears". Mark Jones (The Guardian) considered the whole series, saying that the Inside No. 9 was "never less-than-captivating", while a review in the Liverpool Echo described every episode as "intriguing and lovingly-crafted", though it was felt that the first three episodes were stronger than the latter three. In December 2014, Metro television critic Keith Watson named Inside No. 9 the twentieth best television programme of 2014, and in January 2015, Daily Star Sunday columnist Garry Bushell named Inside No. 9 the best comedy TV programme of 2014. Writing before Inside No. 9 was televised, broadcaster and journalist Mark Lawson suggested that, among anthology series, the programme possessed "the potential to be remembered as a singular achievement". Also writing mid-series, journalist Gareth Lightfoot called Inside No. 9 "hands down the best, freshest thing on [television] at the moment" in the Evening Gazette, though he doubted whether it could truly be considered comedy. Donal Lynch, of Irish newspaper the Sunday Independent, suggested that, like the previous work of Pemberton and Shearsmith, Inside No. 9 may be something of "a cult hit/acquired taste". Barry Didcock, of The Herald, expressed a similar sentiment, calling Inside No. 9 "probably the most Marmitey programme on television". The Times published a response to a complaint received from a viewer, who was unhappy with Chater's positive reviews of Inside No. 9, suggesting that "A Quiet Night In" was more traumatic than humorous. Sam Wollaston, television critic for The Guardian, noted that humour is extremely personal, and though he could appreciate much about Inside No. 9, he had never liked Pemberton and Shearsmith's work: "I'm sure I'll be crucified – probably quite rightly – but I don't love Inside No 9." Some tabloid columnists also expressed dissatisfaction with the programme. Virginia Blackburn, of the Daily Express, wrote a highly critical review of "Last Gasp". Blackburn considered Inside No. 9 an example of the weakness of contemporary television comedy, saying that the episode is "not funny, it's not clever and is so utterly, irredeemably, naffly silly that it ends up being incredibly irritating and nothing else". Another journalist unimpressed was the Daily Mirror columnist Kevin O'Sullivan, who dismissed the programme by saying simply "BBC2's alleged comedy Inside No. 9: didn't even smile". Cooke observed the difficulty in reviewing Inside No. 9 as a whole due to the fact that each episode is different from the last. as well as the scripting, but it was well received as funny, and inventive. "Tom & Gerri" was less comedic but darker than previous episodes; critics commended the plot, but disagreed about the portrayal of mental illness in the episode. and was considered a weaker instalment. Critics called "The Understudy" a "return to form". While it was based upon Macbeth, a knowledge of the play was not necessary for enjoyment, and the plot's divergence from the play was praised. "The Harrowing" was the most horrific episode of the series, and was considered genuinely scary by critics. "La Couchette" was characterised by critics as strong and funny, with praise directed at the cast and script. "The 12 Days of Christine" was hailed as "masterpiece" and "a quiet elegy, terse and polished, in many ways perfect". The emotional script, poignancy of the ending and performance of the cast, especially Smith, was highly praised. "The Trial of Elizabeth Gadge" was compared unfavourably with the previous two episodes by some critics, though the writers were characterised as having displayed their versatility and ability with the atypical setting and language. Critics had a mixed response to the episode's humour, "Cold Comfort" was generally praised, though also characterised as weaker than other episodes in the series. but there was a mixed response to the episode's ending. "Nana's Party" received high praise for its script and characters, and for the cast's performances. "Séance Time" was praised as well written and genuinely frightening, while Alison Steadman's performance being picked out for commendation by many critics. In a 2018 article for Salon, American writer Mary Elizabeth Williams described the series as "the best show you're not watching" and "brilliant, black-humored, taut format horror for people who enjoy the occasional potty-joke". In 2019, Inside No. 9 was ranked 66th on The Guardian's list of the 100 best TV shows of the 21st century. Reviewing the first episode of the 2024 final series for The Guardian, Rachel Aroesti said, "Unlike other episodes, which are often littered with handbrake turns, this time we end up sitting tight for the big reveal. And it's completely unguessable – that violent shift in perspective executed with aplomb." The broadcast of the last ever episode, on 12 June 2024, was anticipated in several media reports. Viewing figures Despite the generally positive reception among critics and viewers, the viewing figures for the first series were poor. The highest ratings were achieved by The Bones of St. Nicholas with 2.7 million viewers watching within 28 days of broadcast. The ninth series of the show launched with 531,000 viewers, which comparatively was an increase from the eighth series, though slightly lower than the seventh series' opener. Awards and nominations Inside No. 9 won the Sketch and Comedy prize at the 35th annual Banff World Media Festival Rockie Awards. The other nominees were Do I Have to Take Care of Everything?, ''It's a Date, Tiny Plastic Men, Gangsta Granny and The Revolution Will Be Televised''. In response to the nomination, Shearsmith tweeted that he was "[t]hrilled", joking that the programme was "in 'Comedy'. I knew it was one". Inside No. 9 was also nominated for Best TV Sitcom at the 2014 Freesat Awards, which celebrate the best of free British television. The programme lost to BBC2's The Wrong Mans, as determined by a panel made up of television experts and commentators. In November 2014, it was announced that Inside No. 9 had been shortlisted for the 2015 Broadcast Award for Best Original Programme. At the award ceremony in London on 4 February 2015, Glasgow Girls was granted the award, but Inside No. 9 was highly commended. Inside No. 9 won the TV award at the 2015 Chortle Awards. The programme was longlisted for the Best Comedy prize in the 2015 TV Choice Awards. The programme won the 2016 comedy Rose d'Or, beating the Finnish Pyjama Party and the German Crime Scene Cleaner (Der Tatortreiniger). At the 2014 British Comedy Awards, Inside No. 9 was nominated in the Best New Comedy Programme and the Best Comedy Drama categories. In the former category, it lost to Toast of London, in the latter category, it lost to Rev. For Chater (The Times), the comedy drama category was the strongest of the awards, but for Ben Williams (Time Out), Inside No. 9 should have won. Writing in The Independent, journalist Alice Jones said she was "sorry to see the relentlessly innovative Inside No 9 go unrewarded". == Stage productions ==

China immersive stage production (2023-25) Following the TV series' popularity in China, an immersive stage adaptation of Inside No. 9 premiered in December 2023 at the Shanghai Grand Theatre running until February 2024. The episodes performed were "Once Removed", "Séance Time" and "La Couchette" in separate spaces. In December 2024, the production opened in Beijing for a limited run. Stage/Fright (2025) On 3 May 2024, it was announced that Pemberton and Shearsmith would write and star in a stage adaptation of the series, called Inside No. 9 Stage/Fright, which opened at the Wyndham's Theatre in London's West End from 18 January 2025 for a limited run until 5 April, directed by Simon Evans. Tickets for the 85 shows were released on 8 May 2024. Each performance featured a celebrity guest star, which included Lee Mack, Ian McKellen, David Tennant and Bob Mortimer. The show also toured the UK during autumn 2025, before returning to London for a final run at the Hammersmith Apollo in from 2 to 6 January 2026. ==Notes==