MarketInterpretatio graeca
Company Profile

Interpretatio graeca

Interpretatio graeca, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.

Examples
depicting Hercules (from Etruscan Hercle and ultimately Greek Heracles) and Achelous (patron deity of the Achelous River in Greece) from Greco-Roman mythology, 1st century AD Herodotus was one of the earliest authors to engage in this form of interpretation. In his observations regarding the Egyptians, he establishes Greco-Egyptian equivalents that endured into the Hellenistic era, including Amon/Zeus, Osiris/Dionysus, and Ptah/Hephaestus. In his observations regarding the Scythians, he equates their queen of the gods, Tabiti, to Hestia, Papaios and Api to Zeus and Gaia respectively, and Argimpasa to Aphrodite Urania, while also claiming that the Scythians worshipped equivalents to Herakles and Ares, but which he does not name. Some pairs of Greek and Roman gods, such as Zeus and Jupiter, are thought to derive from a common Indo-European archetype (Dyeus as the supreme sky god), and thus exhibit shared functions by nature. Others required more expansive theological and poetic efforts: though both Ares and Mars are war gods, Ares was a relatively minor figure in Greek religious practice and deprecated by the poets, while Mars was a father of the Roman people and a central figure of archaic Roman religion. Some deities dating to Rome's oldest religious stratum, such as Janus and Terminus, had no Greek equivalent. Other Greek divine figures, most notably Apollo, were adopted directly into Roman culture, but underwent a distinctly Roman development, as when Augustus made Apollo one of his patron deities. In the early period, Etruscan culture played an intermediary role in transmitting Greek myth and religion to the Romans, as evidenced in the linguistic transformation of Greek Heracles to Etruscan Hercle|Her[e]cle to Roman Hercules. == Interpretatio romana ==
Interpretatio romana
The phrase interpretatio romana was first used by the Imperial-era historian Tacitus in the Germania. Tacitus reports that in a sacred grove of the Nahanarvali, "a priest adorned as a woman presides, but they commemorate gods who in Roman terms (interpretatione romana) are Castor and Pollux" when identifying the divine Alcis. Elsewhere, he identifies the principal god of the Germans as Mercury, perhaps referring to Wotan. Some information about the deities of the ancient Gauls (the continental Celts), who left no written literature other than inscriptions, is preserved by Greco-Roman sources under the names of Greek and Latin equivalents. A large number of Gaulish theonyms or cult titles are preserved, for instance, in association with Mars. As with some Greek and Roman divine counterparts, the perceived similarities between a Gallic and a Roman or Greek deity may reflect a common Indo-European origin. Lugus was identified with Mercury, Nodens with Mars as healer and protector, and Sulis with Minerva. In some cases, however, a Gallic deity is given an interpretatio romana by means of more than one god, varying among literary texts or inscriptions. Since the religions of the Greco-Roman world were not dogmatic, and polytheism lent itself to multiplicity, the concept of "deity" was often expansive, permitting multiple and even contradictory functions within a single divinity, and overlapping powers and functions among the diverse figures of each pantheon. These tendencies extended to cross-cultural identifications. In the Eastern empire, the Anatolian storm god with his double-headed axe became Jupiter Dolichenus, a favorite cult figure among soldiers. Application to the Jewish religion Roman scholars such as Varro interpreted the monotheistic god of the Jews into Roman terms as Caelus or Jupiter Optimus Maximus. Some Greco-Roman authors seem to have understood the Jewish invocation of Yahweh Sabaoth as Sabazius. In a similar vein, Plutarch gave an example of a symposium question "Who is the god of the Jews?", by which he meant: "What is his Greek name?" as we can deduce from the first speaker at the symposium, who maintained that the Jews worshiped Dionysus, and that the day of Sabbath was a festival of Sabazius. Lacunae prevent modern scholars from knowing the other speakers' thoughts. Tacitus, on the topic of the Sabbath, claims that "others say that it is an observance in honour of Saturn, either from the primitive elements of their faith having been transmitted from the Idæi, who are said to have shared the flight of that God, and to have founded the race", implying Saturn was the god of the Jews. From the Roman point of view, it was natural to apply the above principle to the Jewish God. However, the Jews, unlike other peoples living under Roman rule, rejected any such attempt out of hand, regarding such an identification as the worst of sacrilege. This complete divergence of views was one of the factors contributing to the frequent friction between the Jews and the Roman Empire; for example, the Emperor Hadrian's decision to rebuild Jerusalem under the name of Aelia Capitolina, a city dedicated to Jupiter, precipitated the bloodbath of the Bar Kokhba revolt. Emperor Julian, the 4th century pagan emperor, remarked that "these Jews are in part god-fearing, seeing that they revere a god who is truly most powerful and most good and governs this world of sense, and, as I well know, is worshipped by us also under other names". In late-antique mysticism, the sun god Helios is sometimes assimilated to the Jewish God as Sabaoth Adonai and as Iao, Sabaoth. == Identifications ==
Identifications
The following table is a list of Greek deities and Roman, Etruscan, Egyptian, Phoenician, Zoroastrian, and Celtic ones which the Greeks identified with their own, either explicitly in surviving works, or as supported by the analyses of modern scholars. These are not necessarily gods who share similar traits, and rarely do they share a common origin (for that, see comparative Indo-European pantheons). == In art ==
In art
Examples of deities depicted in syncretic compositions by means of interpretatio graeca or romana: File:Museo Barracco - Giove Ammone 1010637.JPG|Jupiter Ammon (terracotta of Hellenistic style, 1st century AD) File:Roman - Deity or Genius of the Eastern Provinces - Walters 541330.jpg|Syncretized figure from the Eastern provinces, perhaps a Genius (1st century BC – 1st century AD) File:Isis Musei Capitolini MC744.jpg|Isis holding sistrum and oinochoe (Roman marble, reign of Hadrian) File:Isis Sarapis Harpocrates Dionysos Louvre Ma3128.jpg|Isis, Serapis, the child Harpocrates and Dionysos (relief from Roman Africa, late 2nd century AD) File:ZeusSerapisOhrmazdWithWorshipperBactria3rdCenturyCE.jpg|Worshipper before Zeus–Serapis–Ohrmazd (Bactria, 3rd century AD) File:Relief depicting Isis, from the facade of the main temple of the sanctuary of Isis, Archaeological Museum, Dion (7076647679).jpg|Votive relief to Isis-Demeter from Dion, Hellenistic period. == See also ==
tickerdossier.comtickerdossier.substack.com