Originally, katajjaq was a form of entertainment among Inuit women while men were away on hunting trips, and it was regarded more as a type of vocal or breathing game in the Inuit culture rather than a form of music. Katajjiniq sound can create an impression of rhythmic and harmonious panting. Inuit throat singing can also imitate wind, water, animal sounds and other everyday sounds. This playful practice testifies to a long oral tradition of the women of
Nunavik, a territory located in the North Québec region. From generation to generation, the Inuit have passed on knowledge of nature and the environment as well as the techniques associated with throat singing. Katajjaniq has rare, even unique, expressive characteristics. Even though Inuit throat singing is no longer performed to hasten the return of hunters, attract animals or influence the natural elements, they still retain some of their original functions, such as entertainment and group cohesion. Very much alive in the Inuit communities of Quebec, the katajjaniq still marks the high points of
Nunavik people since it is present in calendar holidays, cultural celebrations and important political events. A source of great pride and a powerful symbol of identity, the katajjaniq is a distinctive expression of Nunavik culture. The Inuit recognize katajjaniq as part of their cultural heritage. == Performance ==