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Ippen

Ippen Shōnin (一遍上人) 1234/9–1289 was a Japanese Buddhist itinerant preacher (hijiri) whose movement, the Ji-shū became one of the major currents of medieval Japanese Pure Land Buddhism.

Biography
'') Early life Ippen was born to the Kōno clan who ruled the Iyo Province (modern Ehime Prefecture) on the island of Shikoku. Ippen's secular name may have been Kawano Tokiuji (河野時氏), Tsūshū (通秀), or Tsūshō (通尚). As a monk, he was given the Dharma names Zuien and . Ippen means one (一) yet all pervading (遍). He is respectfully referred to as "Ippen Shōnin," where "Shōnin" (上人) signifies a holy person. Following his mother's death and on his father's command, Ippen became a Buddhist monk at an early age and resided at Keigyōji temple as early as 1245. and who urged Ippen to "learn to read the sūtras and commentaries of the Pure Land school." Ippen also sent to study the Pure Land sutras in Hizen under a monk named Kedai, who changed Ippen's name from Zuien to Chishin, because Zuien refers to "various good karmic conditions," which sounded like a self-power oriented name. After studying with Kedai, he returned to study with Shōtatus for twelve years. Eventually, in 1271, he eventually felt called to renounce a second time, which, according to different accounts, was for one of four different reasons: • He had a philosophical insight about karma while watching a spinning top (''Ippen Hijiri'e''). • He was fleeing a relative trying to kill him in an inheritance dispute (Ippen Shōnin Ekotobaden). • He saw the hair of two of his napping wives turning into snakes, making him fearful of jealousy (Ippen Shōnin Nenpuryaku). • He had inheritance problems with his two jealous wives. (Hōjō Kudaiki). Thereupon, during the national crisis of the Mongol invasions, Ippen took a pilgrimage to Zenkōji, drawn by legends of its "living" Amida statue and the influence of the Zenkōji hijiri (wandering sages) Hijiri were itinerant mendicants and preachers who were not ordained as Buddhist monks but could still become influential religious figures and fundraisers for temples and shrines. Ippen was influenced by such people, especially by Kūya, a popular tenth century nembutsu hijiri. He then returned to Iyo and entered ascetic retreat in a place called Iwaya at Sugō, At this temple, he hung the image of the "Two Rivers and the White Path" on his wall, and began a life of exclusive Nembutsu practice. After three years, he composed his central teaching, the verse on the "non-duality of ten and one." In 1273, Ippen secluded himself in Iwayaji temple on the Kumano Kodō, a site associated with Kukai. He found resonance in his doctrine of the "non-duality of ten and one" with Kukai's teaching of "attaining Buddhahood in this very body," which led him to seek out esoteric teachings. He engaged in Shugendō (mountain asceticism) and became devoted to Fudō Myōō, thereupon receiving divine dreams. These experiences solidified his resolve and belief that that kami supported the Nembutsu. In 1274, Ippen visited Shitennōji and then Mt. Kōya, which was a major site for a large old community of nembutsu hijiri who practiced Pure Land influenced by Shingon esotericism (as found in Kakuban's teachings). Ippen's practice of distributing nembutsu ofuda may have been influenced by the practices of these hijiri. At this point, Ippen seems to have become committed to a life of ascetic wandering. Ippen then continued his pilgrimage following the Kii Peninsula south until he reached three major Shinto shrines at Kumano which were important sites for yamabushi mountain ascetics. From a Buddhist perspective (honji suijaku), the local kami Hongū had come to be known as a manifestation of Hōjō bosatsu (Dharmodgata, Truth Revealing Bodhisattva) as well as a manifestation of Amida Buddha. This statement confirmed Ippen's nembutsu recitation practice along with his fuda distribution to all people as consistent with his non-dual Pure Land beliefs. This meant that the saying of a single nembutsu and the reception of a nembutsu talisman could act as the one nembutsu (ichinen) which marked someone's liberation in the Pure Land, an attainment which was already assured by Amida ten kalpas ago. After this encounter, Ippen devoted himself to nembutsu practice exclusively and to distributing the nembutsu fuda as a way to lead people to the Pure Land. He saw himself as a follower of the hijiri Kūya. His activities drew a wide following from all social classes. The dancing nembutsu practice began as early as 1279, and may have been derived from traditional funerary practiced tied with placating the spirits of the dead. During Ippen's time, hijiri were often affiliated with specific temples and promoted specific geographical sites (especially mountains like Mount Kōya). However, Ippen created an independent group of hijiri not based on any single temple or site. Instead, his teaching was based on the immanent presence of Amida in all places. Nevertheless, this new universal movement also embraced all the popular devotions and local deities of Japan, since they were all considered to be manifestations of Amida Buddha's power. People joined him while waving their arms and beating a rhythm on whatever implements they had at hand. Ippen would later say:My meditative practice lies in letting my lips freely utter Amida's Name; hence, even the marketplace is my practice hall. My contemplation of Buddha lies in following after my voice; hence, my breath is a rosary...To the course of nature I give charge of my thoughts, words, and deeds, and to the working of enlightenment leave all my acts. Throughout his travels, Ippen would give instructions and teachings to his followers, often passed down in poems. One such teachings is the Seigan Gemon, which states: Ippen's insistence on constant traveling and giving up of family and possessions led to his nicknames: and . and "Grand Master Shōjō" (Shōjō Daishi 証誠大師; granted in 1940). Death and Legacy In 1289, Ippen passed away in Hyōgo. Maintaining his creed of itinerancy without fixed abode (issho fujū), Ippen claimed that “my work of guiding is only for this one lifetime”. Thus, thirteen days before his death, on the morning of 10th day of the 8th month, 1289, Ippen entrusted a few of the books he possessed to monks at Shosha-yama for dedication. He then burned all his remaining writings and texts while chanting the Amida-kyō, declaring: “All the sacred teachings of the lifetime of the Buddha are exhausted and brought to completion in Namo Amida Butsu.” Thus he left behind no scholastic system. Some of his works kept by some of his disciples however and eventually copied and published. Dennis Hirota has translated some of these writings into English in No Abode: The Record of Ippen (1997). Ippen also told his disciples not to waste their times in funerary rituals and to leave his body for the animals. sect After Ippen's death some of his disciples committed religious suicide by jumping off a cliff, seeking to attain birth in the Pure Land together with him. In 1292, three years after Ippen's death, Ippen's birthplace, Hōgon-ji, was rebuilt by his disciple Sen'a and became a key Ji-shū temple. The current Ji-shū religious order regards Ippen as its founder, but its formal establishment as a sect was due to the work of Taa Amidabutsu and the later policies of the Tokugawa shogunate. From an institutional perspective, the key founder of Ji-shū was Taa Amidabutsu Shinkyō. After Ippen's death, Taa reorganized the various hijiri groups, which had originally disbanded, into a formal organization and began group wanderings again. Taa also established specific precepts and regulations for the Jishū monks, molding it into a proper religious institution. In 1304, Taa handed over the wandering group to the third leader of Ji-shū, Ryōa. Taa himself established a thatched hut in Sagami Province known as the Tōma Dōjō, where he stayed until the end of his life. This would later become the Konkōin Muryōkōji temple. The Jishu sect thrived during the Muromachi period, but later declined in size, as other Pure Land schools like Jōdo Shinshū grew. In the Edo period, the lineages of Ikkō Shūshin and Koku'a, which are thought to have originally been separate hijiri systems, were absorbed into a formal Ji-shū sect that combined all temples aligned with Taa Amidabutsu's line along with other hijiri temples that regarded Kūya as a founder. This is how the modern Ji-shū sect coalesced. == Teachings ==
Teachings
Doctrine While Ippen is primarily depicted as a wandering preacher who ministered to the common people in simple ways, his teachings reflected a deep knowledge of Pure Land doctrine. Ippen's teachings were primarily influenced by Shōkū, founder of the Seizan branch of the Jōdo-shū. Ippen was also strongly influenced by the nondualism of Zen and studied under the Zen monk Kakushin (覚心; 1207–1298), who was a student of Dōhan (道範; 1179–1252) and Dōgen (道元; 1200–1253). Shōkū's view held that "the various Buddhist practices contain no more than a portion of the merit of the single practice of the nembutsu and serve merely to lead people to recite the nembutsu." As such, all other Buddhist practices are merely skillful means to lead us to abandon all self-power in an encounter with the Buddha's Original Vow and Other-power, an encounter manifested in the nembutsu. Another key doctrine taught by Shōkū and adopted by Ippen was that the liberation of all beings was non-dual with the liberation of Dharmakara bodhisattva as Amida Buddha. Because of this, the one moment of saying the nembutsu is also the one moment of liberation, as well as the one moment of Dharmakara's attainment of Buddhahood as Amida ten kalpas ago. The practice of the nembutsu thus links us with the very enlightenment of the Buddha eons ago, which transcends time and space. It is a key doctrine taught in the Anjin Ketsujō Shō, a key Seizan work attributed to Shōkū. Ippen's core doctrine, expressed in his poem of "the non-duality of ten and one," exemplifies this: Perfect enlightenment ten kalpas past—pervading the realm of sentient beings; Birth in one thought-moment—in Amida's Land. When ten and one are nondual, we realize no-birth; Where Land and realm are the same, we sit in Amida's great assembly. Since Amida's enlightenment (the "ten kalpas past," i.e., when he attained buddhahood) pervades all reality, sentient beings can touch this the very moment we remember the Buddha through even a single nembutsu (this is the "one thought-moment" which is non-dual with the "ten"). Ippen's doctrine, rooted in Seizan school teachings, is that these two events are nondual. Amida's enlightenment is the nembutsu of the present moment. Therefore, as Ippen wrote, "each moment is the moment of death, and each moment is birth in the Pure Land." This single nembutsu in the present moment is also one with all nembutsus. It is also one with the coming of the Buddha (raigō) to meet us at death, as well as with our birth in the Pure Land. It is thus a timeless event in which, according to Ippen, "there is neither start nor finish, beginning nor end". This present moment of infinity is also described by Ippen as the realization of "no-birth" (anutpada), which is also a term for the ultimate truth. According to Ippen, after this realization "our hearts are Amida Buddha's heart, our bodily actions Amida Buddha's actions, and our words Amida Buddha's words, the life we are living is Amida Buddha's life." Indeed, from this percepctive, “among all living things—mountains and rivers, grasses and trees, even the sounds of blowing winds and rising waves—there is nothing that is not the nembutsu.” No-birth stands in contrast to "birth and death" (samsara), as well as a "birth" in the Pure Land as something that only occurs in some future time. Since Amida Buddha as Immeasurable Life transcends all dualities, it transcends all conceptions of birth and death, and so ultimately transcends temporal "birth" while also reaching into the present moment. According to this view, our rebirth in the Pure Land after death is attained immediately in the very moment we say the nembutsu, and this is identical with Amida's Buddhahood, a doctrine called sokuben ōjō. As Ippen says, “When one takes refuge in the name which cuts the flow of past, present, and future, there is rebirth without beginning or end.” (Hōgo Shū, 29). When asked by a follower what kind of mental attitude was needed for the recitation of the nembutsu, Ippen wrote in response that no special attitude was necessary besides just reciting Na-mu-a-mi-da-butsu and that nembutsu followers should not worry about these things and just focus on recitation. Ippen further writes: When Kūya Shonin was once asked in what state of mind one should recite the Nembutsu, he answered simply, “Abandon”, and did not say anything further. This is recorded in Saigyō’s Senjūshō. This saying is really the golden rule. The Nembutsu followers abandon wisdom, folly, the knowledge of good and bad, the thought of one’s social position, noble and mean, high and low, the fear of hell, the desire for a land of happiness, and even the aspiration for enlightenment as exhorted by different schools of Buddhism. In short the Nembutsu followers abandon all these. When the Nembutsu is thus recited, it is in perfect accord with the incomparable Original Vow of Amida. When the Nembutsu is recited without interruption with this frame of mind, there is no thought of Buddhahood or self-hood, not to say anything about the presence of an argumentative mood; the world of good and bad is no more than the Land of Purity itself and beside this there is nothing for which we cherish a desire or from which we turn away. The universe, with all its beings, sentient and non-sentient, with blowing winds and roaring waves, is no other than the Nembutsu. You must not imagine that man is the only being who is embraced by the incomparable Vow. But if my words are hard to understand, leave them as they are, giving no further thoughts to them, and just recite the Nembutsu putting your absolute trust in the Original Vow. As for the Nembutsu, whether you recite it with a believing heart or not, it never fails to be in accord with the incomparable Original Vow of other-power. In the Original Vow of Amida, nothing is wanting and nothing is superfluous. Beside this, what mental equipment do you wish to have? Only going back to the state of mind found in a simple-minded Nembutsu devotee, recite the Nembutsu. Na-mu-a-mi-da-butsu. Ippen writes that after receiving this "I abandoned my own intentions and aspirations of self-power once and for all." Hijiri practices Ippen led the Ji-shū community on continual itinerancy (yugyō), guiding the people (including peasants and outcasts) to the Pure Land through the practices of dancing nenbutsu and fusan (distribution of nembutsu slips). Ippen's community adopted numerous religious practices from past wandering hijiri and local traditions like the yamabushi including mountain asceticism, pilgrimages to sacred places, retreats at sacred places hoping to receive divine messages in dreams or visions, funeral rites, distribution of talismans (ofuda), ecstatic dancing, and "the keeping of a register for recording the names of the faithful." Regarding the dancing nenbutsu, Ippen taught: “Merely hearing that the nembutsu is the teaching of Amida brings such joy that one cannot help but dance." Method of propagation While his thought has been praised by thinkers like Yanagi Muneyoshi, Ippen himself placed value not on abstract doctrine but focused on the practice of propagating the single-minded recitation of the six-syllable nembutsu. The way Ippen taught the nembutsu to others is described by the term ippen-nembutsu (single nembutsu, or "once" nembutsu) which indicated a single racitation of "Namu-amida-butsu" (I take refuge in Amida Buddha). According to Hirota, his method of propagation "seems to have been an 'exchange' or 'bestowal' of utterance in which Ippen, reciting the Name himself, would urge a passerby to follow his example." The figure “600,000” or "sixty myriad" was derived from the first characters of the following verse by Ippen: The six-character Name is the Dharma teaching of Ippen; the dependent and true realms of the ten realms are the body of Ippen; the abandonment of ten thousand practices and meditations are the realisation of Ippen; the highest grade of the highest rank [referring to the ranks in the Contemplation Sūtra] of persons are the supreme and wondrous flowers (puṇḍarīkas). This number, whose size could represent the concept of a very large number, stood for all sentient beings. Sixty was also the approximate number of provinces in Japan, and so was meant as an aspiration to bring the Pure Land teaching to everyone. According to one account, the number also indicated that Ippen would first allot 600,000 woodblock printed slips, then repeat the distribution for further groups of 600,000. Ippen also directed his followers to create a nembutsu registry where the names of all those who had received the slips were counted. This practice may have been adopted by Ippen from previous figures like Ryōnin, the founder of the Yuzu nembutsu sect. == Art ==
Art
: Volume 7. Kamakura period, 1299. Ippen himself was greatly devoted to paintings of Shandao's allegory of the "White Path", so it is appropriate that his life led to the production of a great many portraits, sculpted images, and illustrated narrative scrolls (emaki 絵巻). The Ippen Hijiri-e (一遍聖絵) was edited by Ippen's disciple Shōkai (聖戒) and, according to an inscription dated 1299, was painted by the artist En'i (円伊) (Kankikō-ji 歓喜光寺, Kyoto, and Tokyo National Museum). The twelve handscrolls on silk show Ippen's trip around Japan, and are well known for their naturalistic depiction of "famous places", including Mount Fuji (富士), Kumano, Shitennō-ji (四天王寺), Zenkō-ji (善光寺), Enoshima (江ノ島), Yoshino (吉野), Itsukushima (厳島), and Naruto (鳴門). The treatment of space shows the influence of Song and Yuan Chinese landscape painting. A second type of biographical handscroll Ippen Shōnin Engi-e 一遍上人縁起絵), edited by Ippen's other disciple, Sōshun (宗俊), was painted sometime between 1304 and 1307. The original scrolls no longer exist but were copied in many other versions including those at Shinkō-ji (真光寺), Hyōgo Prefecture. These versions are characterized by the addition of the biography of Ippen's most important disciple, Taa (他阿, 1237–1319). In the Shinkō-ji version, the first four scrolls depict Ippen's life, while the last six concern the life of Taa and the spread of Ji Sect teaching. The Kinren-ji (金蓮寺) in Kyoto has a Muromachi period copy of the now-lost work dated 1307. == References ==
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