Thunderhorse has written bilingual poetry in numerous
Algonquian language dialects and has published many scholarly papers on linguistics in the
Dawnlander, the ACQTC Literary Journal (annual). In 2000, Thunderhorse developed a 100-page Quiripi language guide. In 2006 he published a 295-page revised and expanded edition,
A Complete Guide for Learning, Speaking, and Writing The PEA-A Wampano-Quiripi R-Dialect (QTC Press, ACLI Series).
Published works •
Breaking the Chains: A History of Self-Representation in America, Inside/Out Press, Fresno, CA, 1983. •
Paradox, A Psychic Journey, Abbetira Publishing, 1984. •
Medicine Visions (Poetry chapbook), Thunderbird Free Press, 1985. •
Relocation, Crimes Against Nature, Thunderbird Free Press, 1986. •
Thunderbird Voices Speaking, Thunderbird Free Press, 1987. •
Return of the Thunderbeings, with Donn Le Vie, Jr., Bear & Company, Santa Fe, NM, 1990. • ''Learning All About Suckerfish Writing: The Micmac's Glottographic Writing System'', QTC Press, 2000. •
A Complete Language Guide & Primer to the Wampano/Quinnipiac R-Dialect of Southwestern New England, QTC Press, 2000. • ''There's More Than Rocks, Trees, and Streams in the Woods'', QTC Press, 2000. •
We the People Called Quinnipiac, QTC Press, 2001-2002 (available only in electronic format, PDF on CD, from ACQTC).
Articles and Columns • "The Freedom Fighters" (as William "Crazy Horse" Coppola) in Easyriders Issue 102, December 1981. • "Algonquian and Iroquoian Influence on the American System of Democracy" in
TURTLE QUARTERLY, Winter 1988. • "The Thunderbird Alliance: Reclaiming the Legacy of Tribal Democracy,"
Humanity & Society, 1989 (reprinted in
Humanity & Society Special 25th Anniversary Issue, Part One, Volume 27, No. 3, August 2003). • "Dreams Visions and Prophecies of the Anishinaabe" in
AMERICAN INDIAN REVIEW, UK, 1992. • "Pride, Protest, and Prejudice in the Arts" in
TURTLE QUARTERLY, Fall-Winter, 1994. • "She Who is Alone" (A Texas Indian Legend About the Bluebonnet Wildflowers), in
WILD WEST, Oct. 1996. • "The Dawnstar Carved in Stone," in
NEARA JOURNAL, Volume xxxi, No. 1, Spring 1997. • "Sharing the Good Message: The Art of Storytelling in the Poetry of
Joseph Bruchac" in
PAINTBRUSH, A Journal of Poetry and Translations, Truman State University, Vol. XXIV, Autumn 1997. • "Native American Picture-Writing: A Lost Art Currently Being Revived in Indian Country," in
Whispering Wind, Vol. 29, No. 1, 1998. • Arts & Crafts Columns in
Country Road Chronicles, Mar, Apr, May, June, July, Aug, and Sept of 1999. • "The Quinnipiac of New England," in
Whispering Wind, Vol. 32, No. 5, 2002. • "Algonquian Influence on Shaping of America," in
WILD WEST, June 2002. • "Algonquian Influence on Powwow Culture," in
Whispering Wind, Vol. 33, No. 3, 2003. • Columns and Features in
ANCIENT AMERICAN, Numbers 13, 14, 15, 17, 18, 19–20, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 36, 37, 43, 44, and 48. • 100 Columns in
Branford Review, Nov. 2001 through Dec. 2004.
Manuscripts •
The Complete Guide for Learning, Speaking, and Writing the PEA-A Wampano-Quiripi R-Dialect, 2006. •
Sacred Pathways of our Indian Ancestry, 2000. •
Graphical Writing Systems: An Introduction to the Study of Native American Indian Languages, 1996. •
Quinnipiac: Land Where the People, Rivers, Mountains, and Trails Converge, 1995. •
Sacred Cultural Landscapes: The Ways of Algonquian Sachemdoms – and – Implications of a Thunder Clan Shamanic Complex in Western Connecticut, 2000.
Further works A more complete bibliography of works written by Thunderhorse (c. 1985–2005) appears on pages 94–103 of
Following the Footprints of a Stone Giant: The Life and Times of Iron Thunderhorse (by Ruth Mahweeyeuh Thunderhorse, Infinity Publishing.com, 2007. ). Some of Thunderhorse's published and unpublished works can be found at the Beineke Rare Books (
Yale University) Library in
New Haven, Connecticut; at the Connecticut Historical Society in
Hartford, Connecticut; at the
Mashantucket Pequot Research Center in Mashantucket, Connecticut; at the Center for Algonquian Culture in
Woodstock, New York; and at the Quinnipiac Dawnland Museum in
Guilford, Connecticut. ==Endnotes==