Teibel was born in Buffalo, New York in 1938. While in Germany he also claimed to have studied briefly with
Karlheinz Stockhausen. Teibel returned from
Europe in 1966 and settled in
New York City where he worked a number of jobs including associate editor at
Ziff Davis. He also took night classes in electronic music at
The New School during this time and was a founding resident of the famous
Westbeth Artists Community. In 1969, he worked with
Tony Conrad on Conrad's film
Coming Attractions which involved recording the ocean at
Coney Island. After this experience, Teibel became interested in using natural white noise for psychological purposes. Working with neuropsychologist
Lou Gerstman at
Bell Labs, he processed a short ocean loop recorded at
Brighton Beach through an
IBM 360 computer to create one continuous thirty-minute
soundscape. This became the first
environments recording, "The Psychologically Ultimate Seashore". The record was unique for its
extremely long playback times—30 minutes per side at 33 rpm—and could be played at any speed from 16 up to 45 rpm. "The Psychologically Ultimate Seashore" was one of the first commercially available releases edited with a mainframe computer and one of the earlier examples of commercial
quadraphonic sound. In 1970, Teibel created an environmental sound installation for the
Museum of Contemporary Crafts, and in 1971, he began teaching a class in experimental recording techniques at The New School. In 1973, to demonstrate how magnetic tape could be manipulated, Teibel edited
Richard Nixon's August 15 speech to reveal that the president, in fact, had "prior knowledge" of the
Watergate break-in. In the subsequent years, Teibel performed as an expert witness for magnetic tape technology. In 1981, Teibel moved to
Austin, Texas with his then-wife Rosanne. They had two daughters, Jennifer and Dara. In Austin, Teibel was involved in the local Jewish community. His brother Phil was a violinist with the
Buffalo Philharmonic. ==Influence==