The gardens cover roughly . In the central pond of the gardens, there are two islands with sculptures of a
crane and
tortoise. In Japanese culture these animals represent longevity. The house of the Hyoshin-tei, along with the west pool, were designed by Kimura Seibei, another garden architect from Urasenke. It allows access of the house by using a technique called
shakkei, or "borrowed landscape." The composition of the landscape incorporates the roof of the large southern door (Nandaimon) of the temple
Tōdai-ji, as well as the three higher hills overhanging Nara: the mounts Wakakusa, Kasuga, and Mikasa. It is framed by the trees of the Himuro sanctuary in the south, and the Tōdai-ji temple in the north. These make the space between the garden and background seem to disappear, producing a continuity which makes the landscape blend in visual harmony. This harmony is reinforced by the absence of any artificial enclosure. The shape of the pond represents the shape of the
kanji 水 character for
mizu (“water”). A central island is connected to the bank by a series of stepping stones, which were formerly used to grind the pigments used in
dyeing. The garden also contains decorative stones, which were popular during the
Meiji era. The water is fed by the
Yosiki river, which flows adjacent to the garden. ==References==