Early takes Starr first recorded the new composition during the sessions for
Sentimental Journey. which was an album of pre-rock 'n' roll
standards that he undertook to keep active following Lennon's departure, and to please his mother. Recording for the song began during an all-night session on 18 February 1970 at EMI Studios (now
Abbey Road Studios), with
George Martin producing. The studio log listed the track as "You Gotta Pay Your Dues". Harrison played acoustic guitar and directed the other musicians – namely Starr (on drums),
Klaus Voormann (bass) and
Stephen Stills (piano). They taped 20 takes of the basic track. Starr added a vocal to the take selected as best and Harrison two electric guitar parts, and by 4.40am the recording had been mixed. On 19 February, after final overdubs were carried out on "
Love Is a Many-Splendored Thing" during an afternoon session at EMI, recording resumed on "You Gotta Pay Your Dues", with Starr adding another lead vocal. Harrison was not present that evening, although
Eric Clapton may have been involved. During the session, Starr decided to remake the song; ten further takes were required to achieve a new basic track. Take 30 was labelled "best" and onto this take were added two bass parts. This version was also discarded, however, since Starr again decided to remake the song.
Official version March 1970 recording Recording for the third version of "It Don't Come Easy" began at
Trident Studios on 8 March 1970, two days after Starr had completed work on
Sentimental Journey. Harrison produced the sessions and played guitar. According to author
Bill Harry, Voormann and Stills again contributed on bass and piano, while the other participants included
Mal Evans (on tambourine) and Ron Cattermole (saxophone, trumpet). Overdubs were added to the new basic track on 11 March, again at Trident. When news of the sessions reached the press that month, Apple insisted that there were "absolutely no plans for the record to be released as a single at the present time". Following
the Beatles' break-up in April, Starr played drums on Harrison's
All Things Must Pass album, a project that led to Starr recording a country album,
Beaucoups of Blues, in Nashville. Despite these and other musical activities, Starr admitted to feeling "absolutely lost" with regard to his future outside the Beatles. According to
Mike Gibbins of the Apple band
Badfinger, Harrison offered "It Don't Come Easy" to Badfinger, but they did not take up the offer. Other overdubs included backing vocals by Badfinger's
Pete Ham and
Tom Evans, and a new piano part, played by
Gary Wright. Also added in October was a
horn section, which, further to Harrison's use of horns on the Beatles' 1968 track "
Savoy Truffle", was a staple of his 1970s productions. Another familiar Harrison device was the
Leslie speaker effect on his lead guitar part, particularly in the song's intro. In a 2002 interview,
Jim Keltner said he added
maracas to the finished recording, at Trident, having arrived in London in February 1971 to escape the
Los Angeles earthquake. Referring to the arrangement on the completed track, author
Alan Clayson highlights the combination of an opening "fizz of cymbal", Harrison's "clanging guitar
arpeggios", the "fat gusto" horns, Evans' tambourine supporting the "moderato punch" of the Starr–Voormann
rhythm section, and "gospel-esque" backing vocals. An early mix from the sessions has appeared on bootlegs, featuring Harrison on lead vocal. While the instrumentation is almost identical to the released version, during the guitar break Ham and Tom Evans shout the line "Hare Krishna!" This was retained in the official release, but buried in the mix. Following the guitar solo, there is a repeat of the song's opening guitar phrase, although this section was subsequently edited out. ==Release and reception==