Boggs began drawing currency as artwork in 1984, when a Chicago waitress accepted his drawing of "a very abstract one dollar bill" in payment for his 90¢ diner tab. When she returned 10¢ in change, Boggs felt "electricity" from the exchange and was inspired to conduct more such transactions with his original art. His drawings of currency, depicting only a single side of the note, came to be known as "Boggs notes". Boggs notes were both art objects and part of a performance. Boggs would exchange the notes only for their
face value: when he drew a $100 bill, he exchanged it for $100 worth of goods. He then sold any change he received, the receipt, and sometimes the goods he purchased as his "artwork", typically to
art dealers and
collectors. The buyer would then track down the person in possession of the note in order to purchase it. with one Boggs note reportedly being resold for
$420,000. One of his better-known works is a series of bills done for the Florida United Numismatists' annual convention. Denominations from $1 to $50 (and perhaps higher) feature designs taken from the reverse sides of contemporary
U.S. currency, modified slightly through the changing of captions (notably, "The United States of America" is changed to "Florida United Numismatists" and the denomination wording is occasionally replaced by the acronym "FUN") and visual details (the mirroring of
Monticello on the $2, the
Supreme Court building, as opposed to the
U.S. Treasury, on the $10 and an alternate angle for the
White House on the $20). They were printed in bright orange on one side and featured Boggs' autograph and thumbprint on the other. Other works of money art that he designed include the mural ''All the World's a Stage'', roughly based on a
Bank of England Series D £20 note and featuring
Shakespearean themes, as well as banknote-sized creations that depict Boggs' ideas as to what U.S. currency should look like. A $100 bill featuring
Harriet Tubman is one known example. Boggs and his work are chronicled in
Boggs: A Comedy of Values, by
Lawrence Weschler, published by the
University of Chicago Press. == Legality and arrests ==