By late 1970, Williamson was invited to join the Stooges as a second guitarist. He performed his first gig with the band on December 5, 1970. The band were by then struggling with drug problems and a lack of commercial success; despite the injection of Williamson's musicianship, the Stooges couldn't overcome their difficulties. According to Williamson, "I got
hepatitis and moved back to Detroit and basically the band completely dissolved." Many of the demo recordings made during this period were belatedly issued as vinyl singles or EPs, including the proto-punk tracks "I Got A Right" and "Gimme Some Skin". In 1972,
David Bowie offered Pop a chance to record in
London; Pop promptly enlisted Williamson as a collaborator for the project. Having failed to find other suitable musicians during an intensive search, they eventually invited the Asheton brothers to join them and reformed the Stooges, with the elder Asheton reluctantly moving from guitar to bass. Ron Asheton would harbor a longstanding animus toward Williamson for several decades. In a 1997 interview with
Perfect Sound Forever, he reflected upon his relationship with Williamson at length, alleging that "James was into bad stuff. He wasn't into junk at that time but he fell right in line with THE EVIL PROGRAM. He was supposed to be a helper for me but he totally usurped my position and eventually, kicked me out from playing guitar." He played louder and raunchier than almost anybody at the time, with a jagged high-energy approach. According to Williamson, "I was a very emotional guitar player, so I always played that way. That's how we felt, so that was what it sounded like." Asheton was less sanguine, noting that "James always loved
Keith Richards and he even emulated him in his personal style and appearance. [Pop] finally got his Jagger-Richards. So he and Iggy were the songwriters. They wouldn't let me do nothing even though I would come up with pieces. Jim would actually almost go for something. Little suggestions I made for the tunes, little twists. Not that I did any major structural changes. But I did do pieces to enhance and I was never recognized for it or even a fuckin' 'thank you.'"
Johnny Marr (
the Smiths,
Modest Mouse) has also lauded Williamson's abilities: "I'm his biggest fan. He has the technical ability of
Jimmy Page without being as studious, and the swagger of Keith Richards without being sloppy. He's both demonic and intellectual, almost how you would imagine
Darth Vader to sound if he was in a band." Under new management from Jeff Wald (the husband and manager of pop singer
Helen Reddy), The Stooges began a highly chaotic tour in February 1973 with little support from
Columbia Records, which would soon drop the group after
Raw Power only managed to peak at #182 in
Billboard. During this period,
minimalist composer and former
Prime Movers keyboardist
Bob Sheff joined as the group's pianist; he was soon replaced by multi-instrumentalist
Scott Thurston, who formed an enduring friendship with Williamson. According to Kevin L. Jones, "[T]he kind of touring they did was not what you would imagine today, with big buses, fancy stage lighting and expensive equipment. Iggy and the Stooges toured like an invasive species, showing up at whatever venue would have them, scrambling for gear to play through and sucking up the drugs around them like walking Hoovers. Those days are remembered with stories full of blood from random projectiles being thrown at them and even a moment when
Elton John jumped onstage wearing a gorilla costume, scaring the living daylights out of Pop." Williamson was briefly dismissed due to criticism from the band's management (likely related to his turbulent romantic relationship with
Cyrinda Foxe, a friend of road manager
Leee Black Childers); guitarist
Tornado Turner replaced him for a single gig (on June 15, 1973 at the
Aragon Ballroom) before he was permitted to return. ==After the Stooges==