1940–1947: Early years and discovery by MGM helped facilitate her contract with MGM based on this photo. In February 1946, actress
Norma Shearer was vacationing at
Sugar Bowl, a ski resort in the
Sierra Nevada mountains where Leigh's parents were working at the time. Through her association with MGM, Shearer was able to facilitate screen tests for Leigh with
Selena Royle, after which Wasserman negotiated a contract for her, despite her having no acting experience. Leigh dropped out of college that year and was soon placed under the tutelage of drama coach Lillian Burns. Prior to beginning her film career, Leigh was a guest star on the radio
drama anthology
The Cresta Blanca Hollywood Players. Her initial appearance on radio at age 19 was for the program's production "All Through the House," a
Christmas special that aired on December 24, 1946. She made her film debut in the big-budget Civil War film
The Romance of Rosy Ridge (1947) as the romantic interest of box-office star
Van Johnson's character. She got the role when performing
Phyllis Thaxter's long speech in
Thirty Seconds Over Tokyo for the head of the studio talent department. However, Johnson did not like the name and it was ultimately changed back to "Janet Leigh" (pronounced "Lee"). She played the young wife of composer
Richard Rodgers in MGM's all-star musical,
Words and Music (1948). In late 1948, she was hailed the "No. 1 glamour girl" of Hollywood, even though she was known for her polite, generous, and down-to-earth persona. Leigh began 1949 with the thriller
Act of Violence (1949) opposite
Van Heflin and
Robert Ryan, directed by
Fred Zinnemann. Though a financial failure, it was well received by critics. She also had a significant hit with MGM's version of
Little Women, based on the
Civil War-era novel by
Louisa May Alcott, in which she portrayed Meg March, alongside
June Allyson and
Elizabeth Taylor. The film was also generally praised by critics. Then Leigh appeared as an expatriate Russian ballerina in the anti-communist drama
The Red Danube, which earned her critical acclaim, followed by a role as
Glenn Ford's love interest in
The Doctor and the Girl. Other credits from 1949 include the role of June Forsyte in
That Forsyte Woman (1949), opposite
Greer Garson and
Errol Flynn, and as
Robert Mitchum's leading co-star in the RKO-produced
Holiday Affair (1949). ,
Henry Wilcoxon, and Leigh in
Scaramouche (1952) At MGM she appeared in
Strictly Dishonorable (1951), a comedy with
Ezio Pinza, based on a play by
Preston Sturges. The film received mild critical acclaim. Leigh then appeared in the
baseball-themed fantasy farce
Angels in the Outfield (1951), which was a commercial hit. The same year, RKO borrowed Leigh to appear in the musical
Two Tickets to Broadway (1951), which was a box-office success. She was one of many stars in the anthology film ''
It's a Big Country: An American Anthology (1952) and appeared in a romantic comedy with Peter Lawford, Just This Once (1952). Leigh had another significant commercial success with the swashbuckler Scaramouche (1952), in which she starred as Aline de Gavrillac opposite Stewart Granger and Eleanor Parker. Next, she received top-billing in the critically acclaimed comedy Fearless Fagan'' (1952), about a
clown drafted into the military.
1953–1957: Departure from MGM and production company Leigh began 1953 with a role opposite James Stewart in the Western
The Naked Spur. The latter, though a low-budget feature, was one of the top-grossing films of the year and was noted by several critics for its psychological components. Less well received was the comedy
Confidentially Connie (1953), in which Leigh starred opposite
Van Johnson as a pregnant housewife who helps trigger a
price war at a local butcher shop. Paramount borrowed Leigh and
Tony Curtis for the biographical feature
Houdini (1953) the couple's first film together with the two appearing as
Bess and
Harry Houdini, respectively. The couple also appeared as guests on
Martin and Lewis'
Colgate Comedy Hour before Leigh was loaned to Universal to appear in the musical
Walking My Baby Back Home (1953). Leigh was cast as
Robert Wagner's love interest in the Fox-produced adventure film
Prince Valiant (1954), a Viking-themed feature based on
Hal Foster's
comic of the same name. Also in 1954, Leigh had a supporting role in the
Dean Martin and Jerry Lewis comedy
Living It Up (1954) for Paramount, followed by Universal's swashbuckler film
The Black Shield of Falworth (1954), in which she performed opposite Curtis for a second time. Leigh also starred opposite
Robert Taylor in MGM's film noir
Rogue Cop (1954), portraying a
femme fatale lounge singer.
Variety deemed her performance in the film "satisfactory" but faulted the screenplay for being illogical. Following that film, Leigh ended her contract with MGM after eight years. She also signed a contract with Columbia to make one film a year for five years. Leigh appeared in ''
Pete Kelly's Blues'' (1954) with
Jack Webb (who also directed). Leigh starred in her first feature under the deal with Columbia: the title role in the musical comedy
My Sister Eileen (1955), co-starring
Jack Lemmon,
Betty Garrett, and
Dick York, and based on a series of
New Yorker stories about two sisters living in New York City. In early 1955, Leigh and Curtis formed their own independent film production company,
Curtleigh Productions. Columbia cast Leigh in
Safari (1956), opposite
Victor Mature and shot in Kenya for
Warwick Pictures. The same year, Leigh and Curtis gave birth to their first child, daughter
Kelly. She subsequently made her television debut in an episode of
Schlitz Playhouse, "Carriage from Britain". In 1957, the film
Jet Pilot, which Leigh had filmed in 1949, was finally released. Also in 1957,
Josef von Sternberg's adventure-drama film
Jet Pilot was released; Leigh was cast as the female lead opposite
John Wayne in 1948, and producer
Howard Hughes' constant re-editing would cause the film to be delayed almost eight years before being released.
1958–1963: Rise to mainstream fame and hiatus in
Touch of Evil (1958)|left In 1958, Leigh starred as Susan Vargas in the
Orson Welles film noir classic
Touch of Evil (1958), made at Universal with
Charlton Heston a film with numerous similarities to
Alfred Hitchcock's
Psycho, which was produced two years later. In it, she plays a newlywed tormented in a Mexican border town. Leigh would later describe shooting the film as a "great experience" but added: "Universal just couldn't understand it, so they recut it. Gone was the undisciplined but brilliant film Orson had made." Next, Leigh co-starred in her fourth film with Curtis,
The Vikings (1958), produced by and co-starring
Kirk Douglas and released in June 1958. Distributed by
United Artists, the film had one of the most expensive marketing campaigns of the 1950s. It was ultimately a
blockbuster, grossing over $13 million internationally. Leigh's next film,
The Perfect Furlough, was released in early 1959, in which she again co-starred with Curtis, playing a psychiatrist lieutenant in
Paris. Leigh and Curtis next co-starred in the Columbia Pictures farce
Who Was That Lady? (released in early 1960), in which Leigh portrayed a wife who catches her professor husband (Curtis) cheating on her, triggering a series of mishaps. (1960) with
Alfred Hitchcock, filming the infamous
shower scene In 1960, Leigh played her most iconic role as the morally conflicted murder victim
Marion Crane in
Alfred Hitchcock's
Psycho, co-starring with
John Gavin,
Vera Miles, and
Anthony Perkins, and released by Universal. Leigh was reportedly so traumatized from watching her
character's shower murder scene that she went to great lengths to avoid showers for the rest of her life. Released in June 1960,
Psycho was a major critical and commercial success. For her performance, Leigh received a
Golden Globe Award for Best Supporting Actress and was nominated for the
Academy Award for Best Supporting Actress. Leigh's role in
Psycho became career-defining and she later commented: "I've been in a great many films, but I suppose if an actor can be remembered for one role, then they're very fortunate. And in that sense I'm fortunate." while her murder scene itself is considered among both critics and film scholars to be one of the most iconic scenes in cinematic history. Leigh and Curtis both had cameos in Columbia's all-star
Pepe (1960), marking their last film together. Next, Leigh appeared in the musical comedy
Bye Bye Birdie (1963), based on the hit Broadway show. She was also in the comedy
Wives and Lovers (1963) for director Hal Wallis at Paramount. Leigh then took a three-year break from her acting career and turned down several roles, including the role of Simone Clouseau in
The Pink Panther, because she did not want to go on location and be separated from her young daughters.
1966–1973: Return to film and television Leigh returned to film in 1966, appearing in multiple projects: the western
Kid Rodelo (1966), and the private detective story
Harper (1966), in which she played
Paul Newman's estranged wife opposite
Lauren Bacall. She next portrayed a psychiatrist opposite
Jerry Lewis in the comedy
Three on a Couch, followed by a lead role in
An American Dream, based on the
Norman Mailer novel of the same name; the latter film received critical backlash. Leigh's initial television appearances were on anthology programs such as
Bob Hope Presents the Chrysler Theatre and
The Red Skelton Hour. She also starred in several made-for-TV films, most notably the off-length (135 minutes instead of the usual 100)
The House on Greenapple Road, which premiered on
ABC in January 1970 to high ratings. In 1972, Leigh starred in the science-fiction film
Night of the Lepus with
Stuart Whitman, as well as the drama
One Is a Lonely Number with
Trish Van Devere. In 1975, she played an ex-Hollywood song-and-dance star opposite
Peter Falk and
John Payne in the
Columbo episode "Forgotten Lady". The episode utilizes footage of Leigh from the film
Walking My Baby Back Home (1953). Her many other guest appearances on television series include
The Man from U.N.C.L.E. in a two-part episode, "The Concrete Overcoat Affair", in which she played a sadistic Thrush agent named Miss Dyketon, a highly provocative role for mainstream television at the time. The two-part episode was released in Europe as a feature film entitled
The Spy in the Green Hat (1967). She also appeared in the title role in
The Virginian episode "Jenny" (1970). In 1973, she appeared in the episode "Beginner's Luck" of the romantic anthology series
Love Story.
1975–2005: Stage debut and later career (left) and
Jamie Lee Curtis (right) in May 1979 Leigh made her stage debut opposite
Jack Cassidy in the original
Broadway production of
Murder Among Friends, which opened at the
Biltmore Theatre on December 28, 1975. The play ran for seventeen performances, closing on January 10, 1976. The play received varied reviews, with some critics who attended preview performances disliking the show. In 1979, Leigh appeared in a supporting role in
Boardwalk, opposite
Ruth Gordon and
Lee Strasberg, and received critical praise, with
Vincent Canby of
The New York Times lauding it as her "best role in years". Leigh subsequently appeared opposite her daughter,
Jamie Lee Curtis, in
John Carpenter's supernatural horror film
The Fog (1980), in which a phantom schooner unleashes ghosts on a small coastal community. She acted in the
Murder, She Wrote episode "Doom with a View" (1987) and as Barbara LeMay in an episode of
The Twilight Zone ("Rendezvous in a dark place", 1989). She guest-starred twice as different characters on both
Fantasy Island and
The Love Boat, as well as
Tales of the Unexpected. Leigh appeared in the
Touched by an Angel episode "Charade" (1997). Leigh would appear with her daughter once again in
Halloween H20: 20 Years Later (1998), playing the secretary of
Laurie Strode. She continued to grant interviews and appear at red carpet events through the early 2000s. Her final film credit was in the teen film
Bad Girls from Valley High (2005), opposite
Christopher Lloyd. == Writing ==