Fearful of public outrage, most Italian newspapers refused to print the
wirephotos;
Il Giorno and
Gazzetta del Popolo printed them after retouching to cover much of Mansfield's bosom, and only ''
Il Giornale d'Italia'' printed them uncensored. In November 2014, Loren described the dinner and incident in an interview with
Entertainment Weekly:
"All of cinema was there, it was incredible. And then comes in Jayne Mansfield, the last one to come. For me, that was when it got amazing. She came right for my table. She knew everyone was watching. She sat down. And now, she was barely… Listen. Look at the picture. Where are my eyes? I’m staring at her nipples because I am afraid they are about to come onto my plate. In my face you can see the fear. I’m so frightened that everything in her dress is going to blow—BOOM!—and spill all over the table." Although Loren is frequently asked to autograph a copy of the photograph, she refuses, preferring to separate herself from the incident instead. "I don’t want to have anything to do with that. And also out of respect for Jayne Mansfield because she’s not with us anymore." In 2025, Mansfield's daughter,
Mariska Hargitay, born seven years after the photograph and three years before Mansfield's death, recounted distaste for the perception of her mother as a "blonde bimbo", being "embarrassed by the choices that [Mansfield] made", and said of the photograph "to see another woman look at your mom like that was excruciating for me as a little girl." == Homages ==