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Billie Jean

"Billie Jean" is a song by the American singer Michael Jackson, released by Epic Records on January 2, 1983, as the second single from his sixth studio album, Thriller (1982). It was written by Jackson and produced by Jackson and Quincy Jones. "Billie Jean" blends post-disco, R&B, funk and dance-pop. The lyrics describe a young woman, Billie Jean, who claims that the narrator is the father of her newborn son, which he denies. Jackson said the lyrics were based on groupies' claims about his older brothers when he toured with them as the Jackson 5.

Background
Jackson said that "Billie Jean" was based on groupies he and his brothers encountered while they performed as the Jackson 5. "They would hang around backstage doors, and any band that would come to town they would have a relationship with, and I think I wrote this out of experience with my brothers when I was little. There were a lot of Billie Jeans out there. Every girl claimed that their son was related to one of my brothers." According to Jackson's biographer J. Randy Taraborrelli, "Billie Jean" was inspired by letters Jackson received in 1981 from a woman claiming he was the father of one of her twins. Jackson, who regularly received letters of this kind, had never met the woman and ignored those claims. However, she continued to send letters stating that she loved him and wanted to be with him, asking how he could ignore "his own flesh and blood". The letters disturbed him so much that he began to suffer nightmares. Eventually, Jackson received a parcel containing a photograph of the fan, a gun, and a letter instructing him to die at a particular time. The fan would do the same once she had killed "their" baby, so they could be together in the "next life". The Jacksons later discovered that the fan had been sent to a psychiatric hospital. ==Production==
Production
Jackson said he felt "Billie Jean" would be a success as he was writing it: "A musician knows hit material. Everything has to feel in place. It fulfills you and it makes you feel good. That's how I felt about 'Billie Jean'. I knew it was going to be big when I was writing it." Jones disliked the demo and did not care for the bassline, and wanted to cut Jackson's 29-second introduction. Jackson, however, insisted that it be kept. According to Jones, he conceded when Jackson said it made him want to dance: "And when Michael Jackson tells you, 'That's what makes me want to dance', well, the rest of us just have to shut up." Jones also wanted to change the title to "Not My Lover", as he believed that people would think the song referred to the tennis player Billie Jean King. Jackson refused to change the title and asked Jones to give him co-producing credits for the track, as he felt that the finished product sounded close to his demo. In addition, Jackson wanted extra royalties. Jones granted him neither and the two fell out for several days. The American composer Michael Boddicker said that Jackson played the synthesizer part in one take on the Yamaha CS-80 in seven minutes. However, the synthesizer player Bill Wolfer disputed this, saying he played the CS-80 chords on both the demo and the album version, and that Boddicker was misremembering the session: "Everyone who worked with Michael Jackson knows that he didn't play keys but a tiny bit, and never played them on a record!" According to Wolfer, the part was his sound design: he programmed it to form a hybrid of brass and string sounds, which had a vocal-like quality. Jackson heard Wolfer experimenting with the sound on the CS-80 during the Triumph Tour with the Jacksons, which he liked and called Wolfer in for. Engineer Bruce Swedien had Jackson sing his vocal overdubs through a six-foot cardboard tube. Jackson's lead vocal was performed in one take; he had received vocal training every morning throughout the production of the song. Jazz saxophonist Tom Scott played the lyricon, an electronic wind instrument. Bassist Louis Johnson played his part on every bass guitar he owned, before Jackson settled for a Yamaha bass. Swedien mixed the song 91 times—unusual for him, since he usually mixed a song just once. The mixes grew progressively worse, and Jones asked Swedien to listen again to the second mix, which was much better. The second mix was the final version. Instructed by Jones to create a drum sound with "sonic personality" that no one had heard before, Swedien constructed a platform for the drum kit with special elements including a flat piece of wood between the snare and hi-hat. He said: "There aren't many pieces of music where you can hear the first three or four notes of the drums, and immediately tell what the piece of music is. But I think that is the case with 'Billie Jean'—and that I attribute to sonic personality." ==Composition==
Composition
"Billie Jean" blends post-disco, rhythm and blues, funk, Jones had produced Donna Summer's cover of the song, and Jackson had sung backing vocals. According to Jon Anderson, "They took the riff and made it funky for 'Billie Jean' ... So that's kinda cool, that cross-pollination in music." Hall told him "Oh Michael, what do I care? You did it very differently." Following the first chorus, a cello-like synth eases in at the beginnings of both the third, and later, the fourth, verses. Upon the announcement that the baby's eyes resemble the narrator's, a voice laments, "oh no". This is met with Jackson's signature falsetto "hee hee". The bridge debuts the strings, and holds a pedal tone tonic with the exception of two lines and a chord leading into the chorus. Violins are then played, followed by a four-note minor guitar part. During the guitar part, vocal shouts, screams and laughs are added. Throughout this, the chord progression remains unaltered and is laced with Jackson's vocal hiccups. All the musical and vocal elements are then brought together in the final chorus. In the fade, the narrator repeats his denial of fathering Billie Jean's child. ==Reception==
Reception
On November 30, 1982, Thriller was released to critical and commercial success. On January 2, 1983, "Billie Jean" was released as the second single, after "The Girl Is Mine". It reached number one on the Billboard Hot 100 on March 5, 1983 and stayed there for seven weeks, becoming Jackson's biggest solo hit. Billboard ranked it as the No. 2 song for 1983. In a Rolling Stone review, Christopher Connelly described it as a "lean, insistent funk number whose message couldn't be more blunt: 'She says I am the one/But the kid is not my son'". He added that the track was a "sad, almost mournful song, but a thumping resolve underlies [Jackson's] feelings". Blender stated that the song was "one of the most sonically eccentric, psychologically fraught, downright bizarre things ever to land on Top 40 radio". They added that it was "frighteningly stark, with a pulsing, cat-on-the-prowl bass figure, whip-crack downbeat and eerie multi-tracked vocals ricocheting in the vast spaces between keyboards and strings". Overall, the magazine described the track as "a five-minute-long nervous breakdown, set to a beat". In a review of Thriller 25, AllMusic observed that "Billie Jean" was "startling" in its "futuristic funk". The track also won praise from Jackson biographers. Nelson George stated that Jerry Hey's string arrangement added danger to "Billie Jean", while J. Randy Taraborrelli added that it was "dark and sparse" by Quincy Jones' production standards. At the 1984 Grammy Awards, "Billie Jean" earned Jackson two of a record eight awards: Best R&B Song and Best R&B Male Vocal Performance. It won the Billboard Music Award for favorite dance/disco 12" LP, and the magazine's 1980's poll named "Billie Jean" as the "Black Single of the Decade". The American Music Awards recognized the track as the Favorite Pop/Rock Single, while Cash Box honored the song with the awards for Top Pop Single and Top Black Single. The track was recognized with the Top International Single award by the Canadian Black Music Awards and awarded the Black Gold Award for Single of the Year. "Billie Jean" has also been awarded for its sales. It won the National Association of Recording Merchandisers Gift of Music award for best-selling single in 1984. By 1989, the standard format single was certified platinum by the Recording Industry Association of America, for shipments of at least one million units. The digital sales of "Billie Jean" were certified gold in 2005, for shipments of at least 500,000 units. In May 2014, a viral video of a high school-aged teenager imitating Jackson's Motown 25 performance of the song helped the song re-enter the Billboard Hot 100 at number 14, with 95% of its chart points credited to streams of the song following the popularity of viral video. On August 29, 2022, the digital sales of "Billie Jean" were certified Diamond in US. ==Music video==
Music video
MTV initially refused to air the video for "Billie Jean", as the network's executives felt black music did not fit into its "rock"-centered programming at the time. Enraged by their refusal despite Jackson's success as a musical artist, Walter Yetnikoff, the president of Jackson's record company CBS Records, threatened to expose MTV's stance on racial discrimination: "I said to MTV, 'I'm pulling everything we have off the air, all our product. I'm not going to give you any more videos. And I'm going to go public and fucking tell them about the fact you don't want to play music by a black guy.'" After the video was aired in heavy rotation, Thriller went on to sell an additional 10 million copies. It was one of the first videos by a black artist to be aired regularly by the channel. Directed by Steve Barron and produced by Gowers Fields Flattery, the video shows a photographer who follows but never catches Jackson, as when photographed Jackson fails to materialize on the developed picture. Jackson dances to Billie Jean's hotel room and as he walks along a sidewalk, each tile lights up at his touch. After performing a quick spin, he jumps and lands, freeze framed, on his toes. Upon arrival at the hotel, he climbs the staircase to Billie Jean's room, lighting up each step as he touches it and illuminating a burnt-out "Hotel" sign as he passes it. The paparazzo then arrives at the scene and watches as Jackson vanishes under the covers of Billie Jean's bed, before the police arrive and arrest him for spying on Billie Jean. As the paparazzo is led away, he drops a tiger-print cloth that Jackson had left behind after polishing his shoe with it earlier in the video. (On both occasions, the cloth briefly transforms into a tiger cub.) Once the street is empty, the paving tiles again light up in sequence, reversing Jackson's earlier progress. Jackson's new look for the video, a black leather suit with a pink shirt and a red bow tie, was copied by children around the US. Imitation became so severe that, despite pupil protests, Bound Brook High School forbade students from wearing a single white glove like Jackson had on during the performance of "Billie Jean" at Motown 25: Yesterday, Today, Forever. The short film was inducted into the Music Video Producers Hall of Fame in 1992. In a 2005 poll of 31 pop stars, video directors, agents, and journalists conducted by telecommunications company 3, the music video was ranked fifth in their "Top 20 Music Videos Ever". The video was also ranked as the 35th greatest music video in a list compiled by MTV and TV Guide at the millennium. On June 10, 2021, "Billie Jean" became the first 1980s clip by a solo artist to reach 1 billion views on YouTube. ==Motown 25 performance==
Motown 25 performance
Jackson performed "Billie Jean" on the television special Motown 25: Yesterday, Today, Forever, broadcast on May 15, 1983. The special was recorded on March 25 as a celebration of Motown Records' twenty-fifth anniversary (Motown was launched in 1959). The event featured many popular Motown acts, past and present. Jackson initially refused an invitation to reunite with the Jackson 5 for a performance, but reconsidered after a visit from Motown founder Berry Gordy, whom Jackson respected. Jackson asked to also perform "Billie Jean", which ended up being the only non-Motown song on the show, to which Gordy agreed. Following performances by Marvin Gaye, Smokey Robinson, and Mary Wells, the Jacksons sang a medley of their early 1970s hits. Jermaine Jackson was on stage with the group, marking the first time that the original Jackson 5 lineup had performed together since they left Motown in 1975. After the group performed "I'll Be There", they left Michael alone on stage. Jackson wore black high-water pants, leather penny loafers, crystal-laden white socks, a black sequined jacket, and a single white rhinestone glove. He addressed the audience, and then "Billie Jean" started playing. (Jackson lip-synced the entire song, because organizers feared that the evening's backing band could not replicate the sound of the recording.) Jackson glided backwards to perform the moonwalk, before he spun on his heels and landed en pointe. It was the first time Jackson had performed the moonwalk in public; he had practiced it in his kitchen prior to the show. Many, including Jackson biographer Steve Knopper, have speculated that Jackson's "Billie Jean" costuming and choreography were specifically inspired by a dance routine performed by Bob Fosse in the 1974 musical film The Little Prince. Jackson openly acknowledged Fosse as a dance influence, having told Fosse himself that he had amassed a complete home collection of Fosse's choreography work in film and television, which he watched frequently. With the performance, Jackson reached a new audience and increased the sales of Thriller, which eventually became the best-selling album of all-time. The day after the show aired, Jackson was called by his childhood idol Fred Astaire, who commended him. Another childhood idol, Sammy Davis Jr., had admired Jackson's black sequined jacket during the performance and later received it as a gift. Jackson stated at the time that he was disappointed in his performance; he had wanted to remain on his toes longer than he had. Jackson subsequently said that "Billie Jean" was one of his favorite songs to perform live, but only when he did not have to do it the way he had on Motown 25: Yesterday, Today, Forever. "The audience wants a certain thing—I have to do the moonwalk in that spot," he later said. "I'd like to do a different version." In a Top 100 list compiled by VH1 and Entertainment Weekly in 2000, Jackson's performance was ranked as the sixth greatest rock 'n' roll TV moment. Five years later, Entertainment Weekly named Jackson's Motown 25 performance as one of the most important pop culture moments in history. "It was a moment that crossed over in a way that no live musical performance ever had. There was a messianic quality to it", Entertainment Weekly editor Steve Daly commented. David Moynihan of NME wrote in 2009 that "Jackson's status as the world's biggest superstar was confirmed" by the Motown 25 performance. ==Pepsi commercials==
Pepsi commercials
In 1984, Pepsi sponsored the Jacksons' Victory Tour. In return, Michael and his brothers were to star in two commercials for the company. Jackson had reworked "Billie Jean" for the commercial and titled it "Pepsi Generation". The song was used as the official jingle for the commercials and released as a 7" promo single. The launch of "The Choice of a New Generation" campaign in February 1984 was attended by 1,600 people who were issued with a programme and the 7" single. During the filming of the second commercial, a firework in the rear of the set was prematurely detonated, setting Jackson's hair ablaze. The incident necessitated reconstructive surgery. The commercials were premiered at the Grammy Awards, the same night he collected a record eight awards. ==Billie Jean 2008==
Billie Jean 2008
Jackson's original version of "Billie Jean" was remixed by rapper Kanye West for Thriller 25, a 25th anniversary reissue of Jackson's Thriller. Titled "Billie Jean 2008", the remix garnered a mixed reception; most critics felt that it was impossible to improve upon the original. Pitchfork Medias Tom Ewing stated that the remix would have benefited from a guest verse by West, which "might have added dynamics to the mix's clumsy claustrophobia". Mike Joseph, in a review of Thriller 25 for PopMatters, described the track listing of the reissue as "pleasant" but that West's "lazy" remix was the only exception. He added, "You've been given the opportunity to remix the most iconic single from one of the most iconic albums of all time, and all you can do is stick a drum machine on top of the song's original arrangement?". Rob Sheffield of Rolling Stone disliked the removal of the original bassline, and compared it to "putting Bobby Orr on the ice without a hockey stick". IGN's Todd Gilchrist praised West's remix and stated that it was a "pretty great track". He added, "it almost overplays the track's originally understated drama, his additions enhance the song and demonstrate that in a contemporary context." ==Legacy==
Legacy
"Billie Jean" aided Thriller in becoming the biggest selling album of all time. It was popularly believed that "Billie Jean" was an autobiographical song, referring to someone who claimed Jackson was the father of her child. Based on this theory, Lydia Murdock wrote the song "Superstar", which was a minor hit in 1983, intending this song as a criticism of Jackson's purported denial of paternity. Another song referred to as an "answer song" was a rap song by T-Ski Valley. The song "Valley Style" was actually reviewed by James Hamilton in the 30 July issue of Record Mirror. He referred to both Lydia Murdock's and T-Ski Valley's recordings as answer versions to "Billie Jean" but with a question mark for T-Ski Valley's rap version. On his Late Night program in the 1980s, host David Letterman often played a recording of a song with the word "chair" replacing "kid" to create the mondegreen "the chair is not my son". Frequently listed in magazine polls of the best songs ever made, "Billie Jean" was named the greatest dance record of all time by BBC Radio 2 listeners. In a list compiled by Rolling Stone and MTV in 2000, the song was ranked as the sixth greatest pop song since 1963. Rolling Stone placed the song at number 58 on its list of The 500 Greatest Songs of All Time in 2004. In the 2021 update of the list it had risen to 44. "Billie Jean" was voted number 2 in ''The Nation's Favourite Number 1 Single'', a British TV program airing on ITV on 21 July 2012. In a similar poll in 2015 the song was voted by the British public as the nation's second favorite 1980s number one. In an interview, Pharrell Williams stated that "Billie Jean" was one of his favorite songs. "It is hard to say if there is a greater song than 'Billie Jean'. I think there will never be a song like this one again, with this bassline, with this kind of effect, this eternalness, this perfection." When re-released as part of the Visionary campaign in 2006, "Billie Jean" charted at No. 11 in the UK. It remained in the top 200 for over 40 weeks and was the most successful reissue by some distance. According to Thriller 25: The Book (2008), "Billie Jean" is still in heavy rotation; it receives more than 250,000 spins per week in clubs around the world. ==Track listings==
Track listings
7" single (Epic EPCA 3084 (CBS)) • "Billie Jean" – 4:55 • "It's the Falling in Love" – 3:46 7" single (Epic 15-06453) • "Billie Jean" – 4:50 • "Beat It" – 4:11 12" maxi (Epic 12-3084) • "Billie Jean" – 6:20 • "Billie Jean" (instrumental) – 6:20 ==Personnel==
Personnel
Credits adapted from Blender and the album Thriller 25. • Michael Jackson – lead and backing vocals; Yamaha CS-80 synthesizer; songwriting; vocal, rhythm, synthesizer and string arrangements • Michael BoddickerE-mu EmulatorLeon "Ndugu" Chancler – drums • Louis Johnson – bass guitar • Greg PhillinganesRhodes piano, synthesizerTom Scottlyricon • Greg Smith – synthesizer • David Williams – guitar • Bill Wolfer – synthesizer, synthesizer programming • Jerry Hey – string arrangement • Jeremy Lubbock – string conducting • Bruce Swedienmixing, engineer ==Charts==
Charts
Weekly charts Monthly charts Year-end charts All-time charts ==Certifications==
The Bates version
In 1995, German band the Bates covered "Billie Jean" on their album Pleasure + Pain. Track listing Maxi-CD • "Billie Jean" – 4:25 • "Tonight" (remix) – 3:45 • "Love Is Dead" (Part II) – 3:22 • "Yeah" (acoustic version) – 1:06 Charts ==The Sound Bluntz version==
The Sound Bluntz version
Canadian group the Sound Bluntz also recorded a cover which peaked at No. 17 on the Australian charts during March 2003. It also reached No. 17 in Belgium, No. 14 in Finland, and No. 53 in the Netherlands. Track listing CD-Maxi Kontor 14305-5 (Edel) • "Billie Jean" (Beat Radio Mix) – 4:00 • "Billie Jean" (Beat Clubb Mix) – 6:50 • "Billie Jean" (Full Effect Mix) – 7:34 • "Dura Dura" (Reprise) – 1:36 Charts ==Other cover versions==
Other cover versions
English musician Ian Brown took "Billie Jean" to number 5 on the UK charts in 2000. It was the B-side of "Dolphins Were Monkeys". Brown said, "I love Jackson. I want to do a Jackson EP with 'Thriller', 'Beat It', 'Billie Jean' and 'Rockin' Robin' or 'ABC' on it. Hopefully I'll get it done". Brown later covered "Thriller" on Golden Gaze, from his second solo album, Golden Greats. American rock musician Chris Cornell recorded "Billie Jean" for his Carry On album in 2007. This version maintained the lyrics and basic melody, but radically rearranged the song with a slower acoustic interpretation influenced by country and blues. Cornell said: "I didn't plan on it. It just sort of happened organically. I changed the music quite a bit, I didn't touch the lyrics." He added, "And it's not a joke. I took a completely different approach to it, musically." Cornell had previously performed the song live in Europe, including an acoustic set in Stockholm, Sweden in September 2006. The cover received favorable reviews from critics. MTV noted the "bluesier, more pained and impassioned feel" which stripped away "any pop elements of the original". In 2008, Cornell's version was performed live by David Cook on the seventh season of American Idol, and this version charted on Billboards Hot 100 at No. 47. In 2011, Fall Out Boy frontman Patrick Stump covered the song as part of an a cappella medley of Michael Jackson songs, in which he sang all the parts. In 2015, Irish musician EDEN released a remix of "Billie Jean" then separately released a cover of the song with his own vocals. In 2022, a clip from the HBO sports documentary series Hard Knocks went viral, where Detroit Lions defensive end Aidan Hutchinson sang the song in front of the team as part of a rookie talent show. The London Vegetable Orchestra has covered the song, under the title 'Billie Auber-Jean'. ==Mashups and remixes==
Mashups and remixes
In 1983, Italian studio group Club House recorded what would now be known as a mashup of "Billie Jean" and the 1972 Steely Dan song "Do It Again", titled "Do It Again Medley with Billie Jean". The song was a top ten hit in Belgium, Ireland and the Netherlands. American band Slingshot recorded a note-for-note remake of the song later that same year; this version hit number one on the Billboard Dance/Disco charts. Also in 1983, italo disco group recorded a mashup of "Billie Jean" with The Greg Kihn Band's hit "Jeopardy" that went to No. 10 on the Italian charts. A DJ named Linx created a mashup of "Billie Jean" and the 1987 Eric B. & Rakim song "I Know You Got Soul" from the original recordings, releasing it in 1997 as "Billie Jean (Got Soul)". This mashup peaked at number 34 in Sweden. 2manyDJs included a mashup of "Billie Jean", Soulwax's "Saturday" and The Residents' "Kaw-Liga" in their mix album As Heard On Radio Soulwax Pt. 2. Scottish bhangra group Tigerstyle's song "Nachna Onda Nei" includes the backing tracks of both "Billie Jean" and "Under Pressure" by Queen and David Bowie, with new vocals by Kaka Bhaniawala. In April 2008, dance act Signature used "Nachna Onda Nei" on ''Britain's Got Talent'' in their audition and again in their final performance. ==Official remixes==
Official remixes
• Album and single version - 4:57 • Reissue of album and single version - 4:52 (fades out early) • 12" Version / Long Version - 6:23 • Instrumental - 6:20 • Four on the Floor Remix Radio Edit - 4:43 • Underground Mix - 6:40 • Billie Jean 2008 (Kanye West Mix) - 4:37 • Home Demo from 1981 - 2:21 • Denniz PoP Swemix Version - 8:32 • Offer Nissim Remix '08 - 6:39 • Norty Cotto Remix - 8:46 • Love to Infinity Piano Anthem Radio Mix - 4:48 • Love to Infinity Piano Anthem DMC Remix - 7:37 AKA 25th Anniversary With Sony Piano Anthem Remix ==See also==
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