in 1913 The NAACP hired Elisabeth Freeman, a women's suffrage activist based in New York City, to investigate the lynching. She had traveled to Texas in late 1915 or early 1916 to help organize the suffrage movement and was already in Dallas for a statewide convention in early May. Freeman began her assignment in Waco soon after the lynching, posing as a journalist and attempting to interview people about the events. She found that most residents were reluctant to discuss the event. She spoke with town officials and obtained pictures of the lynching from Gildersleeve, who was initially reluctant to provide them. Although she feared for her safety, she enjoyed the challenge of the investigation. When speaking with city leaders, Freeman convinced them that she planned to defend Waco against criticism when she returned to the North. Some journalists soon grew suspicious of her and warned residents not to talk to outsiders. Local African Americans, however, gave her a warm reception. Freeman interviewed both Sheriff Fleming and the judge who presided over the trial; each said that he did not deserve blame for the lynching. A schoolteacher who had known Washington told Freeman that the young man was illiterate and that all attempts to teach him to read had been futile. Freeman concluded that white residents were generally supportive of Washington's lynching after his conviction, although many were upset that he had been mutilated. She determined that the mob that took him from the courtroom was led by a bricklayer, a saloonkeeper, and several employees of an ice company. The NAACP did not publicly identify them. Freeman concluded that Washington killed Fryer, and suggested he had resented her domineering attitude towards him. W. E. B. Du Bois had been incensed by news of the brutal attack, saying "any talk of the triumph of Christianity, or the spread of human culture, is idle twaddle as long as the Waco lynching is possible in the United States". After receiving Freeman's report, he placed a photograph of Washington's body on the cover of
The Crisis, the NAACP's newsletter, in a special issue that discussed the event. The issue was titled "The Waco Horror" and was published as an eight-page supplement to the July edition. Du Bois popularized "Waco Horror" as a name for Washington's lynching; the
Houston Chronicle and the
New York Times had previously used the word "horror" to describe the event. In 1916,
The Crisis had a circulation of about 30,000, three times the size of the NAACP's membership. Although
The Crisis had campaigned against lynching in the past, this publication was their first to depict images of an attack. The NAACP's board was initially hesitant to publish such graphic content, but Du Bois insisted on doing so, arguing that uncensored coverage would push white Americans to support change. The issue included accounts of the lynching that Freeman had obtained from Waco residents. Du Bois wrote
The Crisis's article on the lynching; he edited and organized Freeman's report for publication, but did not credit her in the issue. Du Bois's article concluded with a call to support the anti-lynching movement. The NAACP distributed the report to hundreds of newspapers and politicians, a campaign that led to wide condemnation of the lynching. Many white observers were disturbed by photos of the southerners who celebrated the lynching.
The Crisis included more images of lynchings in subsequent issues. Washington's death received continued discussion in
The Crisis.
Oswald Garrison Villard wrote in a later edition of the paper that "the crime at Waco is a challenge to our American civilization". Other black newspapers also carried significant coverage of the lynching, as did liberal monthly magazines such as
The New Republic and
The Nation. Freeman traveled around the U.S. to speak to audiences about her investigation, maintaining that a shift in public opinion could accomplish more than legislative actions. Although there were other lynchings as brutal as Washington's, the availability of photographs and the setting of his death made it a
cause célèbre. Leaders of the NAACP hoped to launch a legal battle against those responsible for Washington's death, but abandoned the plan owing to the projected cost. The NAACP had struggled financially around that time. Their anti-lynching campaign helped them raise funds, but they scaled back the campaign as the U.S. entered
World War I. NAACP president
Joel Elias Spingarn later said that the group's campaign placed "lynching into the public mind as something like a national problem". Bernstein describes this anti-lynching campaign as the "barest beginnings of a battle that would last many years". The number of lynchings in the U.S. increased in the late 1910s, particularly in the postwar period. In addition, in the summer and fall of 1919 called
Red Summer, racial riots of whites against blacks broke out in numerous large cities, including in the Northeast and Midwest, due in part to tensions related to competition for jobs and housing in the postwar period as veterans struggled to re-enter society. Particularly in
Chicago and
Washington, DC, blacks fought back fiercely in the riots but suffered the most casualties and property losses. They believed their war service should have earned them better treatment as citizens. More lynchings took place in Waco in the 1920s, partially owing to the resurgence of the Ku Klux Klan. By the late 1920s, however, Waco authorities had begun to protect blacks from lynching, as in the case of
Roy Mitchell. Authorities feared that negative publicity generated by lynchings—such as the NAACP's campaign following Washington's death—would hinder their efforts to attract business investors. The NAACP fought to portray lynching as a savage, barbaric practice, an idea that eventually gained traction in the public mind. Bernstein credits the group's efforts with helping to end "the worst public atrocities of the racist system" in the Waco region. ==Analysis and legacy==