1951–1955: Animator On April 2, 1951, Hale began working for Disney. He first worked in the traffic department, picking up and delivering mail to executives throughout the studio backlot. He did minor
inbetweens for
Alice in Wonderland (1951). He then became an assistant animator for
Ollie Johnston on the 1953 film
Peter Pan; they animated the character
Mr. Smee. Describing their working process, Hale explained: "[Johnston] would do the rough animation. He would go through the scene and time it out and do all the key extremes and then I would fill in the other drawings." He continued animating under Johnston on
Ben and Me (1953) for the character
Benjamin Franklin, and
Lady and the Tramp (1955), which he animated Jock, the
Scottish terrier. Soon after, Hale worked on the 1953 short film
Toot, Whistle, Plunk and Boom and the "
Man in Space" (1955) episode for the
Disneyland television series, both of which were directed by
Ward Kimball.
1955–1980: Layout and special effects artist Deciding not to continue working as an assistant animator, Hale approached Andy Engman about working in the layout department. He worked there, alongside Don Griffith and
Eyvind Earle for
Sleeping Beauty (1959). In an interview, Hale stated he did layouts for the forest scene where
Aurora (as Briar Rose) dances with the animals and then Prince Philip, and interior scenes of the fairies' cottage. In 1980, Hale remembered: "...I got so sick of drawing that room, of drawing every different angle on it, over and over again." At the
52nd Academy Awards, Hale received a nomination for an
Academy Award for Best Visual Effects, along with
Peter Ellenshaw,
Art Cruickshank,
Eustace Lycett,
Danny Lee, and
Harrison Ellenshaw.
1980–1986: Producer Meanwhile, the long in-development
The Black Cauldron (1985) had been languishing at the animation department for nearly a decade. Adapted from
The Chronicles of Prydain book series by
Lloyd Alexander, Walt Disney Productions acquired the film rights in 1973. Hale remembered, "
Ron Miller called me up and asked me if I would take over as producer on
The Black Cauldron. I think some of the animators did talk to him, or talk to someone, about me taking over the producing, but I didn't want to do it because a good friend of mine,
Art Stevens, was the producer and I just didn't feel right about it." Miller replied regardless of his involvement or not, Stevens would be replaced. After a reconsideration, Hale took the position. ==Personal life==