Entry into acting Following his naval service, Gavin offered himself as a
technical adviser to family friend and film producer
Bryan Foy, who was making a movie about the
Princeton. Instead, Foy arranged a screen test for Gavin with
Universal-International. Gavin initially refused the offer, but his father urged him to try it. The test was successful and Gavin signed with the studio. "They offered me so much money I couldn't resist", he said later. Universal groomed Gavin as a leading man in the mold of
Rock Hudson. He trained in Jess Kimmel's talent workshop under the name John Gilmore. His classmates included
Grant Williams,
Gia Scala and
John Saxon. His first film was
Raw Edge (1956) where he played the brother of
Rory Calhoun and was billed as John Gilmore. His name was changed to John Gavin for the films
Behind the High Wall (1956),
Four Girls in Town (1957), and
Quantez (also 1957). Gavin was meant to star in
The Female Animal (1958) but was too busy on other projects and was replaced by
George Nader.
Stardom: A Time to Love and a Time to Die Gavin's break was the lead in
A Time to Love and a Time to Die (1958), directed by
Douglas Sirk from the novel by
Erich Maria Remarque. His casting drew comparisons with the casting of the similarly inexperienced
Lew Ayres in Universal's film version of
All Quiet on the Western Front (1931). Sirk cast Gavin for the young actor's inexperience, fresh looks, and earnest manner. (left) and
Janet Leigh (right) in a publicity photo for
Psycho (1960) '' Gavin appeared as
Julius Caesar in Universal's epic
Spartacus (1960) directed by
Stanley Kubrick. He was cast as Sam Loomis in the thriller
Psycho (1960) for director
Alfred Hitchcock. Gavin later claimed he was "terribly disturbed" by the sex and violence in
Psycho, saying, "I think Hitch really got frosted with me."
Susan Hayward in the melodrama
Back Street and with
Sandra Dee in
Romanoff and Juliet and
Tammy Tell Me True (all 1961). Most of these films were produced by
Ross Hunter. He appeared periodically on television in various
anthology series. He was directed by a young
William Friedkin in the episode "Off Season" (season 10, episode 29) of
The Alfred Hitchcock Hour. Gavin later claimed that he lacked training support from Universal during his early days there:When I walked through the gate, Universal quit building actors. All of a sudden I was doing leading roles. I knew I was a tyro but they told me to shut up and act. Some of those early roles were unactable. Even
Laurence Olivier couldn't have done anything with them. The dialog included cardboard passages such as "I love you. You can rely on me, darling. I'll wait."' It was all I could do to keep from adding, "with egg on my face." Gavin disliked comparisons to Rock Hudson and in a 1960 interview said he considered quitting acting to take up law. However, he pulled out of
The Assassins (which became
Assassins of Rome (1965)).
Night Call and
The Challenge were never made. In early 1964, he starred in the TV series
Destry. The series was not a ratings success and was cancelled.
Return to Universal In September 1964, Gavin signed a new contract with Universal which gave him the option to take work outside the studio. He appeared in the Mexican film
Pedro Páramo (1967), based on the novel by
Juan Rulfo. His next role was that of
Mary Tyler Moore's character's stuffy boyfriend in Universal's 1920s-era musical
Thoroughly Modern Millie (1967). Gavin saw the role as an opportunity to parody his performances in Ross Hunter films. He was cast in the lead in
OSS 117 – Double Agent (1968), then titled
No Roses for Robert, replacing
Frederick Stafford who was filming
Alfred Hitchcock's
Topaz. He acted in supporting roles in
The Madwoman of Chaillot (1969) and
Pussycat, Pussycat, I Love You (1970), in which he parodied his own image.
James Bond Gavin was signed for the role of
James Bond in the film
Diamonds Are Forever (1971) after
George Lazenby left the role. However,
David Picker, head of
United Artists, wanted the box-office assurance of
Sean Connery. Gavin's contract was honored despite losing the role to Connery. According to
Roger Moore's
James Bond Diary, Gavin was slated to play Bond in
Live and Let Die (1973), but
Harry Saltzman insisted on a British actor for the role and Moore was given the part.
Screen Actors Guild Gavin was on the board of the
Screen Actors Guild (SAG) in 1965. He served a term as third vice president and two terms as president from 1971 to 1973. During his presidency Gavin testified before the Federal Trade Commission on phone talent rackets and met with President Richard Nixon to present the problem of excessive television reruns. He presented petitions to the federal government on the issues of prime-time access rules, legislative assistance for American motion pictures, and film production by the government using non-professional actors. Gavin's presidency in the Screen Actors Guild came to an end when he was defeated by
Dennis Weaver in 1973. Gavin was the first incumbent president to be defeated by an independent challenger.
Theatre Gavin made a foray into live theater in the 1970s, showcasing his baritone voice. He toured the summer stock circuit as El Gallo in a production of
The Fantasticks at the South Shore Music Circus twentieth anniversary summer season June 29 - July 4, 1970, in Massachusetts. In 1973, Gavin replaced
Ken Howard in the Broadway musical
Seesaw opposite
Michele Lee. Gavin said he first turned down the musical because of his unhappiness with the quality of the book but reconsidered when Michael Bennett asked him to join the cast. He played the role for seven months and toured the United States in the role with
Lucie Arnaz. Both the Broadway and touring production were directed by
Michael Bennett. He guest-starred on
Mannix,
The Love Boat,
Medical Center,
Hart to Hart and
Fantasy Island. ==Politics==