1991–1992: Pablo Honey In 1991, the members of On a Friday regrouped in Oxford, sharing a house on the corner of Magdalen Road and Ridgefield Road. Greenwood played harmonica on the 1992
Blind Mr. Jones single "Crazy Jazz". He enrolled at
Oxford Brookes University to study psychology and music, but left after his first term after On a Friday signed a record contract deal with
EMI. Greenwood said he had been "headed for the back of the viola section at some minor orchestra". The band changed their name to Radiohead and released their first album,
Pablo Honey, in 1993. Radiohead found early success with their debut single, "
Creep", released in 1992. The
Independent wrote that it was "the kind of transformative moment that has become his signature contribution to the Radiohead style". Greenwood said it had been a "turning point" for Radiohead: "It started appearing in people's [best of] polls for the end of the year. That's when it started to feel like we made the right choice about being a band." On tour, Greenwood damaged his hearing and wore protective ear shields for some performances. , Jonny Greenwood,
Ed O'Brien, and
Phil Selway discussing
OK Computer in 1997 Radiohead's third album,
OK Computer (1997), achieved acclaim, showcasing Greenwood's lead guitar work on songs such as "
Paranoid Android". For "Climbing up the Walls", Greenwood wrote a part for 16 stringed instruments playing
quarter tones apart, inspired by the Polish composer
Krzysztof Penderecki. For the soundtrack of the 1998 film
Velvet Goldmine, Greenwood, Yorke,
Andy Mackay of
Roxy Music and
Bernard Butler of
Suede formed a band, the Venus in Furs, and covered three Roxy Music songs. Greenwood played harmonica on "Platform Blues" and "Billie" on
Pavement's final album,
Terror Twilight (1999).
2000–2003: Kid A, Amnesiac and Hail to the Thief Radiohead's albums
Kid A (2000) and
Amnesiac (2001) marked a dramatic change in sound, incorporating influences from
electronica,
classical music,
jazz and
krautrock. Greenwood employed a
modular synthesiser to build the drum machine rhythm of "
Idioteque", and played
ondes Martenot, an early electronic instrument similar to a
theremin, on several tracks. For "How to Disappear Completely", Greenwood composed a string section by
multitracking his ondes Martenot playing. According to Radiohead's producer,
Nigel Godrich, when the string players saw Greenwood's score "they all just sort of burst into giggles, because they couldn't do what he'd written, because it was impossible—or impossible for them, anyway". The orchestra leader,
John Lubbock, encouraged the musicians to experiment and work with Greenwood's "naive" ideas. Greenwood also arranged strings for the
Amnesiac songs "
Pyramid Song" and "Dollars and Cents". Greenwood played guitar on
Bryan Ferry's 2002 album
Frantic. For Radiohead's sixth album,
Hail to the Thief (2003), Greenwood began using the music programming language
Max to
sample and manipulate the band's playing. After having used
effects pedals heavily on previous albums, he challenged himself to create interesting guitar parts without effects.
2003–2006: Bodysong and first orchestral work In 2003, Greenwood released his first solo work,
the soundtrack for the documentary film
Bodysong. It incorporates guitar, jazz, and classical music. Greenwood's first work for orchestra,
Smear, was premiered by the
London Sinfonietta in March 2004. In 2005, Greenwood curated a concert as part of the Ether festival in London at with the London Sinfonietta. It featured a new version of
Smear, the new work
Piano for Children, and performances of pieces by classical modernist composers. In May 2004, Greenwood was appointed composer-in-residence to the
BBC Concert Orchestra. Radiohead's co-manager, Bryce Edge, said Greenwood would use the residency to learn how orchestras work. For the 2005 film
Harry Potter and the Goblet of Fire, Greenwood and the Radiohead drummer,
Philip Selway, appeared as the wizard rock band
Weird Sisters alongside
Jarvis Cocker,
Steve Mackey,
Steven Claydon and
Jason Buckle. They recorded three songs for
the soundtrack and appeared in the film. Greenwood contributed piano to "The Eraser" from Yorke's debut solo album,
The Eraser (2006).
2007–2010: There Will Be Blood and In Rainbows Greenwood composed
the score for the 2007 film
There Will Be Blood, directed by
Paul Thomas Anderson. The soundtrack won an award at the
Critics' Choice Awards and the Best Film Score award in the
Evening Standard British Film Awards for 2007. As it contains excerpts from "Popcorn Superhet Receiver", it was ineligible for an
Academy Award for Best Original Score.
Rolling Stone named
There Will Be Blood the best film of the decade and described the score as "a sonic explosion that reinvented what film music could be". In 2016, the film composer
Hans Zimmer said the score was "recklessly, crazily beautiful". In March 2007,
Trojan Records released
Jonny Greenwood Is the Controller, a compilation album of
reggae tracks curated by Greenwood. It features mostly 70s
roots and
dub tracks from artists including
Lee "Scratch" Perry,
Joe Gibbs and
Linval Thompson. The title references Thompson's track "Dread Are the Controller". Radiohead released their seventh album,
In Rainbows, in October 2007, in a landmark use of the
pay-what-you-want model for music sales. Greenwood said Radiohead were responding to the culture of downloading free music, which he likened to the
legend of King Canute: "You can't pretend the flood isn't happening." Greenwood wrote the title music for
Adam Buxton's 2008 sketch show
Meebox, and contributed to the 2009 album ''Basof Mitraglim Le'Hakol'' by the Israeli rock musician
Dudu Tasaa. Greenwood cowrote Yorke's 2009 single "
Feeling Pulled Apart By Horses".
2010–2013: Norwegian Wood and The King of Limbs In February 2010, Greenwood debuted a new composition, "Doghouse", at the BBC's
Maida Vale Studios, written in hotels and dressing rooms while on tour with Radiohead. He expanded "Doghouse" into the score for the Japanese film
Norwegian Wood, released later that year. Greenwood also played guitar on
Bryan Ferry's 2010 album
Olympia. Radiohead's recorded their eighth album,
The King of Limbs (2011), using sampler software written by Greenwood. By 2011, Radiohead had sold more than 30 million albums. That year, Greenwood scored
We Need to Talk About Kevin, directed by
Lynne Ramsay, using instruments including a wire-strung harp. In 2012, Greenwood composed
the score for Anderson's film
The Master. That March, Greenwood and the Polish composer
Krzysztof Penderecki, one of Greenwood's greatest influences, released an album comprising Penderecki's 1960s compositions
Polymorphia and Threnody for the Victims of Hiroshima, Greenwood's "Popcorn Superhet Receiver", and a new work by Greenwood, "48 Responses to
Polymorphia". In the same year, Greenwood accepted a three-month residency with the
Australian Chamber Orchestra in Sydney and composed a new piece, "Water". Greenwood, Yorke, and other artists contributed music to
The UK Gold, a 2013 documentary about
tax avoidance in the UK. The soundtrack was released free in February 2015 through the online audio platform
SoundCloud.
2014–2016: Inherent Vice, Junun and A Moon Shaped Pool in Geneva, 2015|alt=Greenwood composed
the soundtrack for the Anderson film
Inherent Vice (2014). It features a new version of an unreleased Radiohead song, "Spooks", performed by Greenwood and two members of
Supergrass. In 2014, Greenwood performed with the
London Contemporary Orchestra, performing selections from his soundtracks alongside new compositions. In the same year, Greenwood performed with the Israeli composer
Shye Ben Tzur and his band. Greenwood described Ben Tzur's music as "quite celebratory, more like
gospel music than anything—except that it's all done to a backing of Indian
harmoniums and percussion". He said he would play a "supportive" rather than "solistic" role. In 2015, Greenwood, Ben Tzur and Godrich recorded an album,
Junun, with the Rajasthan Express at
Mehrangarh Fort in
Rajasthan, India. Greenwood insisted they hire only musicians from
Rajasthan and only use string instruments native to the region. Ben Tzur wrote the songs, with Greenwood contributing guitar, bass, keyboards,
ondes Martenot and
programming. Greenwood contributed string orchestration to
Frank Ocean's 2016 albums
Endless and
Blonde. Radiohead's ninth album,
A Moon Shaped Pool, was released in May 2016, featuring strings and
choral vocals arranged by Greenwood and performed by the
London Contemporary Orchestra. Greenwood, Ben Tzur and the Rajasthan Express were a support act on Radiohead's 2018
Moon Shaped Pool tour.
2017–2020: Phantom Thread and The Power of the Dog in London, 2019Greenwood wrote
the score for Anderson's 2017 film
Phantom Thread. It was nominated for an Academy Award and earned Greenwood his sixth
Ivor Novello award. Greenwood reunited with Ramsay to score her film
You Were Never Really Here, also released in 2017. That August, Yorke and Jonny Greenwood performed a benefit concert in the
Marche, Italy, to help restoration efforts following the
August 2016 Central Italy earthquake. At the 2019
BBC Proms in London, Greenwood debuted his composition "Horror Vacui" for solo violin and 68 string instruments. Greenwood was inducted into the
Rock and Roll Hall of Fame as a member of Radiohead in March 2019. Greenwood did not attend the event, and told
Rolling Stone: "I don't care. Maybe it's a cultural thing that I really don't understand ... It's quite a self-regarding profession anyway. And anything that heightens that just makes me feel even more uncomfortable." In September, Greenwood launched a record label, Octatonic Records, to release contemporary classical music by soloists and small groups he had met as a film composer. In 2021, he expressed uncertainty about releasing further Octatonic records, as the two Octatonic records "seemed to not really connect with anybody". In 2024, Greenwood said he planned to revive Octatonic with a release from the cellist Oliver Coates. The soundtrack earned Greenwood his second Academy Award nomination. For
his soundtrack to
Spencer (2021), Greenwood combined
Baroque and jazz music, juxtaposing their "rigid" and "colourful" styles.
2021–2023: the Smile and Jarak Qaribak in January 2022 In 2021, Greenwood debuted a new band,
the Smile, with Yorke and the jazz drummer
Tom Skinner. Greenwood said the project was a way for him and Yorke to work together during the
COVID-19 lockdowns. The Smile made their surprise debut in a performance streamed by
Glastonbury Festival on 22 May, with Greenwood playing guitar and bass. The
Guardian critic
Alexis Petridis said the Smile "sound like a simultaneously more skeletal and knottier version of Radiohead", exploring more
progressive rock influences with unusual
time signatures, complex riffs and "hard-driving"
motorik psychedelia. In May 2022, the Smile released their debut album,
A Light for Attracting Attention, and began an international tour. Greenwood and Yorke contributed music to the sixth series of the television drama
Peaky Blinders, broadcast that year. Greenwood composed and conducted strings for the
Pretenders song "
I Think About You Daily", released in June 2023. On 9 June, Greenwood and the Israeli musician
Dudu Tassa released
Jarak Qaribak, comprising reworkings of Middle Eastern love songs. It was produced by Greenwood and Tassa and mixed by Godrich, and features several Middle Eastern musicians. Greenwood said he and Tassa had "tried to imagine what
Kraftwerk would have done if they'd been in Cairo in the 1970s". He denied any intent to make a political point with the album, and said: "I do understand that as soon as you do anything in that part of the world it becomes political ... possibly especially if it's artistic." A European tour for
Jarak Qaribak was canceled following the outbreak of the
Gaza war in 2023.
2024–present: Wall of Eyes and Cutouts In January 2024, the Smile released their second album,
Wall of Eyes. They began a European tour in March. In May, a
drone-based composition by Greenwood for
church organ, "X Years of Reverb" — where X is substituted for the age of the building in which it is performed – premiered at the
Norfolk and Norwich Festival. The composition is eight hours long and was performed by the organists
James McVinnie and Eliza McCarthy playing in shifts using stopwatches. Greenwood composed it after becoming involved in charities to repair churches damaged by an earthquake near his home in
Marche, Italy. The next day, he and Tassa performed songs from
Jarak Qaribak in Tel Aviv. The performance was criticised by
pro-Palestine activists; the
Palestinian Campaign for the Academic and Cultural Boycott of Israel called for "peaceful, creative pressure on his band Radiohead to convincingly distance itself from this blatant complicity in the crime of crimes, or face grassroots measures". On 4 June, Greenwood responded in a statement that Israeli artists should not be silenced. He described the project as a group of Middle Eastern musicians "working together across borders" and made no mention of Israel's
war on Gaza. In July, the Smile canceled their upcoming European tour after Greenwood was temporarily hospitalised with a serious infection. In a statement, the Smile said Greenwood had been receiving emergency treatment in an
intensive care unit, but was now safe. In October, Greenwood said he was mostly recovered and was focusing on film soundtracks until he was fully well. The Smile's third album,
Cutouts, recorded simultaneously with
Wall of Eyes, was released that month. Greenwood scored his sixth film for Paul Thomas Anderson,
One Battle After Another, released in September 2025. It earned Greenwood his third Academy Award nomination. In May 2025, Greenwood and Tassa's performances in Bristol and London supporting
Jarak Qaribak were canceled following threats to the venues and staff. They released a statement criticising the cancellations as censorship, emphasised the mixed heritage of the performers, and compared the cancellations to the controversy surrounding the hip-hop group
Kneecap following their
Coachella 2025 performance. In November 2025, Radiohead began a
European tour, their first tour in seven years. In February 2026, Greenwood and Anderson released a statement saying the 2026 documentary film
Melania contained unauthorised use of Greenwood's
Phantom Thread score and that they had asked for its removal. A second album by Greenwood, Ben Tzur and the Rajasthan Express,
Ranjha, is set for release in May. It features Greenwood's Smile bandmate Tom Skinner and was produced by the Smile producer Sam Petts-Davies in Greenwood's Oxfordshire studio. The group began writing new music while supporting Radiohead in 2017 and 2018, but work was postponed by the COVID-19 pandemic. == Musicianship ==