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Joseph Raphael De Lamar House

The Joseph Raphael De Lamar House is a mansion at 233 Madison Avenue, at the northeast corner of the intersection with 37th Street, in the Murray Hill neighborhood of Manhattan in New York City, New York. Built from 1902 to 1905, the five-story house was designed by C. P. H. Gilbert in the Beaux-Arts style for Joseph Raphael De Lamar. The house has served as the Consulate General of Poland in New York City since 1973. The mansion is a New York City designated landmark and on the National Register of Historic Places, and it is a contributing property to the Murray Hill Historic District.

Site
The Joseph Raphael De Lamar House (also known as the Consulate General of Poland building) is at 233 Madison Avenue in the Murray Hill neighborhood of Manhattan in New York City, New York. It is at the northeast corner with 37th Street. The street corner is named in honor of the Polish officer Jan Karski, who rescued Poles during the Holocaust. The building's land lot is rectangular and has a total area of , with a frontage of on Madison Avenue to the west and on 37th Street to the south. as well as the former Morgans Hotel. Other nearby buildings include the Morgan Library & Museum and Union League Club to the south, Tiffany and Company Building one block west, and Scandinavia House – The Nordic Center in America to the east. == Architecture ==
Architecture
The building was designed in the Beaux-Arts style for the businessman Joseph Raphael De Lamar by C. P. H. Gilbert, who also designed other mansions such as the Isaac D. Fletcher and Felix M. Warburg residences. Facade The western elevation of the facade is on Madison Avenue, while the southern elevation faces 37th Street and is the home's primary elevation. On 37th Street elevation, the vertical divisions of the facade are emphasized, as compared with the horizontal decorative details. The facade on 37th Street is divided vertically into three parts, with protruding pavilions to the left and right of the main entrance. In addition, both elevations are divided horizontally into three sections: the ground (first) story, the second and third stories, and the roof. The lower two sections have a facade made of rusticated stone and are largely symmetrical. The windows are grouped in pairs, except within the recessed northernmost section of the Madison Avenue elevation, and have smooth window frames. Ground story The main entrance is through a pair of oak doors in the middle of the facade's 37th Street elevation. The doors are flanked by engaged columns, in addition to sidelights with bronze grilles. The lintel above the doors has a cartouche with foliate decorations, which is topped by depictions of cherubs with urns on either side. Above the lintel, at the top of the main entrance doorway, is a transom window which illuminates the space inside. There are console brackets on the doorway to either side of the window, which supports an arched French window. During the Holocaust, at the direction of the Polish government-in-exile, Karski had surreptitiously entered the Warsaw Ghetto and observed Nazi atrocities against the Jews there, and the forced transport of Jews to the Nazi Belzec extermination camp in occupied Poland. The statue also alludes to the fact that he died in 2000 while playing chess. The western (left) pavilion on 37th Street has a rusticated fourth-story facade with a tripartite window; the mansard roof of the western pavilion begins at the fifth story. Within the center and eastern (right) pavilions on 37th Street, the lower half of the fourth story has a smooth facade, while the mansard roof begins at the upper half of the fourth story. The fourth story of the center pavilion has a partial dormer window, whose round pediment protrudes slightly from the roof; there are two smaller windows on either side. Within the eastern pavilion's fourth story, there is a dormer with a segmentally arched pediment above a pair of windows. On the fifth story, there are rounded dormer windows in the center and eastern pavilions and a square dormer in the western pavilion. The copper cresting above the roof has shell decorations. There was one elevator each for residents and servants; a dumbwaiter; an elevator to bring ashes from the basement to the street; and a vehicle elevator. Interior The house has 22 rooms, including seven with ceiling murals painted by Italian artisans. The murals depict angels, women, people dressed in 18th-century attire, and putti. it is flanked by fluted columns at the ground floor and topped by a skylight. A billiards room and a library occupy the Madison Avenue (west) side of the house, while a dining room occupies the east side. The ballroom and music room have a gilded ceiling cornice surrounding a ceiling, The ballroom's walls have gilded pilasters interspersed with lighting sconces and fabric panels. Within the music room, the walls are topped by a gilded entablature, Alice recalled that there was a gilt grand piano in the music room. Within the Pompeian room, the walls are wainscoted with wooden panels, interspersed with Doric columns, and there is a marble fireplace mantel on one wall. Above the Pompeian room's columns are a painted frieze and stained glass panels, the latter of which are backlit. The ceiling is coffered, and there is a panel in the middle. Originally, the Pompeian room had red walls and a Persian carpet, and several murals by Schaettle were placed on the walls. The upper stories were used as bedrooms. On the third story is the former breakfast room, as well as three bedrooms, all with baths. One of the third-story bedrooms was used by J. R. De Lamar, while the other two were guest rooms. The easternmost third-story room has paneling and a frieze on the walls. Its ceiling is painted and has a crystal chandelier and dentils. On the fourth floor is the former sewing room and two additional bedrooms with baths, one of which was for Alice De Lamar. The fifth floor contains the former housekeeper's bedroom and various servants' bedrooms. There is also an attic within the mansard roof, which has a laundry room and a gymnasium. The original bedrooms were redecorated with blue velour after the original art in these rooms was stolen in the late 1910s and early 1920s. == History ==
History
Joseph Raphael De Lamar was a Dutch-born merchant seaman who was born around 1843. After becoming the captain of his own ship in the 1860s, he made a fortune in mining and metallurgy in Colorado and Idaho through the late 19th century. De Lamar also served in the Idaho Senate before ultimately deciding to move to New York City, He married Nellie Sands in 1893, and Sands gave birth to their only child, Alice, two years later. The De Lamar family was living in Paris at the time. paying $254,000 for the land. hiring C. P. H. Gilbert to design the house that month. De Lamar bought a four-story structure at 235 Madison Avenue (just north of 37th Street) from Marion C. Grimshaw that September. In August 1902, Gilbert submitted revised plans to the New York City Department of Buildings for a house measuring . That month, Charles T. Wills was hired as the house's general contractor. The Times estimated the house would be worth $600,000 to $700,000 upon its completion. The construction cost was estimated at $1 million or $1.5 million. At the time of the house's completion, the neighboring residences were occupied by figures such as J. P. Morgan Sr. and J. P. Morgan Jr. The house was valued at $400,000 by the mid-1910s. De Lamar died in 1918 at the age of 75. He left an estate worth $32 million, including a life trust to his daughter, De Lamar bequeathed the house itself to three medical schools: those of Harvard, Columbia, and Johns Hopkins universities. The objects on sale included Beauvais tapestries, silk rugs, and a copy of Hiram Powers's sculpture The Greek Slave. while his estate's executors gave a different valuation of $110,113. Institutional use Attempted sale to American Bible Society By mid-1921, the house was on sale; at the time, the property was valued at $340,000. The proceeds of the sale would be donated to three colleges that were mentioned in De Lamar's will. The American Bible Society signed a contract in May 1921 to buy the house for $275,000, and it made a down payment of $5,000. The society planned to use the building as a Bible store. Although the New-York Tribune reported in June 1921 that another colonel named Floyd Brown was negotiating for the house, to Ella M. O'Kane. The agreement between the De Lamar estate and the American Bible Society had never been rescinded, and the society requested that the executors of De Lamar's estate return their down payment. When the payment was not returned, the American Bible Society sued the estate's executors in the New York Supreme Court in May 1922. The covenant itself was repealed less than a year later. although the De Lamar Mansion and the two residences to the north remained in place. National Democratic Club The National Democratic Club, an affiliate of the U.S. Democratic Party, purchased the building for use as its headquarters in January 1923, paying $287,000 for the structure. The club sold its previous headquarters at 617 Fifth Avenue to pay for the purchase, earning more than $1 million from its old clubhouse, which was demolished to make way for the Saks Fifth Avenue flagship store. Club leaders added a presidential suite and a governor's room, Shortly after the Democratic Club moved into the mansion, it began publishing the National Democratic Magazine from the building. The club replaced some of the original decorations and artwork, obtaining other pieces back. which required the removal of an iron railing in front of the house on Madison Avenue. The Democratic Club had paid off all the mortgages on its Madison Avenue and Fifth Avenue properties by 1926. The club requested in 1930 that the New York City Board of Estimate rezone the land as a commercial site rather than a residential site, claiming that the city government had neglected to rezone the mansion when it rezoned neighboring parcels for commercial use. The board denied this request after opposition from J. P. Morgan Jr., who claimed it would violate the Murray Hill Restrictive Agreement. Another petition to rezone the area was denied the next year. The Democratic Club also added multiple portraits to the De Lamar Mansion, including those of Tammany Hall leader George W. Olvany in 1937 and former club president Thomas J. McMahon in 1938. Members of the club donated additional paintings, including Charles Henry Miller's 1876 painting of the High Bridge and Ralph Albert Blakelock's 1883 painting of the intersection of Seventh Avenue and 55th Street. There was a bar at ground level and an informal library. but this became unnecessary when the organization leased space elsewhere. The Democratic Club remained in the building in the 1950s. Its visitors during the mid-20th century included Democratic U.S. presidents Harry S. Truman, John F. Kennedy, and Lyndon B. Johnson. The National Democratic Club's membership, which had numbered 1,000 in the 1960s, had declined by two-thirds within six years, forcing the club into debt. The club's political influence had declined; furthermore, many prospective members were deterred by high membership dues and were afraid of going out at night. To pay off debts, the Democratic Club's board of governors recommended selling the mansion to the government of Poland that October; the club's members voted to sell the building to Poland the next month. The Jockey Club withdrew its bid for the mansion, allowing Poland's government to buy it, over the next two days, the club sold off the furnishings to raise additional money. At that point, almost none of the original furnishings remained, except for a Steinway piano. and initially had a 75-seat screening room. The building was targeted in a bomb blast in 1976, though it sustained minimal damage. It was also used as a meeting point for demonstrations. In addition, the Polish government began using the building as a polling station in 1989 for the country's parliamentary and presidential elections, Poland's first free election in several decades. The Polish consular office hired Artenova of New York, a local Polish-American restoration firm, to restore the exterior for $200,000 during the early 1990s. The De Lamar Mansion was one of a few Gilded Age–era buildings remaining in Murray Hill by the beginning of the 21st century. The Polish consulate began hosting recitals and other events at the house in 2006 as part of the De Lamar Mansion Salon of Arts & Ideas program. The Polish government installed a statue of Jan Karski outside the building in 2007, following three years of efforts from Polish American Congress member Chet Szarejko and Polish Consul General Krzysztof Kasprzyk. The street corner outside the building was renamed for Karski two years later. The house was an official city landmark, so the New York City Landmarks Preservation Commission had to approve the renovation, and some parts of the house were cleaned with toothbrushes. After the renovation was finished in 2010, the Consulate of Poland opened the second floor to the public for events such as concerts and lectures. == Reception and landmark designations ==
Reception and landmark designations
When the structure was being constructed, one newspaper described the building as "one of the handsomest palaces on Murray Hill". A New York Times writer, describing the mansion in 1958 as having "a kind of forgotten peace", wrote that "even today, the chambers glow with warm murals, sparkle with crystal chandeliers". In their 1985 book Elegant New York, John Tauranac and Christopher Little wrote that the house was "uncontestably one of the grandest expressions of Beaux-Arts in the city, a great French-style palais from its concrete base to the copper cresting atop its mansard roof". In 2017, a writer for Joseph Conrad Today stated that the De Lamar Mansion "is undoubtedly one of the outstanding examples of New York Beaux-Arts residential architecture." and to the National Register of Historic Places (NRHP) on August 25, 1983. Since 2013, it has been located within the expanded Murray Hill Historic District, which is also listed on the NRHP. ==See also==
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