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Kalliroi Parren

Kalliroi Parren launched the feminist movement in Greece and was a journalist and writer in the late 19th and early 20th century.

Early life
Born in Rethymno, Crete, to a middle-class family, Kalliroi Parren attained her primary education at the nun's school in Piraeus. She was very intelligent and knew many languages including Russian, French, Italian, and English. She was invited to Odessa where she worked for two years running the Greek community school for girls. She also went to Adrianople for several years to run the Zapeion School for the Greek community. She finally settled in Athens with her husband, a French journalist named Jean Parren, who established the French press agency in Constantinople. ==''The Women's Journal''==
The Women's Journal
From Athens she launched the feminist movement in Greece with the founding of a newspaper, Ephemeris ton kyrion (''Ladies' Journal''), in 1887. This was a publication run entirely by women and appeared initially as an 8 pg. weekly until 1908 when it changed to a bi-monthly that ran until early 1916. She had a way of communicating with people that enabled her to convince all the famous female writers of her time to contribute to her paper even if those writers thought that they themselves are feminists. The newspaper finally stopped running when in 1917 Parren was exiled by Eleftherios Venizelos administration to the island of Hydra because she supported the Monarchy and because she opposed Greece's involvement in World War I on the side of the Entente. ==Initiatives==
Initiatives
While still in Athens she worked closely with the European and American women's movement and represented the newspaper for the international conferences held in Paris in the years 1888, 1889, 1896, 1900 and in 1893 when it was held in Chicago. She did this for tactical purposes. It was affiliated with the International Council of Women. In 1894 Parren founded the Union for the Emancipation of Women. In 1896, she founded the Union of Greek Women. There was active involvement by the Union in collecting funds, sewing uniforms for soldiers, and training medical staff for the, short-lived, Greco-Turkish War of 1897. ==Literary salon==
Literary salon
In addition to all of those initiatives she also ran a literary salon known as "literary Saturdays." She was friends with Juliette Adam, Gavriilidis, Jules Simon, Xenopoulos and the poet Kostis Palamas. Palamas even wrote a famous poem about her. She was a good friend with both women and men in her literary circles but if she ever felt that someone threatened her feminist interests then she would attack fearsomely. One such instance happened with Roldis, the father of Greek literary criticism, who provoked the famous "querelae over women writers" in 1893. The argument fed the Athenian press for months. ==Novels==
Novels
In addition to publishing her newspaper and running the salon she also produced some novels. They were first published in her ladies newspaper under the pen name Maia. The response to them from the female audience was very enthusiastic. Her first novels were published in three subsequent volumes: I Hirafetimeni (1900; The Emancipated Woman), I Mayissa (1901; The Enchantress) and To Neon Symvoleon (1902; The New Contract). Together these books form a trilogy called Ta Vivlia tis Avyis (The Books of Dawn) and they were about the struggle of Greek women towards self-accomplishment and emancipation. The trilogy was well received and critics Grigorios Xenopoulos and Kostis Palamas spoke of it as providing a generous contribution to the development of the Greek social novel. In 1907 this saga reached a new level of popularity when it was adapted into a play called Nea Yineka (New Woman) which starred Marika Kotopouli who was one of the most famous dramatic actresses of the 20th century. In addition to this famous trilogy Parren also published To Maramenon Krinon (The Faded Lily) and Horis Onoma (Without a Name), which unfortunately has been lost since their initial creation. ==Death==
Death
Parren died in Athens on January 15, 1940. ==See also==
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