Godzilla (franchise)

The Godzilla film series is broken into several different eras reflecting a characteristic style and corresponding to the same eras used to classify all kaiju eiga (monster movies) in Japan. The first, second, and fourth eras refer to the Japanese emperor during production: the Shōwa era, the Heisei era, and the Reiwa era. The last phase of the second is called the Millennium era, as the emperor (Heisei) is the same, but these films are considered to have a different style and storyline than the Heisei era. Over the series' history, the films have reflected the social and political climate in Japan. In the original film, Godzilla was an allegory for the effects of the atomic bomb, and the consequences that such weapons might have on Earth. The radioactive contamination of the Japanese fishing boat Lucky Dragon No. 5 through the United States' Castle Bravo thermonuclear device test at Bikini Atoll on March 1, 1954, led to much press coverage in Japan preceding the release of the first film in 1954. The Heisei and Millennium series have largely continued this concept. Toho was inspired to make the original Godzilla film after the commercial success of the 1952 re-release of King Kong and the success of The Beast from 20,000 Fathoms (1953), the first live-action film to feature a giant monster awakened following an atomic bomb detonation. The success of the Godzilla franchise itself would go on to inspire other giant monster films worldwide. Shōwa era (1954–1975) The initial series of films are named after the Shōwa era (as all of these films were produced during Emperor Shōwa's reign). This Shōwa timeline spanned from 1954, with Godzilla, to 1975, with Terror of Mechagodzilla. The first Godzilla film initially began as a Japanese-Indonesian co-production titled . However, the project was cancelled after the Indonesian government denied visas to Toho's crew due to anti-Japanese sentiments and political pressure. On his flight back to Japan after a failed attempt to renegotiate with the Indonesian government, film producer Tomoyuki Tanaka conceived an idea for a giant monster film inspired by The Beast from 20,000 Fathoms and the then-recent Daigo Fukuryū Maru incident. Tanaka then succeeded in convincing executive producer Iwao Mori to replace In the Shadow of Glory with his monster idea, after special effects director Eiji Tsuburaya agreed to do the film. Tsuburaya initially proposed a giant octopus-like monster, and later a gorilla-like or whale-like monster to reflect the creature's name Gojira, a combination of the Japanese words for and . But Tsuburaya settled on a dinosaur-like monster designed by Teizō Toshimitsu and Akira Watanabe under his supervision. Tanaka handpicked Ishirō Honda to direct and co-write the film, feeling that his wartime experience was ideal for the film's anti-nuclear themes, despite Honda not being Toho's first choice. Principal photography ran 51 days, and special effects photography ran 71 days. Godzilla was first released in Nagoya on October 27, 1954, and released nationwide on November 3, 1954. Despite mixed reviews, it was a box office success. It became the eighth best-attended film in Japan that year, and earned (just under $510,000) in distributor rentals during its initial run, with total lifetime gross receipts of . The film was nominated for Best Picture and Best Special Effects at the Japanese Movie Association Awards, where it won the latter. Starting with Ghidorah, the Three-Headed Monster, Godzilla began evolving into a friendlier, more playful antihero (this transition was complete by Son of Godzilla, where Godzilla is depicted as a more virtuous character) and, as years went by, it evolved into an anthropomorphic superhero. Ghidorah the Three-Headed Monster was also significant for introducing Godzilla's archenemy and the main antagonist of the film series, King Ghidorah. Son of Godzilla and All Monsters Attack were aimed at youthful audiences, featuring the appearance of Godzilla's son, Minilla. Godzilla vs. Mechagodzilla was notable for introducing Mechagodzilla, Godzilla's robot duplicate and the secondary antagonist of the film series. The Shōwa period loosely tied in a number of Toho-produced films in which Godzilla himself did not appear and consequently saw the addition of many monsters into the Godzilla continuity, three of which (Rodan, Varan, and Mothra) originated in their own solo films and another five (Anguirus, Manda, Baragon, Gorosaurus and Kumonga) appeared in their first films as either secondary antagonists or secondary kaiju. Haruo Nakajima mainly portrayed Godzilla since 1954 until his retirement in 1972. However, other stunt actors have portrayed the character in his absence, such as Katsumi Tezuka, Yū Sekida, Ryosaku Takasugi, Seiji Onaka, Shinji Takagi, Isao Zushi, and Toru Kawai. Eiji Tsuburaya directed the special effects for the first six films of the series. His protege Sadamasa Arikawa took over the effects work for the next three films (with Tsuburaya supervising), while Teruyoshi Nakano directed the special effects for the last six films of the series. The Criterion Collection released the Shōwa era films as part of a Blu-ray box set in the United States and Canada on October 29, 2019. Heisei era (1984–1995) '' (1992). Toho rebooted the series in 1984 with The Return of Godzilla, starting the second era of Godzilla films, known as the Heisei series. The Return of Godzilla serves as a direct sequel to the original 1954 film and ignores the subsequent events of the Shōwa series. Despite being released within Japan's political Shōwa era five years before the new Emperor's reign, The Return of Godzilla is part of the Heisei series because it is a direct predecessor to Godzilla vs. Biollante (1989), which came out in the first year of the new Emperor's reign. The Heisei films are set in a single, continuous timeline that brings Godzilla back as a destructive force of nature that is feared by humans. The biological nature and science behind Godzilla became more discussed in the films, showing an increased focus on the moral aspects of genetics. Godzilla vs. King Ghidorah gave Godzilla's first concrete birth story, featuring a dinosaur named Godzillasaurus that was mutated by nuclear radiation into Godzilla. Godzilla was portrayed by Kenpachiro Satsuma for the Heisei films while the special effects were directed by Koichi Kawakita, with the exception of The Return of Godzilla, for which the effects were directed by Teruyoshi Nakano. Millennium era (1999–2004) Toho rebooted the franchise for a second time with the 1999 film Godzilla 2000: Millennium, starting the third era of Godzilla films, known as the Millennium series. Despite them all being released during the Heisei period of Japan, this era is named as such to tie in with the first few years of the third millennium. The Millennium series is treated similarly to an anthology series where each film is a standalone story, with the 1954 film serving as the only previous point of reference. Godzilla Against Mechagodzilla and Godzilla: Tokyo S.O.S. are the only films in the Millennium era to share continuity with each other and are also connected to 1961's Mothra and to 1966's The War of the Gargantuas. Another exception to this rule is 2004's Godzilla: Final Wars, that continues the trend of being a standalone story, but the events of the 1954 film are ignored here, making this the first Toho produced film in the series to do so. After the release of Godzilla: Final Wars, marking the 50th anniversary of the Godzilla film franchise, Toho decided to put the series on hiatus for another 10 years. Toho also demolished the water stage on its lot used in numerous Godzilla, kaiju and tokusatsu films. Yoshimitsu Banno, who had directed 1971's Godzilla vs. Hedorah, secured the rights from Toho to make an IMAX 3D short film production, based on a story similar to his Hedorah film. This project eventually led to the development of Legendary's Godzilla. Tsutomu Kitagawa portrayed Godzilla for the majority of the Millennium films, with the exception of Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, in which Godzilla was portrayed by Mizuho Yoshida. Unlike the Shōwa and later Heisei films, the special effects for the Millennium films were directed by multiple effects directors such as Kenji Suzuki (Godzilla 2000, Godzilla vs. Megaguirus), Makoto Kamiya (Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack), Yuichi Kikuchi (Godzilla Against Mechagodzilla), and Eiichi Asada (Godzilla: Tokyo S.O.S., Godzilla: Final Wars). Reiwa era (2016–present) In December 2014, Toho announced plans for a new Godzilla film of its own for a 2016 release. The film was Toho's reboot of the Godzilla franchise, after Legendary Pictures' reboot in 2014, and was co-directed by Hideaki Anno and Shinji Higuchi (both of whom collaborated on the anime Neon Genesis Evangelion), with the screenplay written by Anno and the visual effects directed by Higuchi. Principal photography began in September 2015 and ended in October of the same year, with the special effects work following in November. Shin Godzilla was released in Japan on July 29, 2016, in IMAX, 4DX, and MX4D to positive reviews and was a box office success. After the release of Shin Godzilla, Toho established a "Godzilla Room", a group consisting of 14 individuals that were tasked with studying all the previous films that involved the character and to ensure that further movies would avoid damaging the brand. The group wrote up a new set of mandated guidelines that all feature films and merchandise had to follow, which involved the prohibition of permanently killing off the character and keeping him from preying on "people or things" to ensure that every appearance remained authentic. In August 2016, Toho announced plans for a trilogy of anime Godzilla films with Polygon Pictures animating the films and Netflix distributing the trilogy worldwide, except in Japan where each film will be given a theatrical release by Toho. The first film, titled Godzilla: Planet of the Monsters, was released on November 17, 2017. The second film, titled Godzilla: City on the Edge of Battle, was released on May 18, 2018. The third and final film in the trilogy, titled Godzilla: The Planet Eater, was released on November 9, 2018. In January 2018, Toho announced its plans to invest () for the next three years beginning in 2019 to co-produce content with Hollywood and Chinese studios who have licensed Toho's properties, such as Godzilla, Your Name and Pokémon. Toho would invest 25% in production costs and would earn a higher share in revenue and manage creators rights, so its creative input would be reflected in each work. In May 2018, Toho's Chief Godzilla Officer Keiji Ota revealed that a sequel to Shin Godzilla would not happen, but expressed interest in a potential shared cinematic series between Godzilla and other Toho monsters akin to the Marvel Cinematic Universe. In 2019, Toho invested () into its Los Angeles-based subsidiary Toho International Inc. as part of its "Toho Vision 2021 Medium-term Management Strategy", a strategy to increase content, platform, real-estate, surpass in profits, and increase character businesses on Toho intellectual properties such as Godzilla. Hiroyasu Matsuoka was named the representative director of the project. In 2019, Toho launched the first official English-language website and the first official English-language Twitter and Instagram accounts for the franchise. In June 2019, Toho revealed plans to present the Toho Godzilla at San Diego Comic-Con for the first time to commemorate the franchise's 65th anniversary, as well as being part of its plan to expand the franchise in the United States. At San Diego Comic-Con, Akito Takahashi, the project manager of Toho's Godzilla Strategic Conference, revealed Toho's intentions to have the Toho and Legendary Godzilla films expand together. He also revealed that the option to reintroduce political themes and old or new monsters would be available to filmmakers, should they choose to pursue it. Akito also expressed interest in re-introducing Mechagodzilla and Jet Jaguar in the future. In October 2020, Toho announced plans for an anime series titled Godzilla Singular Point released on Netflix in 2021, revealing artwork for Godzilla and its principal characters. The project was directed by Atsushi Takahashi, with music by Kan Sawada, written by Toh Enjoe, character designs by Kazue Kato, and animations by Eiji Yamamori. The series was produced by Bones Inc. in partnership with Orange Co., Ltd., featured hand-drawn and CG animation, and had no relation to Polygon's anime film trilogy. On November 3, 2022, during the franchise's 68th anniversary known as "Godzilla Day", Toho announced plans to release a new live-action Godzilla film, Godzilla Minus One, on November 3, 2023, to commemorate the franchise's 70th anniversary. Toho also stated that Takashi Yamazaki was the director, writer, and visual effects supervisor for this new film and that it had entered post-production after recently completed filming. According to Collider, Minus One became the most commercially successful Japanese film in the series and "helped the Godzilla series become more popular than ever before". In 2024, Minus One won the Academy Award for Best Visual Effects, becoming the first Godzilla film to win an Academy Award, as well as the first Japanese film to win Best Visual Effects. In July 2025, Toho International president Koji Ueda revealed that a Shin Godzilla sequel is among the many Godzilla projects in development. American films The Volcano Monsters (1957) The producers of Godzilla, King of the Monsters! – Harry Rybnick, Richard Kay, Edward Barison, Paul Schreibman, and Edmund Goldman – purchased the North American rights to the 1955 sequel Godzilla Raids Again but rather than localize or dub the film in English, they chose to produce a new film that would repurpose the effects footage from Godzilla Raids Again; filming was expected to begin in June 1957. Rybnick hired Ib Melchior and Edwin Watson to write a script, titled The Volcano Monsters, that focused on a new story with American characters centered around the effects footage. Toho approved of the idea in early 1957 and shipped the Godzilla and Anguirus suits for additional photography to be shot at Howard A. Anderson's special effects studio. Rybnick and Barison originally made a deal with AB-PT Pictures Corp. to co-finance the film but plans for The Volcano Monsters were cancelled after AB-PT Pictures folded. Schreibman, Goldman, and new financier Newton P. Jacobs, decided to dub Godzilla Raids Again into English instead. Unproduced 3D film (1983) In 1983, director Steve Miner pitched his idea for an American 3D production of Godzilla to Toho, with storyboards by William Stout and a script written by Fred Dekker, titled Godzilla: King of the Monsters in 3D, which would have featured Godzilla rampaging through San Francisco in an attempt to find its offspring. Various studios and producers expressed interest but passed it over due to high budget concerns. The film would have featured a full scale animatronic Godzilla head built by Rick Baker, stop motion animation executed by David W. Allen, an articulated stop motion Godzilla figure created by Stephen Czerkas, and additional storyboards by Doug Wildey. The production design would have been overseen by William Stout. TriStar Pictures (1998–2000) In October 1992, TriStar Pictures acquired the rights from Toho with plans to produce a trilogy. Director Jan de Bont and writers Terry Rossio and Ted Eliott developed a script that had Godzilla battling a shape-shifting alien called "the Gryphon". De Bont later left the project after budget disagreements with the studio. Roland Emmerich was hired to direct and co-write a new script with producer Dean Devlin. A co-production between Centropolis Entertainment, Fried Films, Independent Pictures, and TriStar Pictures, and grossed $379 million worldwide against a production budget between $130–150 million. Despite grossing nearly three times its budget, it was considered a box office disappointment. Two planned sequels were cancelled and an animated TV series was produced instead. TriStar let the license expire in 2003. In 2004, a new iteration of TriStar's Godzilla appeared in Toho's Godzilla: Final Wars as "Zilla." This variant has since appeared in various media under the "Zilla" trademark, while the incarnations from the 1998 film and animated series retain the Godzilla copyright and trademark. Legendary Pictures (2014–present) In 2004, director Yoshimitsu Banno acquired permission from Toho to produce a short IMAX Godzilla film. In 2009, the project was turned over to Legendary Pictures to be redeveloped as a feature film. Announced in March 2010, the film was co-produced with Warner Bros. Pictures and was directed by Gareth Edwards. Godzilla was theatrically released on May 16, 2014, to positive reviews and was a box office success, grossing $529 million worldwide against a production budget of $160 million. The film's success prompted Toho to produce a reboot of their own and Legendary to proceed with sequels and a shared cinematic franchise dubbed the Monsterverse: with Godzilla: King of the Monsters released on May 31, 2019; Godzilla vs. Kong released on March 24, 2021; the TV series Monarch: Legacy of Monsters released on November 17, 2023, on Apple TV+; and Godzilla x Kong: The New Empire released on March 29, 2024. ==Filmography==

Toho films American films Guest appearances In 2007, a CGI Godzilla appeared in the Toho slice of life film Always: Sunset on Third Street 2. In an imaginary sequence, Godzilla destroys part of 1959 Tokyo, with one of the main protagonists getting angry that Godzilla damaged his car showroom. The making of the sequence was kept a secret. Godzilla has been referenced in, and has briefly appeared in, several other films. Godzilla guest starred in the show Crayon Shin-chan as an antagonist. Godzilla also appears in cave paintings (alongside Rodan, Mothra and King Ghidorah) in a post-credits scene in Kong: Skull Island. In 2019, Godzilla made an appearance in the anime film Shinkansen Henkei Robo Shinkalion the Movie: Mirai Kara Kita Shinsoku no ALFA-X. Localized releases In 1956, Jewell Enterprises Inc., released Godzilla, King of the Monsters!, an American localization of Godzilla (1954). This version removed most of the political themes and social commentaries, resulting in 30 minutes of footage from the Japanese version replaced with new footage featuring Raymond Burr interacting with Japanese actors and look-alikes to make it seem like Burr was a part of the original Japanese production. In addition, the soundtrack and sound effects were slightly altered and some dialogue was dubbed into English. This release is referred to as an "Americanization" or the "Americanized" version by some sources. Similar localizations (or Americanizations) occurred for the U.S. releases of The Return of Godzilla, released in the U.S. as Godzilla 1985, the latter which had Burr reprising the role of Steve Martin from Godzilla, King of the Monsters!. In 1957, the same American producers of Godzilla, King of the Monsters! attempted to produce The Volcano Monsters, a new film that would have repurposed the effects footage of Godzilla Raids Again around a new story with American characters. However, funding from AB-PT Pictures collapsed after the company closed down and Godzilla Raids Again was instead re-cut, dubbed in English, and released in 1959 by Warner Bros. as Gigantis, the Fire Monster. In the early 1960s, American producer John Beck sold the King Kong vs. Prometheus script to Toho (later redeveloped as King Kong vs. Godzilla), and was given exclusive distribution rights (theatrical and television) for the United States, Canada, Alaska, the United Kingdom, and Israel, while Toho retained exclusive distribution for the Far East. The American version slightly altered the story by adding new footage with Michael Keith as Eric Carter, a United Nations reporter covering the events of the film, and Harry Holcombe as Dr. Arnold Johnson, the head of the Museum of Natural History in New York City who tries to explain Godzilla's origin and his and Kong's motivations. Akira Ifukube's original score was replaced with stock music recycled from other films such as Creature from the Black Lagoon (1954), and brief stock footage from The Mysterians (1957). In 1976, Italian director Luigi Cozzi intended to re-release Godzilla in Italy (known by fans as "Cozzilla"). Facing resistance from exhibitors to showing a black-and-white film, Cozzi instead licensed a negative of Godzilla, King of the Monsters from Toho and created a new film in color, adding much stock footage of graphic death and destruction and short scenes from newsreel footage from World War II, which he released as Godzilla in 1977. The film was colorized using a process called Spectrorama 70, where color gels are put on the original black-and-white film, becoming one of the first black-and-white films to be colorized. Dialogue was dubbed into Italian and new music was added. After the initial Italian run, the negative became Toho's property and prints have only been exhibited in Italy from that time onward. Italian firm Yamato Video at one time intended to release the colorized version on a two-disc DVD along with the original Godzilla. ==Reception==

Critical response Toho productions This list includes American versions of Toho originals. There are no critic scores for Return of Godzilla, but for the recut American version of this film Godzilla 1985. }% (1 reviews) American productions Box office performance • N/A = no known data ==Other media==

Television Japan In 1973, Godzilla was featured in Toho's tokusatsu series Zone Fighter, which also featured King Ghidorah and Gigan in a few episodes. Several filmmakers who had worked on previous Godzilla films participated in the series; Tomoyuki Tanaka produced the series, directors Ishirō Honda and Jun Fukuda directed some episodes. Fukuda wrote episode four, effects director Teruyoshi Nakano contributed to the special effects, while Kōichi Kawakita (who would direct the effects for Toho's Heisei era films) served as assistant effects director. In 1992, Toho produced a children's educational animated series titled Godzilland which featured live-action segments mixed with chibi-styled animation. In 1997, Toho produced a children's series titled Godzilla Island, centered on Godzilla toys. Toho made the series available worldwide on their official YouTube channel in November 2022. In 2018, GEMSTONE, a web content subsidiary of Toho, held a competition for filmmakers to produce short films based on the Godzilla franchise with finalists receiving a cash prize and the opportunity to work with Toho in an official capacity. One of these finalists, the puppet short Godziban, would become an ongoing YouTube web series in August 2019, with a selection of 20 episodes being offered on Amazon Prime Video and Hulu in Japan in 2024. In October 2020, Toho announced Godzilla Singular Point; an anime series directed by Atsushi Takahashi, written by Toh EnJoe, and animated by Japanese studios Bones and Orange. Godzilla Singular Point aired on Japanese television in April 2021 and was released worldwide on Netflix in June 2021. Chibi Godzilla Raids Again, a short anime series produced by Toho and Pie in the sky, aired in 2023. United States Godzilla and its likeness has appeared in various television-related media, including Robot Chicken, Roseanne, Animaniacs, South Park, Malcolm In The Middle, ''Chappelle's Show, Rugrats, a Nike commercial with Charles Barkley battling Godzilla, and multiple appearances on The Simpsons, including a Halloween spoof titled Homerzilla''. In 1978, Hanna-Barbera produced the animated series Godzilla and ran for two seasons on NBC. In 2022, Toho made the complete Hanna-Barbera series available worldwide on their official YouTube channel. In 1998, Columbia TriStar Television produced Godzilla: The Series; developed by Jeff Kline and Richard Raynis, the series served as a sequel to the 1998 film Godzilla and ran for two seasons on Fox Kids. In January 2022, Legendary Television announced that Apple TV+ had ordered a live-action series set in the Monsterverse titled Monarch: Legacy of Monsters. Attractions Godzilla has been featured in several theme park attractions across Japan and been the subject of various exhibitions of suits and puppets. Monster Planet of Godzilla was a motion simulator that once ran at Sanrio Puroland in the 1990s. Universal Studios Japan featured temporary 4D film attractions based around Shin Godzilla, including a crossover with Neon Genesis Evangelion as part of their Cool Japan event. In 2019, Nijigen no Mori debuted a Shin Godzilla themed zipline experience titled "Godzilla Interception Operation" accompanied by a permanent Godzilla museum. The Eiji Tsuburaya Museum in Sukagawa, Fukushima features an exclusive short film Dream Challenge: Godzilla Appears in Sukugawa, starring the 1954 Godzilla rampaging through the effects director's hometown. The Seibu-en amusement park's Flying theater features two Godzilla ride films playing in rotation: Godzilla the Ride: Giant Monsters Ultimate Battle and Godzilla the Ride: Great Clash, which released in 2021 and 2025 respectively. Lotte World in South Korea would receive the first Godzilla attraction outside of Japan in the form of the MonsterVerse inspired Kong X Godzilla: The Ride in late 2025. Video games A game called Gojira-kun (which was originally going to be titled Gojiraland) was released for the MSX in 1985. In 1990, Gojira-kun: Kaijū Daikōshin was released for the Game Boy. In 1993, Super Godzilla was released for the SNES. In 2004, Godzilla: Save the Earth was released by Atari. In 2007, Godzilla: Unleashed was released for the Wii and DS. The 2014 video game Godzilla was released by Bandai Namco. In May 2022, Call of Duty: Warzone featured a cross-over event for Godzilla vs. Kong. Godzilla, Gigan, Kiryu, Destoroyah, King Ghidorah and Hedorah are playable in the Kaiju fighting game GigaBash as guest characters. Godzilla appeared in Chapter 6: Season 1 of Fortnite: Battle Royale. Novels A Godzilla series of novels was published by Random House during the late 1990s and the first half of 2000. The company created different series for different age groups, the Scott Ciencin series being aimed at preteens and the Marc Cerasini series being aimed at teens and young adults. To tie-in with the 2014 film, three books were published. Titan Books published a novelization of the film in May 2014, written by Greg Cox. The graphic novel Godzilla: Awakening by Max Borenstein, Greg Borenstein and Eric Battle served as a prequel, and Godzilla: The Art of Destruction by Mark Cotta told about the making of the film. Comics Several manga have been derived from specific Godzilla films and both Marvel and Dark Horse have published Godzilla comic book series (1977–1979 and 1987–1999, respectively). In 2011, IDW Publishing started a new series, Godzilla: Kingdom of Monsters (published in book form under the same title), rebooting the Godzilla story. It was followed by two sequel series, Godzilla (published in book form as ''Godzilla: History's Greatest Monster) and Godzilla: Rulers of Earth (published in book form as Godzilla: Complete Rulers of Earth Volume 1 and Godzilla: Complete Rulers of Earth Volume 2''), as well as seven five-issue miniseries to date. Godzilla has been referenced in The Simpsons comics on three separate occasions. The character is featured in ''Bart Simpson's Guide to Life where it and other kaiju characters such as Minilla and King Ghidorah can be seen; it is featured in the comic "An Anime Among Us!" and K-Bart. Godzilla is also featured in the comic Bart Simpson's Treehouse of Horror 7'' where it and other kaiju can be seen referenced on the front cover. Music Godzilla: The Album, the soundtrack album of Godzilla (1998), sold 2.5million copies worldwide. The album's lead single, "Come with Me" by Puff Daddy featuring Jimmy Page, sold a certified 2.025million copies worldwide. Its Japan-exclusive single, "Lose Control" by Japanese rock band L'Arc-en-Ciel, sold 938,401 copies in Japan. Shin Godzilla Ongakushuu, the soundtrack album of Shin Godzilla (2016), sold 43,951 copies in Japan. Mars (1991), an album by the Japanese rock duo B'z featuring a Godzilla-themed song, sold 1,730,500 copies in Japan. Blue Öyster Cult released the song "Godzilla" in 1977. It was the first track, and the second of four singles, from their fifth studio album Spectres (also 1977). Artists such as Fu Manchu, Racer X and Double Experience have included cover versions of this song on their albums. American musician Michale Graves wrote a song titled "Godzilla" for his 2005 album Punk Rock Is Dead. The lyrics mention Godzilla and several on-screen adversaries such as Mothra, Hedorah, Destoroyah and Gigan. The Brazilian heavy metal band Sepultura has a song titled "Biotech is Godzilla" on its 1993 release Chaos A.D. Composer Eric Whitacre wrote a piece for wind ensemble titled "Godzilla Eats Las Vegas!" The work was commissioned by Thomas Leslie of the University of Nevada, Las Vegas and was premiered in 1996 by the university's wind band. Annotations on the score instruct performers to dress in costume and a "script" is provided for the audience. Since the piece's premiere, it has been performed by notable ensembles including the United States Marine Band and the Scottish National Wind Symphony. The French death metal band Gojira named the band after Godzilla's name in Japanese. The song "Simon Says" by Pharoahe Monch is a hip-hop remix of the "Godzilla March" theme song. The instrumental version of this song was notably used in the 2000 film ''Charlie's Angels. The British band Lostprophets released a song called "We Are Godzilla, You Are Japan" on its second studio album Start Something. The American punk band Groovie Ghoulies released a song called "Hats off to You (Godzilla)" as a tribute to Godzilla. It is featured on the EP Freaks on Parade'' released in 2002. The American artist Doctor Steel released a song called 'Atomic Superstar' about Godzilla on his album People of Earth in 2002. In 2003, the British singer Siouxsie Sioux released the album Hái! with her band The Creatures; the album had a Japanese theme with a song dedicated to the monster, simply titled "Godzilla!". The record label Shifty issued the compilation album Destroysall with 15 songs from 15 bands, ranging from hardcore punk to doom-laden death metal. Not all of the songs are dedicated to Godzilla, but all do appear connected to monsters from Toho Studios. Fittingly, the disc was released on August 1, 2003, the 35th anniversary of the Japanese release of Destroy All Monsters. King Geedorah (a.k.a. MF Doom) released Take Me to Your Leader, a hip-hop album featuring guests from the group Monsta Island Czars, another Godzilla-themed hip-hop group. These albums include multiple Godzilla samples throughout the series. Taiwanese American electronic musician Mochipet released the EP Godzilla Rehab Center on August 21, 2012, featuring songs named after monsters in the series including Gigan, King Ghidorah, Moguera and Hedorah. In 2019, American rock band Think Sanity released their debut album featuring songs based on Godzilla, Mothra, and Hedorah. The songs are titled "Sad Kaiju", "Mothra", and "Sludge", respectively. The monsters are also mentioned by name on the track "News at Six" in which they are comically described by newscaster Chip Bentley as destroying a nearby town. The band has mentioned in interviews that they have also written songs based on Biollante, King Ghidorah, and Rodan as well. Geographic features The largest megamullion, located 600 kilometres to the south-east of Okinotorishima, the southernmost Japanese island, is named the Godzilla Megamullion. The Japan Coast Guard played a role in name, reaching an agreement with Toho who owns the rights to Godzilla. Toho's Chief Godzilla officer Keiji Ota stated that "I am truly honored that (the megamullion) bears Godzilla's name, the Earth's most powerful monster."{{cite web|url=https://www.asahi.com/ajw/articles/14521947|title=Pacific undersea province given name 'Godzilla Megamullion' ==Cultural impact==

Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide and is an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre. It has been considered an allegory of nuclear weapons. The earlier Godzilla films, especially the original Godzilla, portrayed Godzilla as a frightening, nuclear monster. Godzilla represented the fears that many Japanese held about the nuclear attacks on Hiroshima and Nagasaki and the possibility of recurrence. As the series progressed, so did Godzilla, changing into a less destructive and more heroic character. Ghidorah, the Three-Headed Monster (1964) was the turning point in Godzilla's transformation from villain to hero, by pitting him against a greater threat to humanity, King Ghidorah. Godzilla has since been viewed as an anti-hero. Godzilla is considered "the original radioactive superhero" due to his accidental radioactive origin story predating Spider-Man (1962 debut), In 1973, Godzilla was voted the most popular movie monster in The Monster Times poll, beating Count Dracula, King Kong, Wolf Man, The Mummy, Creature From the Black Lagoon, and Frankenstein's monster. In 2010, the Sea Shepherd Conservation Society named their most recently acquired scout vessel MV Gojira. Toho, the people in charge of the Godzilla franchise, served them with a notice to remove the name and in response the boat's name was changed in May 2011 to MV Brigitte Bardot. Steven Spielberg cited Godzilla as an inspiration for Jurassic Park (1993), specifically Godzilla, King of the Monsters! (1956), which he grew up watching. During its production, Spielberg described Godzilla as "the most masterful of all the dinosaur movies because it made you believe it was really happening." Godzilla also influenced the Spielberg film Jaws (1975). Godzilla has also been cited as an inspiration by actor Tim Allen and filmmakers Martin Scorsese and Tim Burton. Awards Won • 1954 Japan Movie Association Awards – Special Effects (Godzilla (1954)) • 1966 Japan Academy Award – Special Effects (Invasion of Astro-Monster) • 1986 Japan Academy Award – Special Effects and Newcomer of the Year (The Return of Godzilla) • 1986 Razzie Awards – Worst Supporting Actor and Worst New Star (The Return of Godzilla) • 1992 Japan Academy Award – Special Effects (Godzilla vs. King Ghidorah) • 1993 Tokyo Sports Movie Awards – Best Leading Actor (Godzilla vs. Mothra) • 1993 Best Grossing Films Award – Golden Award and Money-Making Star Award (Godzilla vs. Mothra) • 1993 Japan Academy Award – Best Score (Godzilla vs. Mothra) • 1994 Japan Academy Award – Best Score (Godzilla vs. Mechagodzilla II) • 1995 Best Grossing Films Award – Silver Award (Godzilla vs. SpaceGodzilla) • 1996 Best Grossing Films Award – Golden Award (Godzilla vs. Destoroyah) • 1996 Japan Academy Award – Special Effects (Godzilla vs. Destoroyah) • 1996 MTV Movie Awards – Lifetime Achievement* • 1998 Golden Raspberry Awards – Worst Supporting Actress and Worst Remake or Sequel (Godzilla (1998)) • 1999 Saturn Awards – Best Special Effects (Godzilla (1998)) • 2001 Saturn Awards – Best Home Video Release (Godzilla 2000) • 2002 Best Grossing Films Award – Silver Award (Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack) • 2004 Hollywood Walk of Fame. – (Godzilla: Final Wars) • 2007 Saturn Awards – Best DVD Classic Film Release (Godzilla (1954)) • 2014 22nd Annual Japan Cool Content Contribution Award (Godzilla (2014)) • 2017 40th Japan Academy Prize – Best Picture, Best Director, Cinematography, Lighting Direction, Art Direction, Sound Recording, Film Editing (Shin Godzilla) • 2017 11th Asian Film Awards – Best Visual Effects (Shin Godzilla) • 2021 21st Golden Trailer Awards – Best Fantasy Adventure TV Spot for a Feature Film ( Godzilla: King of the Monsters) • 2022 47th Saturn Awards – Best Special Effects (Godzilla vs. Kong) • 2024 17th Asian Film Awards – Best Sound and Best Visual Effects (Godzilla Minus One) • 2024 47th Japan Academy Film Prize – Best Picture, Best Screenplay (Yamazaki), Best Supporting Actress (Sakura Ando), Best Cinematography, Best Lighting Direction, Best Art Direction, Best Sound Recording and Best Film Editing (Godzilla Minus One) • 2024 96th Academy Awards – Best Visual Effects (Godzilla Minus One) (*) In 1996 Godzilla received an award for Lifetime Achievement at the MTV Movie Awards. Creator and producer Shōgo Tomiyama accepted on his behalf via satellite and was joined by "Godzilla" himself. Nominations • 2022 20th Visual Effects Society Awards – Outstanding Visual Effects in a Photoreal Feature, Outstanding Virtual Cinematography in a CG Project, Outstanding Effects Simulations in a Photoreal Feature (Godzilla vs. Kong) • 2024 22nd Visual Effects Society Awards – Outstanding Animated Character in a Photoreal Feature for"Godzilla" (Godzilla Minus One) • 2024 22nd Visual Effects Society Awards – Outstanding Visual Effects in a Photoreal Episode ( Monarch: Legacy of Monsters) Name usage "-zilla" is a well-known slang suffix, used to imply some form of excess to a person, object or theme; some examples being the reality TV show Bridezillas and the Netscape-derived web browser Mozilla Firefox. ==See also==