at the success party for
Once Upon A Time In Mumbaai in 2010 At the age of 26, Bhatt made his debut as a director with the film
Manzilein Aur Bhi Hain starring
Kabir Bedi and
Prema Narayan in 1974. His 1979
Lahu Ke Do Rang, starring
Shabana Azmi and
Vinod Khanna in lead roles, won two
Filmfare Awards in 1980:
Helen received her first Filmfare as
Best Supporting Actress and Madhukar Shinde won it for
Best Art Direction. The film did "above average" at the box office. He was noticed and received great critical acclaim with art film
Arth (1982), when he turned to his personal life for inspiration but doubt persists as to whether it is an original film. Later, he made many more films taking insights from his personal life wherein he highlighted personal narratives ranging from out-of-wedlock birth to extramarital affair, and created critically acclaimed works such as
Janam (1985) and
Saaransh (1984), an exploration of an old couple's anxieties in a universe governed by arbitrary violence. Chander Uday Singh of
India Today wrote, ″Although Bhatt has used artistes with little cinematic experience (barring Hattangady and Phule) he draws superb performances from them. Kher stops short of being brilliant only because he occasionally lapses into a vigour out of keeping with the ageing and broken Pradhan. Hattangady, fresh from the success of
Gandhi, remains convincing in the difficult role of Parvati.″ In a retrospective review on films 30th anniversary in 2014,
Sukanya Verma of
Rediff.com wrote, "Bhatt’s finest film, which celebrates its 30th anniversary on May 25, isn’t comfort cinema. Devoid of cheer and falsehoods, Saaransh is armed with a leading man like Anupam Kher who single-handedly enriches its story into an experience so personal, poignant and profound, only the callous can stay unmoved." Bhatt had one of his biggest releases with musical romance film
Aashiqui (1990), in collaboration with
T-Series. The film launched
Rahul Roy,
Anu Aggarwal, and
Deepak Tijori in the lead roles and became a major commercial success due to the hugely popular soundtrack by
Nadeem–Shravan, which catapulted the music director duo into stardom. He launched his daughter
Pooja Bhatt as a lead actress opposite
Aamir Khan in
Dil Hai Ki Manta Nahin (1991). The film was a commercial success and hugely acclaimed for its soundtrack. Bhatt's directorial
Saathi (1991) was the only major success for
Aditya Pancholi as a lead actor, thus giving a boost to his career. Bhatt's biggest release during that time was
Sir (1993). The film launched
Atul Agnihotri opposite Pooja Bhatt and
Naseeruddin Shah was featured in the title role of an aspiring and dedicated teacher. The film was a commercial success and gained critical acclaim for Bhatt's direction and the acting of Shah, Pooja, Agnihotri, and
Paresh Rawal. The film had an acclaimed and popular soundtrack by
Anu Malik, which gave a boost to the music director's stellar career and he joined the league of top music directors of Bollywood. His next directed film was
Gunaah (1993), which starred
Sunny Deol and
Dimple Kapadia. and
Salman Khan at an event In 1995 he moved to television, then a newly opening medium in
India. He made two TV series in 1995: the English language
A Mouthful of Sky written by
Ashok Banker and the popular Hindi language serial
Swabhimaan scripted by the writer
Shobha De. He directed another TV series,
Kabhie Kabhie, in 1997 which was written by
Anurag Kashyap, Vinta Nanda and Kamlesh Kunti Singh. Following this, he directed dramas like
Dastak (1996), the debut film of
Miss Universe 1994-turned-actress
Sushmita Sen, and
Tamanna (1997), and tried his hand at comedy with
Duplicate in 1998.
Zakhm (1998) based on the
Mumbai riots of 1993. Mukhtar Anjoom of
Deccan Herald wrote that "Mahesh Bhatt foolishly swerves and rams the brakes while cruising along a solid theme. By making it personalized, he fails to tackle the wider ramifications of divisive politics and fritters away the opportunity to make a masterpiece of his swansong". His last film as director was
Kartoos (1999) which did average business at the box office. Thereafter, Bhatt retired as a director and took to screenwriting, churning out stories and screenplays for over twenty films, many of which were box-office successes, like
Dushman,
Raaz,
Murder (2004),
Gangster (2006),
Woh Lamhe (2006), based on the life of actress
Parveen Babi, along with many more. His banner vishesh films still continues operating today as one of Indian Cinemas leading production banners. Bhatt entered into the world of theatre with his protege
Imran Zahid as of now he has produced three plays.
The Last Salute, based on
Muntadhar al-Zaidi's book of the same title, a journalist investigating atrocities
Trial of Errors, that opened on 29 March 2013 in Delhi. stage adaptation of Bhatt of his movie,
Arth (film). Bhatt also produced
The Last Salute, a play directed by
Arvind Gaur, based on
Muntadhar al-Zaidi's book, starring
Imran Zahid. Bhatt made his directorial comeback with
Sadak 2 (2020), a sequel to his crime film
Sadak (1991). Due to the
COVID-19 pandemic in India, the film did not release theatrically and was instead premiered on
Disney+ Hotstar. The
death of Sushant Singh Rajput in June 2020 sparked a
nationwide debate on nepotism in the Hindi film industry. Following this, the film’s trailer became the target of
vote brigading on
YouTube, becoming the
second most-disliked video on the platform at the time. Some fans speculated that Rajput’s death was linked to feelings of professional isolation allegedly caused by favoritism within the industry, leading to widespread criticism of industry figures, including Bhatt and his daughter Alia.{{cite web |title=Sadak 2: How nepotism debate has affected Alia Bhatt, Mahesh Bhatt and Bollywood |url=https://www.bbc.com/news/world-asia-india-53766555 |access-date=20 August 2020 |website=BBC News |date=14 August 2020 |archive-date=14 August 2020 |archive-url=https://web.archive.org/web/20200814144105/https://www.bbc.com/news/world-asia-india-53766555 ==Other professional work==