Shell The Chimú people highly valued mollusk shell for its economic and political significance as a luxury good traded over long distances, and the shell was often viewed as a symbol of elite status and divine power. Using shell as a medium for their art and artifacts, the Chimú frequently employed the shell of
Spondylus a type of marine bivalve mollusk. The most abundant
Spondylus species present in Peru are
Spondylus calcifer Carpenter and
Spondylus princeps Broderip,
Spondylus calcifer has red and white hues, primarily used for beads and artifacts.
Uses and symbolism Spondylus shell had a wide variety of uses in Andean culture and took a variety of forms, ranging from whole shells to fragments to ground shell powder. and the image below displays a sling shot made of shell. Representing wealth and power, the shell was ground into powder and spread out before the Chimor king by an official called the Fonga Sigde, forming a "red carpet" for the ruler as he walked. Shell were likewise used for ornamentation of certain buildings and architectural structures. Known as the "daughter of the sea," the
Spondylus shell has also been linked to femininity, with the univalve embodying masculinity.
Spondylus has specialized sensory organs, in particular, sensitive eyes and papillae, that Andean cultures associate with extra sensory protection. Sensitive to temperature changes in water and thriving in warmer waters, the shell was thought to have divinatory powers, and because its migratory patterns are related to
El Niño conditions, its presence is seen as an omen for disaster. Sections of
ciudadelas, large compounds often reserved for the kings and elite individuals, were used as storage areas for shell artifacts, and the architecture and ornamentation of these structures symbolize the treasures of the sea. Los
Buceadores (the Divers), a relief in
Chan Chan in Ciudadela Uhle, displays imagery of a pair of figures in a tule boat, one of whom holds a paddle, and another pair of shell divers beneath the boat and connected to ropes. The relief also features a net-like semicircle, as well as spiny figures that represent shells. While many archaeological sources point to the abundance of shell-working, as the remains of shell workshops and artifacts were uncovered widely in Peru, little evidence documents the movement of
Spondylus from its source in Ecuador to workshops in
Chan Chan. The shell was viewed as an exotic material, and the Chimor control of the exchange of the imported luxury good served as a means of political control, establishing and legitimizing the rule of the nobles. The marine bivalve was likely traded either through independent merchants or state-administered long-distance trade, with a north-south movement of the items. Some Chimú artisans worked in metal workshops divided into sections for each specialized treatment of metals: plating, gold, stamping, lost-wax, pearl, the watermark, and embossing wooden molds. These techniques produced large variety of objects, such as cups, knives, containers, figurines, bracelets, pins, and crowns. They used arsenic to harden the metals after they were cast. Large-scale smelting took place in a cluster of workshops at Cerro de los Cemetarios. Although copper is found naturally on the coast, it was mostly attained from the highlands in an area about 3 days away. Since most of the copper was imported, it is likely that most of the metal objects that were made were likely very small. The pieces, such as wires, needles, digging stick points, tweezers, and personal ornaments, are consistently small, utilitarian objects of copper or copper bronze. The
Tumi is one well-known Chimú work. They also made beautiful ritual costumes of gold compounds with plume headdresses, earrings, necklaces, bracelets, and breastplates. == Religion ==