Box office The film earned ₹17.5
crore in India and ₹3.17 crore in other territories, for a worldwide total of ₹ 20.67 crore.
Laaga Chunari Mein Daag – Journey of a Woman was released on 12 October 2007 across India and select international markets. In India, the film earned a total net collection of ₹17.5 crore, with a gross of ₹24.23 crore. Internationally, it grossed approximately $3.17 million (₹12.44 crore), bringing its worldwide gross to ₹36.67 crore. The film opened on approximately 750 screens in India, collecting ₹2.02 crore on its first day and ₹7.36 crore over its opening weekend. It concluded its first week with ₹11.17 crore. Despite a moderate overseas performance, the film underperformed domestically and was declared a commercial failure. In the United States,
Laaga Chunari Mein Daag earned $675,102, while in the United Kingdom, it grossed £693,500.
Critical response India In India,
Laaga Chunari Mein Daag received generally negative reviews. Critics frequently cited the film’s screenplay as outdated and the narrative as overly familiar.
Raja Sen of
Rediff.com wrote that it represented "a kind of cinema we thought we were done with," adding, "Indian cinema threw off the dupatta just a little while ago; let's not shackle it back down."
Taran Adarsh of
IndiaFM (now
Bollywood Hungama) described the film as one that "stands on a shaky script and has all chances of slipping." Martin D’Souza of
Glamsham referred to it as "a big letdown" in comparison to director Pradeep Sarkar’s earlier film
Parineeta (2005).
Hindustan Times found the film derivative and likened its plot to earlier melodramas, calling it "vintage 1977" and drawing comparisons to the Hindi film
Aaina and the Marathi film
Doghi (1995).
International The film received a more mixed reception internationally. On the
review aggregator website
Rotten Tomatoes, 50% of six critics’ reviews were classified as positive.
Frank Lovece of
Film Journal International called it "a good old-fashioned,
Douglas Sirk-style women's weepie" and praised its emotional accessibility, remarking that "you could substitute
Joan Crawford for
Rani Mukerji and
New York City for
Mumbai." Maitland McDonagh of
TV Guide described it as "solidly entertaining" but noted that it "breaks no new ground." In contrast, David Chute of
LA Weekly criticized the film for sanitizing its themes, stating that it "works so hard to transform its shocking subject into acceptable material for middlebrow melodrama that it never deals with it." Rachel Saltz of
The New York Times characterized the film as "a fascinating blend of musical, melodrama and feminist fairy tale." ==Accolades==