In the earlier related series
The Sandman, written by
Neil Gaiman, Lucifer abandoned his lordship over
Hell. While Lucifer had previously appeared in various stereotypical guises in earlier
DC Comics books, Gaiman's version was premised on the more heroic and morally grey incarnation present in English poet and prose writer
John Milton's
Paradise Lost. At Gaiman's request, the character was originally modeled after
David Bowie at the time. In
The Sandman, Lucifer is introduced as the Lord of Hell, having ruled for over ten billion years after rebelling three seconds against
Creation. Over that time, he had led his defeated followers to Hell after they were cast out of Heaven, established dominance over the demons of Hell through manipulation, and fashioned his realm into a place of eternal torment to punish deceased sinners unworthy of entering Heaven. However, at some point during his rule, Lucifer had grown weary of his existence. He became tired of the various
stereotypes and
prejudices that mortals held of the devil, such as the idea that he purchased or sought human souls (which was largely untrue), or that he forced mortals to commit evil acts. He was also fed up with having nothing to do in Hell and felt it an unfair punishment that he should remain there simply because he had rebelled once. In
The Sandman story "
Season of Mists", Lucifer expels all the demons and damned souls from Hell before closing the gates and handing over the key to Hell to
Dream of the Endless, the title character of the
Sandman series. Eventually, Hell was reopened under the stewardship of the angels
Duma (the angel of silence) and
Remiel ("set over those who rise"), while Lucifer simply retired to Earth, initially to
Perth, Western Australia, and later to
Los Angeles, California. By the end of the series, however, it is revealed that Hell was not a punishment but a gift: as Lucifer had expressed his desire never to submit to God, he was intentionally driven to a place as far from the throne of light as possible, where he could truly be free of God's design. Lucifer did not create the features of Hell - Hell simply formed itself around him.
Solo series Lucifer was the main character in an eponymous series that ran for 75 issues (plus the
Lucifer: Nirvana one-shot issue) from June 2000 to August 2006, the entire run of which was written by
Mike Carey. This series was preceded by Carey's
The Sandman Presents: Lucifer miniseries in 1999. To Carey, the essence of the character was: "We play safe. Most of us do, most of the time... but Lucifer doesn't know the meaning of safe, and he never bothers to look down at the tramlines. He does whatever the hell he likes, picks his fights where he finds them and generally wins... following [his] own will and [his] own instincts to the very end of the line, no matter what the obstacles are." In the series, Lucifer runs a
piano bar (an element introduced in
The Sandman story "
The Kindly Ones") called "Lux" in Los Angeles. Lucifer is portrayed as a sophisticated and charming man, in accordance with the stereotypical gentleman devil. The theme of the
Lucifer series revolves around the
free will problem. Carey's Lucifer is a figure representing the will and individual willpower, who challenges the "tyranny of
predestination". While this is
blasphemy in Heaven's eyes, Lucifer points out that the rebellion (and indeed all sin) and
damnation as consequence were pre-planned by his Creator, God. Lucifer rejects God's rule and moral philosophy as tyrannical and unjust. The violent, aggressive, totalitarian, vengeful, and dictatorial aspects of Heaven's rule are represented mostly by the angel Amenadiel, who has a particular hatred of Lucifer and leads attacks of various kinds against him. The attacks include verbal criticism, marshaling the
host of Heaven, as well as challenging him to individual combat—almost all of it without the slightest care for the countless innocent, unwilling and unwitting victims that he is more than willing to sacrifice for his own pride. For his part, Lucifer disdains Amenadiel, treating the latter's emotional outbursts with contempt, and repeatedly defeats Amenadiel's assaults with well-orchestrated, hidden plans. Ironically, however, it is often difficult to discern when Lucifer acts as a slave to predestination, and when he effectively acts according to his own free will. Elaborate codes of conduct and schemes of entrapment based on these codes are vital elements of the DC/Vertigo magical universe. Lucifer appears as a master of these arts. In an encounter during the first
Sandman story arc (around issue #5) a weakened Dream outsmarts Lucifer. Lucifer first swears revenge on Dream, but later comes to accept Dream's critique of his role and project as Lord of Hell. This inspires Lucifer's abdication, a vital element of the
Sandman saga, and the point of departure for the
Lucifer series. Despite his theological title as the "Lord of Lies", the refusal to lie is central to the moral position of the character – he sees himself as a neutral or amoral facilitator of forces within individuals, and Lucifer actively and effectively combats what he regards as corrupting moral codes. While he avoids lying, his morality seldom extends to compassion and Lucifer regards the sacrifice of millions of souls as unimportant
collateral damage; there are few, if any, beings that he respects and even fewer for whom he cares. As the series opened in 2000, Lucifer's "restful" retirement was disturbed by a series of associates from his past. After various catalytic events, he endeavored to create a universe in competition with (and presumably against the wishes of) his father,
Yahweh. This puts him on a collision course with several powerful mystical entities that have a vested interest in the new creation and draws the angelic host into the fray – including his brother, the archangel
Michael Demiurgos, and his niece,
Elaine Belloc. The series paralleled
The Sandman in several ways, with epic fantasy stories being told in arcs separated by one-shot episodes depicting a smaller, more personal tale. Unlike
The Sandman, the series has had a consistent art team in
Peter Gross and
Ryan Kelly, with most of the odd issues illustrated by
Dean Ormston. The title's 50th issue was penciled by
P. Craig Russell, a homage to
The Sandman #50. Structurally, the series mostly follows its own path. Numerous gods appear, with greater focus on
Judeo-Christian-Islamic religion (as viewed by Milton in
Paradise Lost),
Japanese mythology and
Norse mythology than in
The Sandman. As for the
Endless themselves, Dream,
Death,
Delirium and
Destiny appear, but their appearances are small and rare. Destiny, perhaps, plays the biggest role in so far as he represents predestination, which Lucifer of course finds "offensive as a concept", stating that Lucifer knows Destiny is "really just a SIDE effect of [Lucifer's] FATHER, or rather, his deterministic APPROACH to the act of creation." Cover artists included
Duncan Fegredo,
Christopher Moeller, and
Michael William Kaluta. The letters are inconsistent, with the first half of the series carrying particularly established fonts of Gaudium, Michael, and God, only to drop almost all of them, save Lucifer's, towards the end with numerous changes in the letterers. The series ended in June 2006 with issue #75. Thus far, it has been collected in 11 books, with a one-shot issue (
Lucifer: Nirvana) published as a smaller
graphic novel. The series' parent title,
The Sandman, also ran for 75 issues. When Lucifer ventures outside Creation, he sees something resembling the comics pages themselves. At the end of the
Lucifer story arc, God and the devil are no longer part of the universe, and a former human (Elaine Belloc) is instead presiding over it. New concepts for Heaven and Hell are created, inspired and influenced by other human or superhuman characters in the story. The new situation is described on several occasions by the fallen cherubs Gaudium and Spera. In essence, it is "growing up"; i.e., the need to find one's own truth and values without being directed by parents, elders, teachers, authority figures, etc. Lucifer himself, his whole identity having been forged by that same motive, scoffs at his Father's final offer: to merge their beings (described by God as a
potlatch) so that they can finally understand one another's perspective. As this would be the final expression of God's will (even when delivered from "outside the plan", as he puts it), Lucifer finds the ultimate expression of his own defiant will by refusing the bargain and travelling beyond his Father's influence into the undefined void.
The New 52 In September 2011,
The New 52 rebooted DC's continuity. In this new timeline, Lucifer is much more influenced by traditional
Christian theology. He is depicted as a malevolent, sadistic, and cunning
fallen angel who rules Hell and seeks to possess human souls. He is held with great respect and fear by the denizens of Hell, who serve and obey him like a king. Lucifer himself, however, is mostly bored with his existence when the group known as the Demon Knights are captured by him during the early Middle Ages and passes the time by finding small amusements, such as watching the struggles and falls of
Etrigan the Demon. Lucifer made a more physical appearance in
I...Vampire #19 after being tipped by
John Constantine in destroying
Cain. Lucifer immediately sentences Cain and drags him to Hell, though a being claiming to be him has appeared in the Modern Age of DC Comics to the superhero
Deadman. The versions of Lucifer, Michael, Gabriel, Cain and Abel in mainstream
New 52 are not of the same continuity as the versions in the previous or later Lucifer comics and are currently noncanonical to the Vertigo
Sandman-
Lucifer-
Hellblazer continuity, in which Lucifer is not ruling Hell and Cain has not been destroyed or banished to Hell. In fact, Cain (restored to his original / New Earth version) appeared in DC's
Dark Nights: Metal #2 as a member of the Immortal Men with his brother Abel. Cain, Abel, Gabriel, and Lucifer (the Pre-
Flashpoint versions) currently appear in the Sandman Universe Comics from Vertigo. Cain, Abel, Daniel Hall (Dream), and Lucien also appeared in DCs'
Dark Nights: Metal in these forms, re-establishing their Pre-
New 52 incarnations in both DC and Vertigo.
Volume 2 (2015–2017) This volume continues from where Lucifer left off before
The New 52 (the
New 52 version not being canon to this continuity). As this series begins, God is dead and Gabriel has accused Lucifer of His murder. Lucifer had motive and opportunity but claims he can prove his innocence. If Gabriel finds the killer and takes the culprit into custody, his sins will be forgotten, and he will be welcomed back into the Silver City. Despite the fact that Lucifer has just opened a nightclub on Earth and is hiding a mysterious wound, the two brothers set off to solve their Father's murder. This version is not considered canon to the
Lucifer comics starting in late 2018. Those will continue from where the Mike Carey continuity ended. ==Powers and abilities==